Our time on the Isle of Skye this past May combined visits to iconic locations. (I’m not against photographing icons that are new to me, or when conditions are extra special.) On this day we did a bit of both. Before we ended up here we had taken a long drive out to the tiny hamlet of Elgol. We returned, stopped for a quick dinner and then (the sun sets very late there in May) decided that Neist Point might be a reasonable objective.
Continue reading Neist Point Lighthouse
On the first full day of our recent visit to the Isle of Skye we headed up the island’s east coast, eventually reaching its tip before looping back. There are a number of worthy and well-known sites along this route, among them the famous “Old Man of Storr” formations. We planned to do the hike up to the feature, but as we arrived the heavens let loose — as they often do in Scotland — with very heavy rain and strong winds. We suited up and started the hike anyway.
Continue reading Rain Over Loch Leathan
This is an unusual post — a “make up” post to restore a lost photograph to the archives. It is an old photograph from 2006 that probably once appeared on this website but seems to have disappeared. I regularly share older “From the Archive” images on social media, and as I prepared this photo for sharing I was unable to find an original post here. Consequently, I worked up this slightly revised version and am sharing it here today.
The photograph comes from a San Francisco Bay Area park where I have hiked and photographed for decades. I visit at all times of the year and in all imaginable conditions. This one comes from a morning hike in the winter, when the low angle sun cast strong shadows across the landscape beneath the skeletal forms of winter trees.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
The camera position for this photograph was a high point in the Panamint Range of Death Valley National Park. We arrived before sunrise, when the sky was just beginning to take on dawn colors, and the clouds were becoming blood red. There are few colors in nature that are as intense… and as difficult to photograph, at least if you want the photograph to suggest what you saw when you were there.
To my way of thinking, after a few decades of visiting and photographing the place, the most interesting locations in this park are not the most popular ones. They are off in odd, sometimes distant corners of the region. You may have to deal with a few adversities getting to them. (One winter I was turned back from this location by snow.) But the rewards are worth it.
Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.