A person in a blue shirt and a pigeon share a Stockton Street sidewalk in San Francisco.
Continuing my fascination with the walls of San Francisco buildings… this one is on Stockton Street just above China Town, and near the base of stairs descending from an overhead portion of the street under which Stockton continues through a tunnel. After I made this photograph I realized that I had also photographed it last year, from almost the same position and also with figures in front of it. But I decided that I like the subtle pigeon (perhaps hard to see in this small presentation) in front of the doorway, the guy in the blue shirt and shorts sauntering into the frame, and the fairly harsh front-lighting and shadows.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Long exposure black and white photograph of offshore rocks, surf, and fog at the Point Lobos State Reserve, California
This photograph is from last summer and a visit to Point Lobos when I decided to work with very long exposures in daylight muted by coastal fog. A set of these photographs has sat in my raw file collection since then, as I wasn’t quite sure how I wanted to render them in the post-processing stage. I used a 9-stop neutral density filter to darken the scene a great deal and permit the very long exposure that allowed the surf to blur and become diffused. However, these filters invariably have an effect on color balance that is not very lovely – they add a slight almost purple cast to the image. As I thought about them as color images, I could not find a color balance that worked – so I put them aside.
Last week, spurred by another rapidly filling hard drive, I began to go through more of my older raw files to see what could be deleted. Indeed, there were quite a few files that could go – duplicates, errors, some images that really will never live up to what I had expected them to be. But as I do every time I engage in this activity, I found several photographs that I had either overlooked originally or which needed to be processed in ways that I hadn’t thought about at the time. It occurred to me that this one might become one of my “minimalist seascape” photographs if I went for a high key interpretation in black and white.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
The curved architecture of the corner of the building at 50 United Nations Plaza, San Francisco.
This building is located in the Civic Center area of San Francisco. To the east of City Hall – the opposite side from the Opera House, a place with which I am more familiar – is a large plaza, and beyond that as you might walk toward Market Street you may pass by this building, with its classic architecture.
I’m not familiar with the history of the building, though I assume that it might be in some way related to the United Nations Plaza. The building, which occupies most of a block, is currently being refurbished, and portions at the far end of the building are fenced off. This corner, with its columns and curving shape, seems quite formal, especially when juxtaposed with the rest of the City life in this particular area.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
First morning light on trees and granite slabs near Olmsted Point, Yosemite National Park.
I made this photograph a year ago, almost exactly, in August of 2011, while on a trip of several days devoted to photographing the High Sierra, mostly in the Tuolumne Meadows area of Yosemite. A year later I do not remember all of the details of this morning, though I recall that I had gone very early to the Olmsted Point area to photograph the glacial erratic boulders and some rugged trees growing on the granite slabs found in the area. Perhaps this was among the first photographs I made, before heading off to shoot my primary subject, since the series it comes from includes the very first light to strike these trees, while its angle was still small enough to hit the trees but not the rock.
When I came upon this photograph in the old raw file archive this week, one thing that struck me is the fact that it does include a Yosemite icon (seen from an iconic angle that is often photographed), yet that icon is almost an afterthought and most certainly not the primary subject of the photograph. I posted something here yesterday about photographing icons (“Photographing Icons or Not”), and one of the ideas that you might take away from that post is that it is possible to see iconic sights in ways that do not necessarily repeat the familiar iconic views. (Not to fear, I have the iconic view of this subject, too.) I’m willing to bet that I was thinking a whole lot more about the warm first light on the foreground trees, the way it contrasted with the cooler blue tones of the deep canyon and shadowed ridges beyond, and the texture and shapes of the foreground granite slabs that are so characteristic of this part of the Sierra.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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