Tag Archives: steep

Photographs: Nature, Photographs: Owens Valley, Photographs: Sierra Nevada

Buttermilk Range, Morning

October 22, 2011 G Dan Mitchell 2 Comments

Early morning light strikes a ridge in the Buttermilk Range, with the eastern escarpment of the Sierra Nevada in the background.

While in the eastern Sierra last week to photograph aspen color again, I detoured away from the trees at sunrise one morning to photograph the first light striking these hills in the Buttermilk Range above Bishop, California, with a steep section of the Sierra’s east escarpment beyond. The light in this area is often spectacular in the early morning, but it can be especially so when there are some clouds in the sky as was the case on this morning. While it was almost completely clear to the west over the Sierra crest, the sky to the east held some broken clouds which cast alternating patterns of light and shadow across the landscape. Here, while the light on the foreground rocky ridge was very intense and saturated, some haze muted the more distant ridge and the shadow from those clouds slightly obscured the lower slopes.

The Buttermilks are yet another example of the range to subjects to be found in the eastern Sierra. Sometimes I head to these mountains with a plan of shooting a particular subject or even a particular place, but this doesn’t always work out. The weather may change or my schedule may change. Fortunately, if the original subject doesn’t work, there are almost always other choices! This small range tucked up against the Sierra above Bishop – like many other similar places along the “east side” – contains a wealth of photographic subjects to explore.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Point Reyes Lighthouse, Pacific Ocean

June 8, 2011 G Dan Mitchell 2 Comments

Afternoon light reflects on the surface of the Pacific Ocean beyond the Point Reyes lighthouse.

(Some of the following is repeated from a previous post of the same photograph in a color version.) Although our trip to Point Reyes was not primarily to do photography, somehow I ended up bringing back quite a few photographs! This photograph was made from the iconic overlook at “the point” and right above the long stairway down to the historic lighthouse. On this afternoon high clouds were streaming in from the Pacific and casting a mottled pattern of light and shadows on the surface of the Pacific Ocean.

This spot is often completely socked in by clouds and/or extremely windy and cold. However, this was perhaps the most benign afternoon I’ve experienced there. The temperatures were very comfortable – we were a bit too warm on the walk to the point. The sun was out, and the wind was nearly still at times.

I wasn’t certain when I made the exposure of whether it would end up being a black and white or a color photograph. I’m still not sure! I’m sharing the color version first, but a black and white rendition will follow shortly.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Point Reyes Lighthouse, Pacific Ocean

June 7, 2011 G Dan Mitchell 3 Comments

Afternoon light reflects on the surface of the Pacific Ocean beyond the Point Reyes lighthouse.

Although our trip to Point Reyes was not primarily to do photography, somehow I ended up bringing back quite a few photographs! This photograph was made from the iconic overlook at “the point” and right above the long stairway down to the historic lighthouse. On this afternoon high clouds were streaming in from the Pacific and casting a mottled pattern of light and shadows on the surface of the Pacific Ocean.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Boulders and Spring Torrent, Cascade Creek

May 25, 2011 G Dan Mitchell 4 Comments

I recently posted the black and white version of this photograph of Cascade Creek in full spring flow.

The color version of this photograph posed a series of post-processing questions and problems that others who have worked with a scene like this one can probably imagine. The creek descends through a narrow, rocky gorge at this point and I photographed it early in the morning before any direct sunlight was able to reach the water. Benefits of shooting at this time included the softer light, which tends to both throw some light into the shadows and to soften the brightest highlights. This also permits a longer exposure which allows the water to blur a bit and express the wild motion of the creek. However, since the primary source of light was the open sky, the camera “sees” a very blue scene. (Our visual system compensates for this, so it doesn’t look as blue as it really is when you are on the scene.)

There are several ways to deal with the color balance issues that this situation creates. You could just “go with the blue,” and I’ve seen photographs done that way. I’ve even seen some in which the photograph amped up the saturation and ended up with something very blue. In general, that’s not my thing! I’m most often looking for something that seems “believable” – it may not be objectively accurate, but I intend it to be “subjectively accurate.” With this in mind, my first instinct was simply to warm the color balance in order to move away from the blue cast and toward a warmer one.

My immediate impression was that this was an improvement, and I worked with this interpretation for several days – but something about it didn’t sit quite right with me. (This is perhaps one reason that I also worked with the black and white rendition in the meantime.) Eventually I did some comparisons between the “warmed up” version and the original… and neither seemed like what I was after. The overly blue original looked garish but the overly warm version seemed artificial. I tried some other approaches and finally discovered that because the blue was so intense that I could simply desaturate it – more than you might think – and keep the “colder” coloration without letting it overwhelm the image.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.