Category Archives: Photographs: Ocean & Coast

Fog and Forested Ridges

Fog and Forested Ridges
Fog and Forested Ridges

Fog and Forested Ridges. Mount Tamalpais, California. February 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Winter fog envelops forested ridges near Mount Tamalpais on the Pacific coast north of San Francisco

I photographed this scene on an early February day when the atmosphere was especially murky north of San Francisco. I had traveled this way for the day with some very general ideas about photographic subjects, but once I got “there” quite a few of those ideas looked a lot less promising. I had initially thought about photographing inside the coastal redwood forest, but when I arrived at my intended location I found that everything was gray, gray, gray! The atmosphere was hazy and murky and high clouds blocked any interesting light from the sun. So figured I might try for something moody along the coast, but there I found the same very difficult light.

I finally headed back up into the Marin hills, hoping that I might get up above the thickest of the gray and possibly get some light filtered through the high clouds and perhaps some longer views. As I entered the Mount Tamalpais State Park and started to ascend the road toward the peak, I finally came out of the coastal fog – though the overhead clouds remained. As I went up this road I looked for spots with some sort of longer view of the fog bank from which I had just emerged, and I finally found it along a bend where the road passed an area of open meadows and rolling hills. Here there was a line of sight back toward the ocean – completely obscured by fog – and the bits of lower hills that were poking through the tops of the clouds. On a technical note, this is not a monochrome or black and white photograph. It is, however, somewhat desaturated. One of the side effects of this difficult atmosphere was a very blue quality to the light that became much more apparent in the photograph than it appeared to a viewer on the scene. I knew I would have to deal with this in post in order to get an effect that seemed appropriate and believable. My initial thinking was to actually make it a black and white photograph, but as I worked with the image I came to feel that it worked better if some degree of muted color was retained.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Morning Fog, Tomales Bay

Morning Fog, Tomales Bay
Morning Fog, Tomales Bay

Morning Fog, Tomales Bay. Inverness, California. February 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Morning light on fog shrouded green hills along the shores of Tomales Bay, California

I made this photograph just after dawn on a beautiful February morning along the shore of Tomales Bay near Inverness, California, while on my way to the Point Reyes National Seashore. That I was here in this spot was the result of slightly poor planning. I had awakened three hours before dawn so that I could drive up here and, or so I hoped, be out at Point Reyes near the lighthouse at dawn and photograph the outer edges of Drakes Bay in the very early morning light. I miscalculated the driving time and didn’t get out the door quite as quickly as I planned, and by the time I was approaching Tomales Bay I knew that the sun was going to be up well before I got to my original goal.

As I drove through the redwood forest approaching the coast it was very foggy, a bit to my surprise since the forecast had not mentioned this. At first I thought that the fog might extend the early morning shooting a bit, but as I arrived near Olema and then headed out on the road along Tomales Bay, it was clear (literally!) that the fog was lifting and that if I was going to shoot the early light it had to be right then and there. I pulled over at a spot where some interesting buildings stand in the shallow waters along the shoreline, unloaded my gear and walked a bit to make some shots here. I was surprised by the cold. Here by the water, where the nighttime temperature are typically moderated quite a bit, it was about 30 degrees! The first light was beginning to angle across the low, green hills on the other side of the bay as the wispy fog began to disperse, so I made a simple photograph of the water of the bay, with water plants in the foreground, the color gradient fading from dark blue to near white, and the hills beyond.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Bixby Bridge, Pacific Coast Highway

Bixby Bridge, Pacific Coast Highway
Bixby Bridge, Pacific Coast Highway

Bixby Bridge, Pacific Coast Highway. Big Sur Coast, California. April 14, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The Pacific Coast Highway winds along the rugged California Big Sur coastline at Bixby Bridge

This is a pretty classic view of the California coastline, including a well-known section of the Pacific Coast Highway (route 1) below Monterey in the northern section of the Big Sur coast. Shot from high on bluffs above the ocean, where the highway climbs to one of its high points, the photograph looks north up the coast across pastureland on the foreground bluff towards the famous Bixby Bridge, located in the surf-filled cove just beyond. More bluffs and ridges dropping to the sea fade into the distant haze beyond that.

This was a beautiful spring day, so I got up very early and was in the Monterey area as the sun came up. The conditions were not quite what I expected. I knew that it was supposed to be windy, so I was expecting very clear conditions. The sky was clear of clouds, but there was quite a bit of low atmospheric haze – it almost looked like it wanted to be fog but couldn’t quite get it together to form clouds. This light does difficult things to colors, but it also creates an interesting contrast between the relatively clear closer objects and further subjects desaturated by the haze. It was also windy – very windy by the time I stopped shooting late in the morning.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Surf, Weston Beach

Surf, Weston Beach
Surf, Weston Beach

Surf, Weston Beach. Point Lobos State Reserve, California. January 13, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

Long exposure photograph of surf and boulders, Weston Beach, Point Lobos State Reserve

This part of a small series of photographs I made at Weston Beach, Point Lobos on a mid-January day. The location is very familiar to me, to the point that I recognize many specific rocks and formations here. I have photographed quite a few times, but I continue to find new things to see here. Part of that is from visiting in different seasons and conditions of weather and light, part from looking more closely, and part from thinking of different ways to photograph the familiar subject. More than once I’ve had a feeling that I was “done” with the location, only to go back and find a new way of seeing it to investigate.

I was playing with several ideas when I made this series of photographs. Obviously, I was working with long exposures that allowed the motion of the waves to blur in various ways, smoothing out the surface of the otherwise-rough water and turning shoreline waves into transparent mist. I was also working with a different sort of light than that which I would usually seek out here. More often I look for soft light, produced by some overcast, an early/late hour, or even fog. But it was very clear on this mid-morning visit and the light falling on the rocks was somewhat stark and harsh, especially when I shot almost into the sunlight. It seemed to me that the edginess of the brightly lit rock might be a counterpoint to the softness of the long-exposure blurring of the water. Obviously, I also went with black and white here. Also, a bit unusual for me, I worked with an ultra-wide angle focal length, getting quite close to the foreground but letting the distant subjects be small and accentuating that by placing the horizon very close to the top of the frame.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.