A wooden door in a concrete wall in an alley along The Embarcadero, San Francisco.
I’ll keep this description short since the photograph was taken in a location and circumstances that I have already described more fully. While walking along the Embarcadero on the waterfront of San Francisco I came across some alleys that had been locked up in the past and this time found them open. So I wandered down the alleys toward the water and discovered some old industrial buildings with worn doorways and walls and decided to make some photographs.
Much of this area is undergoing renovation or else being reclaimed by firms that find the slightly old-fashioned and dilapidated buildings to be picturesque and perhaps a bit trendy. Side by side with modern companies and offices there are remnants of a much different and rougher past.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A worn green wall with doorknob, grass along the street, Fremont District, Seattle, Washington.
I made this photograph on my one-hour “Seattle PhotoWalk” in the Fremont District back in early May. A group of Seattle photographs was getting together to photograph between here and the Gas Works Park in the late afternoon and evening, and it turned out that I was in the Seattle area and able to pry open a bit of time in my schedule to meet up with them and explore the interesting photographic opportunities in the Fremont area.
We started in what I suppose must be “downtown Fremont,” right beneath the statue of Lenin. Yes, a statue of Lenin. It is a long story – but the short version, as I understand it, involves a post-Glasnost trip to the junk yard (in Poland) for the statue, its discover there by someone from Seattle who thought it had historical significance, its transport to the US, and then setting it up in Fremont for lack of a better place. Or something like that. (Google Fremont Lenin statue for more.) In any case, from the meet up at the statue we commenced our “photo walk,” and first explored the immediate surroundings. A lot of the buildings right there seem pretty old and a bit worn – though they have also been modified and updated in interesting and sometimes idiosyncratic ways. Take this bright green wall and door, for example! I was struck by the juxtaposition of the garish green paint and the natural green of the grasses that had sprung up at the base of the wall.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A section of brick wall above old roofs is painted bright orange, Chelsea, New York City.
This photograph was made from the High Line Elevated Park in morning light. If you like the textures and colors and machinery and forms of dense and old urban structures, there is a lot to see and photograph from the High Line. I made a photograph of the same under-construction area in the far right of this frame (not completely visible) a year ago, but that was at a very different time of the day. On this morning, the odd patch of bright orange paint on the brick wall (and the smaller bit around the door frame) got my attention, so I leaned as far as I could toward the edge of the walkway and made a photograph unobstructed by the guard rail.
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Black and white photograph of the ruins of an abandoned mining cabin high in the Panamint Mountain Range of Death Valley National Park.
There are a number of things that make Death Valley National Park, to the best of my knowledge, rather unique. One is the extensive history of human habitation inside the park boundaries, quite a bit of which is visible – though some takes a bit more effort and attention to spot. The history of mining in the park is well-known, and many of the icons of the park have connections to this history. If you visit Furnace Creek, for example, you cannot miss the displays of old wagons and so forth used to move ore out of the Valley. It doesn’t take a lot of careful study to figure out that many park roads originated in an era of prospecting and mining. There are several well-known examples of structures left over from that era in and around the park, too.
It is largely because of this history that many areas of this national park are (or have been – some are now reverting to wilderness status) accessible by gravel road or four-wheel-drive routes. I would argue that you can’t really get to know this park if you just stick to the paved roads and the points of interest that they access. If you drive any of these other routes and keep your eyes open you will often be surprised by the left overs from relatively recent mining and prospecting, much of which isn’t really written about or described in the usual guides to the park. (And I’m not going to offer specific details about where to find such places here, since I don’t want to be even a little bit responsible for damage to them. If you do visit, treat them with care and respect.)
As I drove along a gravel road in one of the many mountain ranges of the park, returning from a site that is somewhat well-known, I began to notice evidence of fairly recent mining and prospecting. Faint tracks depart from the main “road” and cross valleys and hills, here and there tailing piles and mine entrances are visible, and sometimes you come across old structures such as cabins, storage bunkers, or wooden towers above mine entrances. I spotted the ruins of this old cabin above the road at one point and decided to walk up and investigate.
I’m almost always surprised at how “modern” many of the traces found at these places seem to be. I guess I am expecting something from the 1800s, but quite a few of these places look like they were build and occupied much later than that. I find modern things like linoleum flooring or modern-looking nails or electrical wire in many of them. There obviously isn’t much left of this cabin now, but from the detritus lying around near it and the form and materials found here, it must have been a reasonably comfortable place to live. As I walk around such places I often try to imagine what it must have been like to wake up every morning in this silent desert and head out for another day of physical labor.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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