“Far Desert Mountains” — High desert mountain ridges sretch toward the horizon under morning clouds.
I know I am repeating myself, but one of the most impressive things about Death Valley National Park is the sheer scale of the place — the distances are huge. The only place I’ve experienced that impressed me the same way was the near-arctic in the Yukon Territories and Alaska. Here mountains go on, range after range, into the far distance. (As a friend of mine might point out, the haze here is an obvious example of “atmospheric recession.)
This photograph is also an example of why I’m a big fan of long focal lengths for landscape photography. Some will tell you that “landscape lenses” have short to normal focal lengths, and that wide-angle lenses should be your standard tools. I beg to differ. The truth? While I own ultra-wide lenses, I use them sparingly… and my favorite landscape photography lenses are often telephotos. Here I used a very long lens to compress the distance and to isolate a small, interesting section of much larger terrain.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
A small group of trumpeter swans on a misty day in a Skagit Valley field, Washington
Finding myself in a wonderful place to photograph birds, but without the (rather long!) lens I would usually rely on, I had to think differently about how to photograph the migratory birds of Skagit Valley, Washington earlier this week. I was in Washington for something else entirely, but had brought along a minimal kit “just in case…” but wasn’t really thinking that bird photography might be on the agenda until plans changed and I found myself with nearly a full day free. So despite having nothing longer than 200mm, I decided to drive up there from Seattle and see what I could find.
Among the locals, I hear that the area is especially renowned for eagles – which I saw and (barely) photographed a year ago. But I’m also, and perhaps predominantly, fascinated by the snow geese and the trumpeter swans. The geese remind me of the very similar Ross’s geese that I photograph in California, but the trumpeter swans are birds that I don’t really get to see at home. While the geese collect in huge flocks of many thousands of birds, creating an audio uproar that must be heard to be believed, the swans don’t seem to be such social creatures nor nearly as noisy. When I’ve seen them, they collect in small groups, sometimes very small or perhaps including a few dozen individuals. They seem to assemble quietly – apart from the occasional “trumpeting” – and don’t do anything like the swirling, flocking behavior of the geese. Instead, even so often a couple of them will lift off – taking a long, shallow trajectory like an overloaded airliner lifting off – and then fly at low levels across fields.
Having only my “short” 200mm telephoto, it proved nearly impossible to photograph them in the usual bird photography style – trying to come as close as possible to filling the frame with a bird or two. Instead, I started by thinking about how I could incorporate the birds into the landscape. Here, near the end of an empty road, I turned onto an even emptier road and slowly drove up to where I was reasonably close to this group. I remained in the car, using it as my “blind” so as not to disturb the birds, and I sat quietly making a few photographs as they fed in the field. I decided to go with an interpretation of the subject that did not attempt for anything like objective realism, instead trying to evoke the subjective aspects of these birds, caught in a momentary beam of sunlight against a misty and rainy sky and hills.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Pilings stretch toward the sky at a San Francisco construction site.
On this April morning I was walking around in the China Basin, Mission Bay area of San Francisco, having arrived on the train at the Fourth and Townsend Caltrain station very early. After photographing some light reflected in buildings not far from the station, I wandered over towards the Mission Bay area. There is a lot of construction going on in this “neighborhood” right now, and one particular block was a hotbed of work.
At one corner of this block work was well underway to set a large number of tall pilings into the ground for – I assume – a building that is soon to be erected here. I managed to maneuver myself into a spot where I could eliminate most of the other distractions and compose a photograph of these structures pointing toward the sky.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A pigeon alights at the edge of a fountain/pond at Yerba Buena gardens downtown San Francisco buildings beyond.
I photographed this on my first “San Francisco Photo Walk” of this summer season. The routine is that I catch a very early train to San Francisco, arriving in the city a few minutes before 7:00 a.m. Then, depending upon the weather and other factors, I wander off somewhere in The City looking for photographs. On this day I started with a ramble up The Embarcadero, photographing the South Beach yacht harbor, a old guy standing in the doorway of the Java Hut, a bunch of interesting old dilapidated waterfront structures and so forth as I walked. Once I reached the Ferry Building I headed up into The City, finally heading south toward the train station by way of Yerba Buena Gardens. I stopped here to photograph the main grassy area when I spotted this pigeon at the end of an elevated pond in which the distant buildings were reflected.
This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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