Category Archives: Photographs: Northern California

Photographs from Northern California

Egret Quartet

Egret Quartet
Egret Quartet

Egret Quartet. San Joaquin Valley, California. March 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A quartet of egrets on a foggy morning in a green late-winter pasture in California’s San Joaquin Valley.

This gang of egrets was politely waiting for me near the far corner of a wildlife refuge that I had visited on the last-winter morning, hoping to photograph (mostly) geese and cranes. The geese and cranes were a bit shy, and as I worked my way around the refuge’s perimeter road I wasn’t finding a lot of opportunities to photograph them. I could hear them, especially the sandhill cranes, but they seemed to be too far off, hidden by fog, or behind the tules. But I wasn’t in a hurry, so I took my time, stopping and watching and listening. By this later point in the season the initial astonishment at the huge numbers of birds had worn off a bit, and rather than jumping out of the car to photograph huge flocks of birds, as if they were the first and only flocks in the world, had given way to a bit more patience.

It had appeared that it would be a clear morning as I drove toward this location, but just moments before I arrived – a bit before dawn – the cool and damp air did begin to form some fog. This was fine with me, as I’d rather have a bit of interesting foggy atmosphere than have perfectly clear sky. But the fog was relatively short-lived – not like the midwinter fogs that can cover these places for days on end. By the time I finally worked my way over to this spot the sun was starting to break through and the fog was thinning. Because of their stark white color, lone egrets are often easy to spot from a good distance, and four of them clustered together were impossible to overlook. As I edged up closer to them, remaining in my vehicle so as not to spook them, they simply stood there, occasionally swinging their heads one way or another. Before I could make this photograph I first had to wait for an unruly band of red-winged blackbirds to depart, and then I waited for the four birds to move their heads in what seemed to me to be interesting directions.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Lake, Granite, and Forest Reflection

Lake, Granite, and Forest Reflection
Lake, Granite, and Forest Reflection

Lake, Granite, and Forest Reflection. Yosemite National Park, California. May 12, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Granite slabs rise above the reflected shoreline of Tenaya Lake, Yosemite National Park

I woke up on this morning in Yosemite Valley, car camping (as in “camping in the back of my car”) so that I could rise well before dawn, get out of the Valley, and drive over Tioga Pass in the morning light on this first weekend during which the road was open. It had actually opened the previous day, and I had made a ritual midday “first of the season” drive to the pass, but it was in light that was less than inspiring – hence my return at an earlier hour this next morning. It was dark when I left the Valley and the sky began to lighten as I headed up toward highway 120 and the trans-Sierra route.

I stopped along the way in the very early light to photograph lakes and rocks and trees and granite, and by the time I arrived at the shoreline of Tenaya Lake I felt like the light was going. However, the stillness of the water and the slight atmospheric recession produced by morning haze caught my attention and I pulled over. The main draw for me in this composition and a few other similar ones that I did at the same time was the reflection of the sunlit granite slabs ascending from the far shoreline. I also wanted to contrast that hard and bright surface with the softer and darker patterns of the forest beyond and the shaded faces above the forest.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Launch For Hire Building

Launch For Hire Building
Launch For Hire Building

Launch For Hire Building. Tomales Bay, California. February 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The “Launch For Hire” building, docks, and Tomales Bay as remnants of morning fog drift above the water

I was in this area back in early February, attempting to make it out to Point Reyes by dawn – but various things delayed me, including distractions along the way, and I ended up along the shoreline of Tomales Bay at sunrise. The bay is long and thin and seems quite peaceful, but Californians often remember that it is there because it is the junction between the continental plate and the Pacific plate, otherwise known as the San Andreas earthquake fault. The land I stood on to make this photograph is gradually heading northward and out to sea relative to the more distant land across the bay in the upper part of the frame. Periodically, this must briefly be a distinctly non-peaceful place when that fault lets go!

But on this morning it was quiet. The winter season and cold (literally freezing) temperatures ensured that few other people were there yet, though visitors to Point Reyes National Seashore come all year long and would begin to arrive a bit later in the morning. The light was a study in contrasts. To my right from the camera position was the morning sun, barely rising above the Marin hills and shining from behind some thin and clearing fog. I also made some photographs in that direction and you would hardly guess they were shot from the same place at the same time, since the backlit atmosphere was so bright and luminous than only silhouettes appear. But in this direction only a bit of that fog is seen, in a thin layer just above the water near the far hills, and the foreground is completely clear. There is a group of these piers here, and they extend a good distance into the shallow waters of the bay. I cannot tell what, if anything, the building whose full sign reads “Launch for Hire” is used for today, though its form and the reflections underneath seemed like a good subject for a photograph.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ross’s Geese, Late November Fly-In

Ross's Geese, Late November Fly-In - Ross's geese settling in for the night at last sunset light, San Joaquin Valley, California.
Ross’s geese settling in for the night at last sunset light, San Joaquin Valley, California.

Ross’s Geese, Late November Fly-In. San Joaquin Valley, California. November 25, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Ross’s geese settling in for the night at last sunset light, San Joaquin Valley, California.

Now that I have finally (it was about time!) discovered the migratory bird populations in the Central Valley of California, I’ve become addicted to photographing them. Among my favorites are the huge flocks of Ross’s geese that can appear at times in certain places out there, and which are most active during the morning “fly out” and the evening” fly in” periods.

This was my first “wild goose chase” of the current season, and I had arrived very early that morning… to find thick tule fog obscuring the views of the birds. Early in the morning, I could hear them but barely see them at all, with the exception of one flock settled in close enough to the access road that I could barely make out a few of them in the murk. As things cleared a bit in the morning I could confirm that there were decent numbers of these birds about, but they seemed to be settled in on water that was inaccessible to me for photography. I photographed some other subjects, and eventually moved on to check out some other areas. Late in the day, I realized that I probably had time to swing back through the refuge for about an hour in the evening. When I arrived I found a few birds in the same inaccessible location where I had seen them in the morning, but I also was able to see some flocks passing by and even circling over along the far corner of the area. With this in mind, I began to work my way over there, and was rewarded with a good-sized flock that had settled into a grassy area not too far from the access road. As these geese will do, from time to time they spontaneously all rose into the air and the giant, thick flock circled for a few minutes before settling back in more or less where they were before. I photographed these against the dusk sky about the Coast Range as the last of them came back to rejoin the group on the ground.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.