Geese, Dusk, Pond, and Tree

Geese, Dusk, Pond, and Tree
Geese take off over pond and tree at dusk, San Joaquin Valley

Geese, Dusk, Pond, and Tree. © Copyright 2018 G Dan Mitchell – all rights reserved.

Geese take off over pond and tree at dusk

This day in the wetlands was something of a surprise. When I arrived before dawn, the light was dreary, with a shield of clouds from a passing cold front hiding the sky and the sun, with the exception of a very narrow band along part of the eastern horizon. There was little photograph in this light, but before long the sun rose though that gap and provided perhaps ten minutes of beautiful light… and then that show was over and the flat light returned. All morning long it remained cloudy, though that band of open sky in the east gradually expanded and worked its way toward my position.

Just past midday I finally took a break and left to grab a bite to eat. An hour later I was back, and now the clouds above this area were breaking up and the light was starting to be interesting. By evening most of the sky was clear, though the air remained hazy — not unusual for this part of the world in winter. I looked around for the birds that I wanted to photograph, but wasn’t finding any large flocks. Finally I made it back to where I started… just as geese began to fly out from their resting place in nearby ponds. I put a long lens on the camera and continued photographing well past sunset, as the sky darkened and waves of birds continued to fly away. In the end, this day was a reminder that sometimes finding beautiful conditions requires facing some less exciting light… and being persistent and patient.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Trees, Marsh, Fog

Trees, Marsh, Fog
Trees grow in flooded San Joaquin Valley marshland pond

Trees, Marsh, Fog. © Copyright 2018 G Dan Mitchell – all rights reserved.

Trees grow in flooded marshland pond

On January 1st, New Year’s Day 2018, a group of friends and photographers gathered to greet the dawn (literally!) of the New Year, raise a toast or two, hang out, and photograph birds and the expansive landscape. It meant going to bed early on New Year’s Eve, but I can’t think of a better way to celebrate the first day of the new year. (Though that 4:00 AM alarm and two-hour drive in the dark was perhaps just a bit less festive…)

After photographing all morning the bird action seemed to slow and we all gathered for a quiet little party in a parking lot near large ponds. A bit later all of us felt like we needed a walk, so we broke off into groups and followed a trail around a marsh and to some tall trees. I was the last one to start, and I decide to simply bring along my smallest camera with a single little lens, foregoing the usual Big Bag Of Gear and Gigantic Tripod. As much as I was more of a mind to walk and think than to photograph, I couldn’t help but stop and make a few handheld photographs of the complex landscape of the marsh.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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W!

W!
“W!” — Colorful painting and graffiti on metal door, New York City

Continuing my current pattern of wild back-and-forth swings among subjects, today I retreat from the foggy California wetlands and head back to New York City for some wild color. There’s nothing in the photograph to let you know this, but it was a bitterly cold winter day when I made the photograph. Almost nothing stops me from walking with my camera when I visit New York, though the 20 degree (and colder!) temperatures and biting winds did their best on this day. We started walking in Lower Manhattan, near the Staten Island Ferry Terminal (a very windy place!) and headed uptown on a somewhat random path. The route took us through some places you might not bother to visit on a tourist trip to the city, but it did turn up subjects like this intense example of street art painted on the roll-up door of a small business. If memory serves, this was the day that we finally made it to Veselka, the Ukrainian restaurant. As we walked and got colder and colder, the thought of borscht and other goodies became more and more attractive. Veselka did not disappoint.

About this photograph and its dissonance with other work I post, such as wilderness landscapes, seascapes, and migratory birds. I know that some photographers prefer to focus on a particular range of subjects. (There are fine reasons for making that choice, in fact.) But I have at least a couple of reasons for photographing a wider range of subjects. First, I come from a background in music, where the idea of performing only one style of music (say, Baroque trio sonatas) all the time seems incredibly constraining — so seeking out a wider range seems nature to me. Second, I like to think that these different subjects are still united by whatever it is that constitutes my way of seeing… and that there might be a bit of the landscape photographer in the city and a bit of the street photographer in the landscape work.

TWO


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Departure

Departure
waves of Ross’s geese lift off into foggy early morning winter sky

Departure. © Copyright 2018 G Dan Mitchell – all rights reserved.

Waves of geese lift off into foggy early morning winter sky

There are many ways in which geese may depart, and almost any time I watch them I think about when and how they will leave. They might leave one or two at a time, perhaps circling around and returning, or possibly simply flying a short distance to a more interesting spot nearby. They might begin a mass departure by leaving in small groups of perhaps a half-dozen or a few more. The geese in this photograph were leaving in what might be described as waves — groups of perhaps a dozen or two lifting off at once and forming into lines as they headed to the north. There is also that most spectacular event, when many thousands of them erupt into the air simultaneously, with a shocking sound of thousands of wings along with their cries.

On this winter morning we arrived before dawn, as always, and watched as ground fog formed over the wetlands. We did not find the spectacularly large flocks that we sometimes see but there were groups still settled into ponds. As the first light arrived they began to fly away, first a few, then larger groups, until very soon all of them had left.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.