The incoming swell stretches toward that distant horizon beyond a few rocks on an Oregon beach
As we drove south along the Oregon coast in August we passed through Port Oxford. Just below this town the highway briefly curved landward before heading south again, traveling along the edge of a long and wide beach featuring impressive sea stacks and long strings of waves coming in off of the Pacific. I found a spot with a few dark, back-lit rocks to break up the uniformity of the horizontal lines of beach, surf, horizon, and sky, and shot straight toward the sun and its brilliant reflections on the surface of the ocean.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Main interior space of the Priory Church of St. Bartholomew the Great, London, England
Photographing this old church and surrounding facilities might serve as an example of what can happen if you don’t follow the crowds to the usual places when visiting a famous city such as London. Or, more accurately, it might be about what can happen if you do follow the crowds to those (deservedly famous and popular) places and then just wander off a bit aimlessly to see what else you might find.
We had initially been, if memory serves, sort of in the area of Trafalgar Square. At some point we ended up walking some blocks away from here to an area that we much less busy, since it was a real work area and this was a weekend. We were hungry, so we looked around for a pub and had some lunch. Leaving the pub we looked up the street and saw some interesting looking older buildings, so we just headed over that direction to see what we might find, and soon we saw the grounds of and entrance to the Priory Church of St. Bartholomew. At least on this day, this was not exactly a place swarming with tourists. In fact, there were hardly any. We decided to pay the small fee and spend a bit of time wandering around inside this very old church that is, in many places, filled with wonderful light. I made several photographs inside that I like, and in each one of them this light is a central feature. On a slight technical note, this is one of those photographs I made on this trip with the little Fujifilm X-E1 camera, here using the 14mm prime lens and shot handheld.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Ross’s Geese and Snow Geese settle in for the evening at California Central Valley wetlands
This is a sort of New Years post – the first 2014 photograph to share – but my “2013 Favorite Photographs” post is yet to come. Watch for it later today.
Last year a group of friends decided that we couldn’t imagine a better way to welcome the new year than to assemble along the edge of a San Joaquin Valley marsh before first light, listening to the raucous sound of thousands of geese and cranes, to watch the first dawn of the year through the inevitable Central Valley tule fog, and then to spend the day making photographs. This year several of us resolved to make this an annual tradition and, although not all who came last year could make it, we again assembled at the familiar spot early on New Years Day. (It was a double challenge for me, as I arrived in back California from New York City barely more than 5 hours before my alarm would go off for the drive to the valley. At least the time zone change was on my side, or so I tried to convince myself at 4:00 AM by repeating, “It is already 7:00 in New York!”)
I drove in to the refuge in earliest pre-dawn light and met my friends David and Charlotte, who had arrived a few minutes earlier and were photographing the fog drifting along the edge of the wetlands. We exchanged New Years greetings and listened to the wild sounds of geese and cranes coming from all directions, and then began the (pleasant) work of finding dawn photography locations. We photographed through the morning and then, perhaps because this was a New Years Day “photographers’ holiday” ended up spending an inordinate but very pleasant amount of time standing around talking as the midday light became less conducive to photography. I had decided that I would probably leave for home after the morning shoot, but I succumbed to the invitation to join Dave and Char for a quick lunch in a nearby town, and when we finished eating (and, yes, again, talking a lot ;-) it was late enough that I figured I would make one more pass through the wetlands. I wasn’t certain how the evening would play out photographically, since friends visiting the area the previous day had reported finding few geese and because high clouds seemed to be turning the sky a bit gray and murky. The first good omen was finding a very large group of geese in a pond close to an access road. I stopped here a bit more than a half hour before sunset to photograph the evening fly-in, selecting a location that would place any evening color opposite the geese. Before long the gray sky began to pick up some color and as the process continued more geese arrived. Then, a bit earlier than usual, one of the most impressive events of any evening in this valley occurred – the arrival of thousands of high-flying sandhill cranes, passing overhead and circling in the fading light. A few of them appear against the sky in this post-sunset photograph of the colorful sky, a flock of geese below a lone tree, and the reflecting surface of a flooded field. Soon there was no longer enough light to photograph, and I simply stood by the car and listened to the sound of the cranes and geese until it was time to go.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A white-faced ibis feeding in a shallow pond, California Central Valley
As a relative newbie to serious bird photograph, I recall my first “discovery” of the white-faced ibis. On an early visit to a California Central Valley wildlife refuge I had been astonished by the huge numbers of birds passing by overhead, and frankly I made a lot of photographs without any idea of what I was capturing. (I still don’t always know for sure – in November I thought I had photographed Ross’s geese, only to be surprised to find that a closer inspection of the photos revealed them to be snow geese.) I recall one morning out near the levee of a major Sacramento Valley river when I saw a beautiful group of birds approaching in dawn light and I managed to get a very nice photograph of “some birds” overhead – and later a friend remarked, “Those are tundra swans!” I’d never even heard of tundra swans before, much less looked for them.
So my first ibis photographs were accidents. I recall photographing a very impressive wedge of black birds flying overhead a few years ago, and then discovering as I worked on the files in post that the birds had surprising (to me!) long and curved bills. I had no idea what this meant, but I was intrigued. I eventually asked a friend who suggested that they might be white-faced ibises. This, like quite a few bird names, confused me, since I had never seen such a bird with a white face. It turns out that I had seen them… but the “white-faced” stage is, as I found out just last week, a seasonal thing! In late November of this year I returned to one of my bird photography haunts and found a very large number of these ibises in one area of the refuge I visited. And not only were there many of them, but they were rather close to my position – so I ended up with a nice basic set of photographs of this particular kind of bird. This specimen was feeding in grasses in shallow water, and as it poked around looking for something to eat it would regularly immerse its beak almost up to its head. I like several things about this particular shot – the red eye is clearly visible, and the interesting feather coloration on this one is interesting. (It can range from black to quite colorful.)
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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