Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: People, Photographs: Photographers

Photographer, Fog

February 20, 2014 G Dan Mitchell 1 Comment

Photographer Michael Frye at work in early morning tule fog, San Joaquin Valley

A small group of us met up on this mid-February morning to photograph migratory birds, winter fog, and the San Joaquin Valley landscape. We came from different directions, beginning our travels well before dawn so that we could meet here before sunrise. We met shortly after 6:00, exchanged greetings in the pre-dawn dark, and then got ready to shoot. I lagged behind a bit while getting gear ready, and our friends Michael and Claudia started off down the gravel road before Patty and I did. Very soon were ready to follow, and in moments we found their car parked near a grassy area.

The fog was dense but also very shallow – nearly ideal for photography since it blanketed everything in a mysterious layer but still allowed the colors of the developing dawn sky to penetrate right down to ground level and make the fog layer glow with luminous color. Michael must have seen this coming, and he was already across a grassy area and at the edge of a pond when I arrived, and he was barely visible through the fog. My first thought was to “work” this solitary tree as my primary subject as the light came up, but first I thought I’d grab a photograph of him silhouetted against the foggy landscape. I made this photograph and then walked to the edge of the pond and made my own series of photographs of the tree, the water, and the foggy atmosphere as the light passed through a range of colors that the eventually revealed higher clouds lit by the dawn sunlight.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Coastline, Dusk

February 19, 2014 G Dan Mitchell Leave a comment

Dusk light falls across the rugged Big Sur coastline, California

This was a very special bit of end-of-day light. Earlier we had spent about nine hours driving south between Monterey and Piedras Blancas on the Big Sur coast, stopping frequently along the way to make photographs of the beautiful winter light. At the southern end of our drive we spent time photographing the elephant seals at their “nursery” alongside the road – a popular place for observing this amazing creatures, especially at this time of year when the females are giving birth and the beach is crowded with all sorts of elephant seals: bulls, females, new babies.

Finishing here, it was time to turn the car north again and head back the way we had come. We started up the Pacific Coast Highway and very soon began the first climb into the coastal hills. We kept an eye out for potential gold hour photographic subjects. There are, of course, no shortage of them along this spectacular coastline, so we figured that we would find something no matter where we were during the last hour of light even though we had no specific plan yet. Eventually we came to a place where we had stopped earlier on the southward drive and we pulled off. Earlier, closer to the middle of the day, the light had been very bright here, illuminating coastal haze and reflecting off the ocean surface in a way that reminds me of molten metal. But now the light was lower and coming in at a more direct angle, and the atmosphere softened and the colors warmed in the late-day light. At first the light was more intense and I made a few photographs with the scene brilliantly colored. At one point I looked away to photograph something else, and when I looked back the sun had dropped behind a semi-transparent band of clouds near the horizon, significantly muting the brightness and color of the light on the base of the hills, but still leaving a few intense spots higher up.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Rocks, Sand, Wood

February 18, 2014 G Dan Mitchell Leave a comment

Colorful detritus of rocks, sand, and wood along the desert floor of Death Valley National Park

Death Valley National Park is landscape on the gigantic scale and a landscape of extremes. Elevations range from below sea level to over 11,000′ At the right time of year you can stand in 90 degree or hotter temperatures in the lowest place and look up to see snow on the highest peaks. It is well-known that the heat and aridity are extreme. The scale of the place is stupendous. When I first traveled in the park it reminded me, perhaps in a surprising way, of monumental landscapes that I had seen in The Yukon and Alaska, where the land seems to go on farther than one can see. Because there is so little vegetation, the geology of this desert landscape is laid bare, and rugged strata are easy to see.

But there are also surprises right underfoot. At the right time during the right years (and this photo was not made at such a time) small plants and wildflowers emerge and insects and other small critters can be seen. Some of these intimate landscape scenes seem more mundane, but they also tell stories worth hearing. This small patch of earth is at the base of some small, eroded hills along the east side of Death Valley where I have stopped from time to time. It is not an obviously special place – there is no parking lot or sign. The first time I went there to photograph in the evening I looked down and noticed the dense collection of multi-colored rocks, dead plants, and sand, and now when I go back there I seem to always end up looking for the same thing. The curving bit of dried wood was once a plant eking to a life at the edge of the main valley. These rocks are likely evidence of the surprising role that water plays in the formation of this landscape, having been washed down from those various strata and formation high in the Amargosa Range, leaving traces of blue, pink, purple, tan, and green minerals. And below and mixed in with all of this is the omnipresent sand, deposited and moved to and fro by Valley winds.

Photographs: Nature, Photographs: Sequoia-Kings Canyon, Photographs: Sierra Nevada

Lake and Rocky Peninsula

February 17, 2014 G Dan Mitchell 2 Comments

Smooth water behind a small rocky peninsula reflects clouds above a high Sierra back-country lake, Kings Canyon National Park

We stopped at this small lake along the route to and from our destination during our September 2013 nine-day photographic excursion into the high Sierra back-country of Kings Canyon National Park. Between the trailhead and the 11,000′ basin where we camped for nearly a week, there was a 15+ mile hike, two near-12,000′ passes, and a final climb of well over a thousand feet – too far for our party to travel in a single day. So we ended up making a stop here on the inbound and outbound trips. This is a view a few steps away from our campsite near the outlet stream.

My previous visit to this lake had been several decades earlier, back on my very first solo Sierra Nevada backpacking trip. That is a story worth its own lengthy post at some point, but the most striking point may be that I decided that my very first solo trip would be two weeks long! Given that solo backpacking may strike some as a stretch in several ways, a shorter first trip might seem more sensible – but in retrospect I’m glad that I went out for so long. After a few initial days of dealing with the expected “issues” of solo backcountry travel, I got past those concerns and have rarely felt as connected to the natural world as I did during the second half of that trip. At about that point I stopped at this lake on the walk between Bubbs Creek and Rae Lakes, and I recall the next day’s climb to the Pass, where I sat for a long time, in no hurry to leave or get to any place in particular.

G Dan Mitchell Photography

Photographer, Fog

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Coastline, Dusk

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Rocks, Sand, Wood

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Lake and Rocky Peninsula

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.