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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Cascade Creek Spring Torrent

June 2, 2011 G Dan Mitchell Leave a comment

A small tree stands in the raging spring torrent of Cascade Creek, Yosemite National Park.

This may be the final photograph in this series I shot in early May when I visited this seasonal cascade on the way into Yosemite Valley. Compared to some of the others this one takes in a larger portion of the scene, mainly so that I could include the little leafless tree or bush at the lower left, as it stands against the tremendous force of the rushing water descending steeply among the rocks.

This creek is fed by seasonal snow melt fairly early in the season because the ares that feed its flow are at a relatively lower elevation. For a while each year, but especially in a wet year like this one, this little creek rages as it drops precipitously down this narrow canyon towards a point below where it flows into the Merced River. A bridge provides an interesting vantage point from which to shoot almost directly down into the torrent.

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Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Light on Water, Point Reyes

June 1, 2011 G Dan Mitchell Leave a comment

Afternoon light filtered through incoming clouds illuminates the surface of the Pacific Ocean at Point Reyes, California.

When we were at the Point Reyes lighthouse on Memorial Day, clouds from a weak weather system were approaching the coast. Above the horizon the sky was dark and somewhat gloomy. Overhead there were broken clouds, the light coming through the cloud breaks dappled the surface of the Pacific Ocean to the northwest of the Point, and there was a larger pool of light on the horizon. All of this seemed to call for another “minimalist seascape,” so I made one.

When I made the exposure I was leaning towards a black and white image, but when I began to work with it in post and realized that it was very close to being monochromatic already, I decided to stick with the very muted colors of this version. The colors a bit more obvious in the print, but still quite subtle. The closest thing to real color is a slight golden tinge to the light on the horizon.

The Point Reyes lighthouse area is often a pretty wild place. I’ve been there when the wind was blowing so strongly that I essentially gave up on photography. It can be extremely cold out there, too, even on days when the sun is breaking out and the temperatures are warm a bit inland. But this spring day was a surprise. Apart from the passing clouds, the weather was quite comfortable, and for the first time that I can recall there were moments of no wind at all!

Photographs: Nature, Photographs: Sequoia-Kings Canyon, Photographs: Sierra Nevada

Mammoth Peak Reflected in Tioga Tarn

May 30, 2011 G Dan Mitchell 6 Comments

Mammoth Peak in sunset light, reflected in the still surface of Tioga Tarn, Tioga Pass, Yosemite National Park.

This view of Mammoth Peak on Kuna Crest in the Yosemite High Country from the Tioga Tarns at the top of Tioga Pass is a classic Sierra Nevada scene. The foreground tarns are lush green in the early summer after the snow melts out and fall into shadow early in the evening as the sun drops behind the ridge between this area and Gaylor Lakes. Mammoth Peak, however, has an almost unobstructed line of sight to the west, so this peak continues to hold the sunset light until the last possible minute. (Don’t let the peaceful appearance of the scene fool you – I was being devoured by clouds of mosquitos as I made these exposures.)

In order to deal with the extremely large dynamic range between the Mammoth Peak snow fields in direct sun and the very dark shadows of the nearby forest I resorted to exposure blending and a few other post-processing techniques. With exposure blending, I make two exposures, one optimized for the brightest areas of the scene and the second a slightly longer exposure to capture a bit more of the shadow detail. In post I began with the darker frame, since that presented Mammoth Peak the way I remembered it. Then I placed to other exposure beneath it and used a mask layer to reveal some of the lighter areas from the lower layer.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Lodgepole Pine, Evening Shadows

May 29, 2011 G Dan Mitchell Leave a comment

The evening shadow cast by a nearby high ridge approaches a lone lodgepole pine and an old snag near Tioga Pass, Yosemite National Park.

One of my favorite kinds of light is that found at the edges of shadows from higher peaks as they move across lower terrain. (A secret: Among other “tricks,” I like to find and follow these margins when I shoot in Yosemite Valley, too.) Because this light most often happens during the relatively early and late hours of the day, the color quality of the light tends to be warm and the angle low. As the patterns of light and shadow move across the landscape, individual elements may get picked out the light and can often be isolated against darker backgrounds, as in this photograph.

The Sierra is full of trees pretty much like this one, and such meadows with the isolated small and large trees and scattered boulders are not hard to find. This particular tree is in one of the extensive meadow areas in the general area of Tioga Pass. The photograph was made in the very late afternoon as the tall ridge to the west was blocking the sun.

Despite the still and tranquil nature of the scene, this is an example of a sort of shot that reveals the wrongness of the idea that all landscape is done slowly and methodically and with all the time in the world to work. Sometimes that is the case, but when you work the margins of shadows (or many similar dynamic subjects) there may only be brief seconds when the light is where you want it. An observer might find it humorous to watch the photographer run to get into position and then work very quickly.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.