Tag Archives: wooden

Photographs: Pacific Northwest, Photographs: Structures and Objects, Photographs: Textures, Photographs: Urban/Street

Door Knob, Green Wall, and Grass

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Door Knob, Green Wall, and Grass - A worn green wall with doorknob, grass along the street, Fremont District, Seattle, Washington
A worn green wall with doorknob, grass along the street, Fremont District, Seattle, Washington

Door Knob, Green Wall, and Grass. Seattle, Washington. May 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A worn green wall with doorknob, grass along the street, Fremont District, Seattle, Washington.

I made this photograph on my one-hour “Seattle PhotoWalk” in the Fremont District back in early May. A group of Seattle photographs was getting together to photograph between here and the Gas Works Park in the late afternoon and evening, and it turned out that I was in the Seattle area and able to pry open a bit of time in my schedule to meet up with them and explore the interesting photographic opportunities in the Fremont area.

We started in what I suppose must be “downtown Fremont,” right beneath the statue of Lenin. Yes, a statue of Lenin. It is a long story – but the short version, as I understand it, involves a post-Glasnost trip to the junk yard (in Poland) for the statue, its discover there by someone from Seattle who thought it had historical significance, its transport to the US, and then setting it up in Fremont for lack of a better place. Or something like that. (Google Fremont Lenin statue for more.) In any case, from the meet up at the statue we commenced our “photo walk,” and first explored the immediate surroundings. A lot of the buildings right there seem pretty old and a bit worn – though they have also been modified and updated in interesting and sometimes idiosyncratic ways. Take this bright green wall and door, for example! I was struck by the juxtaposition of the garish green paint and the natural green of the grasses that had sprung up at the base of the wall.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

Brick Walls, Roofs, Orange Paint

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Brick Walls, Roofs, Orange Paint
Brick Walls, Roofs, Orange Paint

Brick Walls, Roofs, Orange Paint. New York, New York. August 24, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A section of brick wall above old roofs is painted bright orange, Chelsea, New York City.

This photograph was made from the High Line Elevated Park in morning light. If you like the textures and colors and machinery and forms of dense and old urban structures, there is a lot to see and photograph from the High Line. I made a photograph of the same under-construction area in the far right of this frame (not completely visible) a year ago, but that was at a very different time of the day. On this morning, the odd patch of bright orange paint on the brick wall (and the smaller bit around the door frame) got my attention, so I leaned as far as I could toward the edge of the walkway and made a photograph unobstructed by the guard rail.

G Dan Mitchell Photography
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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Abandoned Mining Cabin Ruins, Panamint Range

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Abandoned Mining Cabin Ruins, Panamint Range
Abandoned Mining Cabin Ruins, Panamint Range

Abandoned Mining Cabin Ruins, Panamint Range. Death Valley National Park, California. March 29, 2011. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of the ruins of an abandoned mining cabin high in the Panamint Mountain Range of Death Valley National Park.

There are a number of things that make Death Valley National Park, to the best of my knowledge, rather unique. One is the extensive history of human habitation inside the park boundaries, quite a bit of which is visible –  though some takes a bit more effort and attention to spot. The history of mining in the park is well-known, and many of the icons of the park have connections to this history. If you visit Furnace Creek, for example, you cannot miss the displays of old wagons and so forth used to move ore out of the Valley. It doesn’t take a lot of careful study to figure out that many park roads originated in an era of prospecting and mining. There are several well-known examples of structures left over from that era in and around the park, too.

It is largely because of this history that many areas of this national park are (or have been – some are now reverting to wilderness status) accessible by gravel road or four-wheel-drive routes. I would argue that you can’t really get to know this park if you just stick to the paved roads and the points of interest that they access. If you drive any of these other routes and keep your eyes open you will often be surprised by the left overs from relatively recent mining and prospecting, much of which isn’t really written about or described in the usual guides to the park. (And I’m not going to offer specific details about where to find such places here, since I don’t want to be even a little bit responsible for damage to them. If you do visit, treat them with care and respect.)

As I drove along a gravel road in one of the many mountain ranges of the park, returning from a site that is somewhat well-known, I began to notice evidence of fairly recent mining and prospecting. Faint tracks depart from the main “road” and cross valleys and hills, here and there tailing piles and mine entrances are visible, and sometimes you come across old structures such as cabins, storage bunkers, or wooden towers above mine entrances. I spotted the ruins of this old cabin above the road at one point and decided to walk up and investigate.

I’m almost always surprised at how “modern” many of the traces found at these places seem to be. I guess I am expecting something from the 1800s, but quite a few of these places look like they were build and occupied much later than that. I find modern things like linoleum flooring or modern-looking nails or electrical wire in many of them. There obviously isn’t much left of this cabin now, but from the detritus lying around near it and the form and materials found here, it must have been a reasonably comfortable place to live. As I walk around such places I often try to imagine what it must have been like to wake up every morning in this silent desert and head out for another day of physical labor.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Wooden Building and Stairs in Moonlight

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Wooden Building and Stairs in Moonlight
Wooden Building and Stairs in Moonlight

Wooden Building and Stairs in Moonlight. Mare Island Naval Ship Yard, Vallejo, California. April 16, 2011. © Copyright G Dan Mitchell – all rights reserved.

The light of the full moon illuminates the facade of a wooden building, and outside stairway, and passing overhead fog clouds at Mare Island Naval Ship Yard.

Since I was out doing night photography this weekend, I’m going to use this as an excuse to insert a night image into the recent stream of Death Valley photographs. (There are more of those, but a bit of variety can’t hurt.) I got an email from Tim Baskerville, the guiding light (guiding dark?) of The Nocturnes, the San Francisco Bay Area night photography group. Tim has introduced and guided many new night photographers over the past few decades, and The Nocturnes group is a sort of loose collective linking together lots of night photographers and providing instruction, online resources, and shows of night photography work. As this is the 20th year for the group, lots of special activities are taking place and this little spontaneous get-together at Mare Island was one of them.

A small story from this weekend’s shoot may illustrate the widespread effect of Tim’s work with night photography in general and with the Mare Island location specifically. Those of us who were to meet Tim at Mare Island arrived to find other photographers already assembled at the indicated meeting place – but we didn’t really recognize most of the group. It turns out that another night photography group (loosely organized, as I understand it, by Thomas Hawk and Ivan Makarov) was going to be there as well. We spoke with them a bit and then they departed for the far end of the island. (They returned later and we worked side by side.) But then, a few minutes later, more vehicles began to show up and we thought that they might be the rest of our group, especially when someone asked “Are you the Nocturnes?” But no, this was a third night photography group, this one out of Sacramento!

In any case, as the light diminished and night came on we started shooting. We had a nearly full moon, which can be a wonderful asset, not so much as a subject (it is very difficult to include the full moon in night shots) but for the beautiful light is sheds on other subjects that might otherwise be very dark. On top of that, we had a combination of some high clouds (which are relatively stationary) and low fog (which creates a nice luminous glow as it quickly passes). I decided to begin the evening’s work by photographing this wooden-sided building and its outside staircase, illuminated by the moonlight, and with a bit of the cloudy sky and faint star trails.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.