Afternoon light reflects on the surface of the Pacific Ocean beyond the Point Reyes lighthouse.
Although our trip to Point Reyes was not primarily to do photography, somehow I ended up bringing back quite a few photographs! This photograph was made from the iconic overlook at “the point” and right above the long stairway down to the historic lighthouse. On this afternoon high clouds were streaming in from the Pacific and casting a mottled pattern of light and shadows on the surface of the Pacific Ocean.
This spot is often completely socked in by clouds and/or extremely windy and cold. However, this was perhaps the most benign afternoon I’ve experienced there. The temperatures were very comfortable – we were a bit too warm on the walk to the point. The sun was out, and the wind was nearly still at times.
I wasn’t certain when I made the exposure of whether it would end up being a black and white or a color photograph. I’m still not sure! I’m sharing the color version first, but a black and white rendition will follow in tomorrow’s post.
A man descends the Peter Macchiarini steps past worn and dilapidated buildings in downtown San Francisco.
I photographed this rather bleak scene on a side street in San Francisco last summer. I first walked up this street to photograph the “Peter Macchiarini Steps” that ascend steeply here in place of a normal sidewalk. Then I saw the opposing shapes of the large square ductwork and the smaller round pipes against the weathered and dilapidated exterior of the buildings. Finally, I found that the occasional person descending the steps might add a point of interest, so I waited…
When I look at a photograph like this one I see layers of different things – but maybe that’s just me! :-) At one level it is just a slightly gritty little street scene, presented in a pretty unvarnished manner. (I did some work to straighten angles and so forth in post – I generally don’t get to use tilt/shift lenses when I shoot street!) Then I see several interesting-to-me geometries in the scene. I mentioned above the opposing bends of the pipes and ducts and their relative positions on the wall. I also see a collection of rectangular shapes throughout the frame: the lighter area of wall behind the figure, the doors in the lower center, the small window above the doors, the three upper windows, and the sections of wall between them. Then there are a bunch of horizontal components: the large lighter band across the upper center, the very small patterns of the siding, the sequence of upper story windows against siding, the lower edge of the siding. And within these separate layers of order there are things that don’t quite fit. The man of course, wearing black and in motion with one foot suspended in mid-step, but also the trash can in front of him – also black, the bits of conduit running in odd directions, the small section of pipe in front of the door, and the concrete sidewalk steps.
Of course, you are free to see a picture of some guy walking down the steps…
Laundry is hung to dry on fire escape above the streets of Chinatown, San Francisco.
This is a photography from one of my early morning photo-walks in San Francisco last summer. I take the train to the City very early in the morning and then walk. A lot. On this morning I passed through Chinatown on my way to the North Beach area fairly early in the morning – well before the tourist crowds showed up. A few blocks from the main tourist area it is a different world with markets opening up, deliveries being made, and busy people everywhere. I was working in more or less traditional street photographer style – to the extent that someone armed with a DSLR can do that ! – and shooting with just a 50mm prime lens on the camera and trying to work quickly as images presented themselves.
I imagine that many people who pass through here may easily be so focused on the activity at the street level that they might not look up. It often strikes me as surprising that in areas where so much is going on at street level – many people, colorful shop fronts, lots of action – the fronts of buildings right above present a completely different appearance. The first thing that caught my attention here was the laundry festooning the fire escape landings. But I also like the geometry of dark landings, ladders, and pipes against the lighter stucco wall, and the wonderful light coming through the morning haze from upper right and casting the lined shadows across the walls of the building.
The light of the full moon illuminates the facade of a wooden building, and outside stairway, and passing overhead fog clouds at Mare Island Naval Ship Yard.
Since I was out doing night photography this weekend, I’m going to use this as an excuse to insert a night image into the recent stream of Death Valley photographs. (There are more of those, but a bit of variety can’t hurt.) I got an email from Tim Baskerville, the guiding light (guiding dark?) of The Nocturnes, the San Francisco Bay Area night photography group. Tim has introduced and guided many new night photographers over the past few decades, and The Nocturnes group is a sort of loose collective linking together lots of night photographers and providing instruction, online resources, and shows of night photography work. As this is the 20th year for the group, lots of special activities are taking place and this little spontaneous get-together at Mare Island was one of them.
A small story from this weekend’s shoot may illustrate the widespread effect of Tim’s work with night photography in general and with the Mare Island location specifically. Those of us who were to meet Tim at Mare Island arrived to find other photographers already assembled at the indicated meeting place – but we didn’t really recognize most of the group. It turns out that another night photography group (loosely organized, as I understand it, by Thomas Hawk and Ivan Makarov) was going to be there as well. We spoke with them a bit and then they departed for the far end of the island. (They returned later and we worked side by side.) But then, a few minutes later, more vehicles began to show up and we thought that they might be the rest of our group, especially when someone asked “Are you the Nocturnes?” But no, this was a third night photography group, this one out of Sacramento!
In any case, as the light diminished and night came on we started shooting. We had a nearly full moon, which can be a wonderful asset, not so much as a subject (it is very difficult to include the full moon in night shots) but for the beautiful light is sheds on other subjects that might otherwise be very dark. On top of that, we had a combination of some high clouds (which are relatively stationary) and low fog (which creates a nice luminous glow as it quickly passes). I decided to begin the evening’s work by photographing this wooden-sided building and its outside staircase, illuminated by the moonlight, and with a bit of the cloudy sky and faint star trails.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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