All posts by G Dan Mitchell

G Dan Mitchell, photographer and visual opportunist focusing on the Pacific coast, the Sierra Nevada, redwood forests, California oak/grasslands, California deserts, urban landscapes, night photography and more. Posting daily photographs since 2005, along with articles, reviews, news, and ideas.

Photographs: Central California, Photographs: Flight, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Blue Geese, Red Sky

December 25, 2012 G Dan Mitchell 4 Comments

Ross’s geese, blue in the fading light of the overhead evening sky, fly against the reds of a wild Central Valley sunset

Back in early December, 2012 we were out photographing migratory birds in California’s Central Valley, on a day that began with extremely thick tule fog, gradually transitioned to hazy sunshine, then was interrupted by the atmospheric muck of an incoming weather system, and ended with a surprising and astonishing sunset and post-sunset display of color. It seems that there must have been a gap between the clouds and the horizon somewhere far to our west, and as the sun dropped to the horizon the late and very red light shone up into the clouds, turning them blood-red (and, at times, pink and purple and orange and more.)

Right before this we had been parked near a very large flock of geese that were mostly grounded, but which would occasionally take off en masse and circle for a bit before settling back in, often quite close to where they started. I had been tracking and photographing them in the somewhat gloomy light, and when the brilliantly colorful sky arrived I was ready to try to take advantage of it. This created a challenge though, that is probably familiar to anyone who has photographed such a sky. It is very bright and (important to those shooting digital systems) very red – which means that it can be necessary to underexpose a bit to avoid seeing very strange things happen to the red channel in the image file. In addition, since I was shooting straight into this brilliant light here, the geese were backlit. So, in post I was faced with a couple of contradictory issues – I had to control the brightness of the sky while trying to regain a bit of detail on the bodies of the backlit and rather dark birds! About the “blue geese, red sky” title… Because the dimmer light falling on the portions of the geese facing me was largely diffused light from a non-colorful (e.g. – blue) part of the sky, their white feathers registered very much as blue.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Merry Christmas 2012!

December 25, 2012 G Dan Mitchell Leave a comment

Some of you may have received a copy of this year’s photographic Christmas card. Hope you enjoy it, either in person or here on the website.

I made the photograph on a surprisingly snowy October high in the Eastern Sierra, where several inches of new snow covered a meadow.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Juniper Tree and Sandstone Cliffs, Evening

December 24, 2012 G Dan Mitchell Leave a comment

Soft evening light on a single juniper tree among boulders at the base of tall sandstone cliffs, Capitol Reef National Park

This photograph was a serendipitous one that resulted from going to a somewhat unlikely place, and going there without a whole lot of enthusiasm, having only modest success at that place, and then while leaving happening to look up at the right moment and spot some very interesting and somewhat unusual post-sunset light. The plot began with an evening last-minute decision to go shoot “somewhere” in Capitol Reef, but without a specific objective in mind. We perhaps had some thoughts about shooting along the descent from Torrey, Utah toward the park boundary, but this is tricky late in the day due to the way the terrain slants up to the west, causing the sun to drop below the elevated horizon rather early and stealing the light from the foreground terrain.

When we passed the park boundary we still didn’t have a clear idea of what the evening’s “target” might be, so we drove slowly into the park, looking at many things but not seeing quite the photographic opportunities that might have caused us to stop. We finally decided to investigate a large canyon and drove to its entrance, parked, and walked in a ways. Because of the orientation of this canyon, the light here also left us rather soon. We made some photographs – a few of which might even turn out to be interesting – and then headed back out of the canyon. The way passed along the base of a very tall sandstone cliff formed from one of the thicker layers of sedimentary rock. Typically the rock would appear darker and redder, but the soft post-sunset light changed the tones to an almost pastel effect – and we both quickly decided to stop and do some shooting. This lone juniper trees was growing improbably in the middle of a pile of very large boulders that had fallen from the cliffs, and those cliffs were catching the late and soft light from the west.

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2012 Favorite Photographs – Final Candidates Gallery

December 23, 2012 G Dan Mitchell 6 Comments

These are my current forty (!) final candidates for my “2012 Favorite Photographs” post that I hope to share later this week. This is still way too many, and my target is to try to get the number down to about half of this. I’m happy to hear your feedback in whatever form works best for you: identifying one or a few favorites, suggesting your “top X number” of them from within the group, your favorites of each of the various types, or even suggestions of photographs of mine that are not included in this list.

If you didn’t already know, this is a tough job!

Some of my criteria for the final selection include:

representing a range of genres – landscape (both large and small), night photography, wildlife, urban landscape, nature, and so forth.
incorporating both color and monochrome work.
balancing representational work with photographs that are a bit more conceptual, atmospheric, and so forth.
recognizing work that others tell me they like.
sharing photographs that are personal favorite of mine.

The gallery thumbnails show below are small and may omit portions of images, so click on an image to see a larger version. Once you click on that first image you can use the right/left arrows to navigate through the larger versions of the photographs throughout the entire gallery.

Thanks for looking and for whatever feedback you are willing to share. (Leaving a comment below is a great way to do this.)

Dan