Tag Archives: stand

Food Cart, Fifth Avenue

Food Cart, Fifth Avenue
A food cart vendor on 5th Avenue, near Central Park, Manhattan.

Food Cart, Fifth Avenue. © Copyright 2022 G Dan Mitchell.

A food cart vendor on 5th Avenue, near Central Park, Manhattan.

This photograph comes from the second of our two recent visits to Manhattan, this one about a week into the month of October. The previous visit was in August. (I can just hear the New Yorkers: “What!! You went to New York City in August? Are you nuts?”) Let’s just say that the weather on the first trip was different than on the second. In October it was quite pleasant, and there was a hint of autumn. Things seemed to be slowing a bit, and the light was different. In fact, in the urban canyons of Manhattan, the later sunrise meant that many places were still in shadow later in the day, including this street corner along the east side of Central Park.

We were staying a few blocks west of Central Park, and on this morning we went out for a walk through the park. I came upon this food cart when we reached the far side of Fifth Avenue. Two things catch my attention about this cart. First, it sure isn’t very busy! Second, because of those shadows the cart’s lights almost make it look like evening. It also occurs to me that something about the colors of light and shadow and the empty streets creates a sort of autumnal feeling.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Pine and Aspen, Eastern Sierra

Pine and Aspen, Eastern Sierra
A pine tree backed by aspens, forest, and Eastern Sierra Nevada mountains.

Pine and Aspen, Eastern Sierra. © Copyright 2022 G Dan Mitchell.

A pine tree backed by aspens, forest, and Eastern Sierra Nevada mountains.

This scene seems both typical and atypical of the Sierra Nevada. The familiar aspects are perhaps obvious, particularly if you spend time on the east side of the range. There is a solitary pine at the edge of dry, sagebrush meadow, with more such trees in the background. Aspens are mixed in with the pines, and in the distance they climb the hillside. Overall there aren’t really a lot of trees, and the views are quite open. Slopes climb steeply along the sides of the valley and toward the Sierra crest beyond.

What is atypical? For one thing, I made the photograph in virtually the middle of the day. I had started back home to the Bay Area that morning, thinking I’d drive through once the early morning light was gone. But the high, thin clouds softened the light enough in some locations to make midday photography attractive. Although my initial reason for going to this spot was to scout (and then to stop to eat my lunch), I ended up photographing. Another slightly unusual factor is the rather excellent aspen color, even high up in the mountains, at the end of the third week of October. I think the color sustained more this year due to climate and weather factors — it has been relatively warm and dry here during aspen season.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Three Women, Grant Street

Three Women, Grant Street
Three women stand in front of a Grant Street storefront at night, San Francisco.

Three Women, Grant Street. © Copyright 2021 G Dan Mitchell – all rights reserved.

Three women stand in front of a Grant Street storefront at night, San Francisco.

At this point I’m not sure I recall the exact circumstances that had me in this part of San Francisco after dark, but from the group of photographs that I have in my archive I can tell that I had made my way to the Chinatown district by evening, and after photographing there headed south past the Moscone Center, all of which suggests I had gone up there and back on the train. Taking the train to San Francisco for a day of street photography has long been a favorite activity, though I think it has now been about two years since the last attempt, aside from a few brief forays when I was up there this past fall for a couple of shows.

This San Francisco district, and others like it, are great places to photograph after dark, especially if you can work quickly, in street photography style, using a small handheld camera. There is often a fair amount of light from the combined sources of street lights, passing traffic, and the often-colorful lights spilling from commercial storefronts. With a small camera, especially at night, I can photograph without being so obvious that I intrude on the scene myself. One theme in my night street photography is people doing seemingly unusual things in a very normal human fashion. This appears to be a group of three friends passing through this area, but pausing to look in an unusual direction for just a moment.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Waiting Man

Waiting Man
A man stands at the curb with his head bowed, San Francisco.

Waiting Man. © Copyright 2021 G Dan Mitchell – all rights reserved.

A man stands at the curb with his head bowed, San Francisco.

This photograph comes from a day spent doing street photography while walking through San Francisco… just a few short months before our world changed in early 2020 and such activities become difficult, if not impossible. I still photograph “street” a bit in the areas not far from where I live, but I haven’t been back to shoot this way in San Francisco since the “before times” — though I’m starting to imagine being able to do so once again. I did just a bit of this kind of photography when I spent a few days up there during our Open Studio event at a gallery in North Beach, though I’m still distracted by streets full of masked people.

I know that some people wonder why this “nature photographer” wanders off to photograph urban environments, and some are even perplexed by the photographs. There are lots of reasons for a landscape photographer to also be a street photographer. In some ways the genres are complementary, and doing one actually has the potential to improve the other. If nothing else, photographing street can remove the “I don’t have anything to photograph!” excuse, since there’s potentially something right outside your front door. In addition, for photographers who are often more comfortable photographing things than people, this work can be a way to stretch your boundaries.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.