(This is another post based on something I wrote elsewhere as a response to a question about this lens – I’m re-sharing it here with minor editing.)
I’ve used the Canon 100-400mm f/4.5-5.6L IS lens a lot – for things as varied as handheld shooting of bicycle races and tripod-based landscape photography. Over time I’ve developed a few thoughts about the performance of this lens and some of the comments that I frequently hear and read about it.
First, especially from my tripod-based work, I have found that the lens is capable of very good performance in terms of image quality – e.g. “resolution.” This is true at all focal lengths, but more so perhaps at some than at others. To give one example, I also own the f/4 IS 70-200mm lens. At one point I tended to always switch to the shorter lens when shooting in the range up to 200mm, concerned about a potential sharpness hit with the 100-400. Over time I figured out that while the 70-200 is probably a very tiny bit sharper here, in most cases the difference in many kinds of shooting is insignificant and invisible in real-world output – and in many cases where I would have switched lenses I now leave the 100-400 on the camera. Continue reading Thoughts About the Canon EF 100-400mm f/4.5-5.6L IS Lens→
People hurrying along a ramp in Grand Central Station, New York
During our last trip to New York City, in August of 2011, at one point we ended up wandering in to Grand Central Station, perhaps just “because,” though now I don’t remember for sure. This is an iconic Manhattan location, for sure, and the central hall is quite a place, with its conjunction of contemporary hurry and its connections to history as seen in its architecture.
I did not have a tripod, nor did I really want to be burdened with one while moving around Manhattan on foot and by subway, so I shot handheld in the low light. Here I was looking down at a long ramp between two levels of the building, where I could photograph people as they walked past – and I made this photograph just as the group of women passed through the pool of light from the overhead lighting.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Fog intrudes on blue sky over Drakes Bay, Point Reyes National Seashore.
One more “minimal seascape” from my mid-August visit to Point Reyes National Seashore – a short visit of mostly an afternoon, on which I headed to Limantour looking for sun along the coast. That’s not quite what I found – but you can never be sure what the weather will do along this section of the Pacific coastline. Descending on the final bit of road to the beach, it was apparent that I was going to be dealing with fog. This photograph is looking more or less southwest, but straight to the west and to the northwest things were already completely socked in. After making this photograph I finished the drive to Limantour and then took a walk out toward some of the nearby estuaries – and that entire walk was under fog and in cold wind.
I have been doing a series of minimal seascape photographs for some time now, making a few more images of this type whenever I happen to be near the coast and conditions are right. These photographs are a bit trickier than they might appear. It almost looks like I could just point that camera out toward the ocean and make them – and, in fact, when I started this it almost seemed like it might be that easy. Before long I figured out that if I worked that way I would end up with… photos that looked like I just pointed the camera out toward the ocean. So I look for scenes, usually involving some sort of clouds, fog, or mist and often some interesting lighting that seem to create, for the most part, nice stable images that may have a bit more going on in them if you have time to look closely, and which also usually might evoke some sense of the calm and stability of the sea. Here I was mostly interested in the clouds, but I decided to anchor the sky to just a thin strip of water, darker blue but also partly obscured by the lower edge of the fog bank. I aimed toward a boundary area between the blue sky and the thicker fog, and captured an area of transition where both sky and fog are in play. Believe it or not, there was a fair amount of work to be done in post, including getting the right amounts of contrast and pushing the brightest parts of the clouds just far enough to create a feeling of light, but not so far as to look fake.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Evening fog obscures the view of the Big Sur coastline near Rocky Point.
This photograph was made on my birthday, believe it or not! We had headed down to the Monterey area for dinner, and had a few extra hours in the late afternoon, so we decided to take a quick jaunt down the coast towards the Rocky Point and (almost) Bixby Bridge area. Of course, a little thing like a birthday celebration isn’t going to make me leave my camera gear at home, so this was a fine excuse to do a little photography along the coast highway.
The light was variable and challenging, largely because it was late in the day and the fog bank was moving right up against the coast. While in a few places it pulled back enough to allow a bit of diffused light to land on the coastal bluffs, beaches, and even the water, in most places the fog line was just a bit inland. As we drove south we were mostly in fog, but occasionally as we passed a bit further from the shoreline to follow the contours of a creek drainage or a bay we found a bit of sun. We finally stopped at this high overlook that provides a view back toward Rocky Point, the peninsula at the upper part of the frame, and I made a few exposures.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
