Tag Archives: stock

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Skeletal Tree and Sandstone Cliff

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Skeletal Tree and Sandstone Cliff - The skeletal remains of a dead tree stand in front of a sandstone cliff, Zion National Park
The skeletal remains of a dead tree stand in front of a sandstone cliff, Zion National Park

Skeletal Tree and Sandstone Cliff. Zion National Park, Utah. April 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The skeletal remains of a dead tree stand in front of a sandstone cliff, Zion National Park.

I’m a bit embarrassed to admit that I don’t recall exactly where I made this photograph. I’m pretty certain that I made it near the start of a walk up the Virgin River in Zion National Park in the afternoon, near the feature known as the Temple of Sinawava. Actually, I’m certain of all of that with the exception of knowing precisely where in the Temple of Sinawava area I made it. I do recall paying special attention to these red rock walls and looking for various subjects that I might combine with them to make photographs.

Speaking of the sandstone walls… on this side of the canyon and at this mid-afternoon time of day, little to no direct light makes it down to the floor of the canyon. So the lower walls are almost entirely in shade. However, the sun most certainly is still striking the upper canyon walls, and the reflected light from the sun-lit areas works like a giant light panel, reflecting softly diffused light down into the canyons and gently warming the colors that would otherwise be quite cool. (In other words, blue.) The diffused light causes even the shaded areas, such as recesses in the rock, to retain some details. And because the light is reflected from and into red sandstone canyon walls, the color of the light only gets warmer, and down in the canyon the color can be quite beautiful.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Textures, Photographs: Urban/Street

Door Number Three

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Door Number Three - A loading dock door (#3) and a dilapidated and worn side door in a concrete wall, San Francisco.
A loading dock door (#3) and a dilapidated and worn side door in a concrete wall, San Francisco.

Door Number Three. San Francisco, California. April 20, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A loading dock door (#3) and a dilapidated and worn side door in a concrete wall, San Francisco.

There is not a whole lot to write about this photograph, except that it is another in a sequence of photographs that I made in a small alley off of the Embarcadero in San Francisco, an alley that extends between buildings toward the waterfront and which has often been locked up when I have walked by there previously. Since it and several similar alley ways were open on this morning, I took the opportunity to wander into them and photograph some of the old buildings that sit on these waterfront piers, focusing mostly on small details.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Moonrise, Clouds, and Sandstone Towers

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Moonrise, Clouds, and Sandstone Towers - The full moon rises through thin clouds above sandstone towers, Arches National Park.
The full moon rises through thin clouds above sandstone towers, Arches National Park.

Moonrise, Clouds, and Sandstone Towers. Arches National Park, Utah. April 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The full moon rises through thin clouds above sandstone towers, Arches National Park.

This was a very challenging evening for photography, but I’m happy with some of the results nonetheless. We had gone into Arches National Park and made it to the first big group of arches and other formations not far from what I recall was identified as Balancing Rock. Not far from here there is an impressive amphitheater of red rock sandstone, and all through this area a truly astonishing number of arches of various forms and sizes may be found. Since it was late in the day, we figured we would stake out our ground for golden hour and dusk shots right around here.

However, there were a few challenges. First, we were arriving at this spot for the very first time, with no previous research, and it was basically time to start shooting right about now! There was little to no time for scouting, so I headed up a trail towards a likely looking area of sandstone to see what I could find as the sunset approached. I soon discovered a second issue, or perhaps realized that an issue I had known about was going to be more challenging than I had hoped – it was very windy! As the light dims this becomes more of a problem as exposures necessarily lengthen. At some point, there is virtually no tripod that is steady enough, even when weighted, to hold a camera and lens rock steady in a near gale. I have some tricks up my sleeve though, and eventually I searched out some camera positions that were sheltered by rock towers and walls. By this time, the sun had dropped below the horizon and I was now shooting it twilight, which can provide some of the most beautiful light of the day when the right sort of “glow” occurs. It turned out that the full moon was just rising, though not over the main, iconic formations. There is usually a narrow window of exposure opportunity for photographing the moon. The moon is hard to shoot effectively in full daylight, but after dark it is far too bright for the ambient light – so one ideal is to shoot it in this time right around dusk when there is just the right balance of moon light and ambient light. Lucky for me, high thin clouds moved across the sky to the east and moderated the brightness of the full moon, allowing me to continue shooting in darker conditions so that I could make this exposure of the moon rising above nearby sandstone formations.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Deals and Sales, Equipment

Canon EOS 5D Mark III 24-105mm Lens Kit Back in Stock at B&H

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I see that the Canon EOS 5D Mark III Digital Camera Kit with Canon 24-105mm f/4L IS USM AF Lens is back in stock at site-sponsor B&H Photo. The camera was recently announced, but initially was very hard to find – and then became virtually impossible to find while Canon was dealing with some inevitable first-batch issues. But it sounds like those issues have now been resolved, and the camera is again becoming available.

The 5D3 is in some ways very similar to the previous model, the 5D2. The MP count is only very slightly higher – and the small increase won’t have any practical effect on still photographs. Whether a full-frame DSLR has 21MP or 22MP, in the hands of a skillful photographer it will be capable of producing photographs that can be printed quite large. The 5D3 does build in the 5D2 and it offers real improvements – to mention two, the new camera has an upgraded auto-focus system and a significantly higher frame rate. Features like these expand the camera’s useful to encompass a wider range of photographic subjects and situations.

I use the 24-105mm f/4 L IS zoom that is include in this bundle. For most people looking for a first lens for this camera, the 24-105 is likely to be the best option. It provides excellent image quality, image-stabilization, and a usefully large focal-length range. For many types of photography it can be sufficient all by itself.

If you have been waiting for this Canon EOS 5D Mark III Digital Camera Kit, you may want to act quickly – B&H reports that the current stock is limited.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.