Early morning light on sagebrush covered Owens Valley hills and the Sierra crest near Mount Morrison.
I was out in this section of Owens Valley early on this October morning, initially to photograph at a small lake further out in the valley. However, knowing parts of this area pretty well from past visits, I wanted to try a photograph that included the foreground tree-covered ridge in morning light with the Sierra peaks in the background – so I headed back on a gravel road that travels a bit north of the paved road I had taken earlier in the morning. I found this scene with the early light illuminating the crest of the Sierra and the sagebrush-covered foreground hills, but with morning shadows still lying across the lower eastern face of the Sierra just south of Convict Lake.
The dusting of early season snow was left over from a week of early autumn storms. Mt. Morrison is the huge and impressive summit at the right end of the ridge. Mt. Baldwin is the small but very high summit near the left end. In between is a vertical rock face that appears to be split by a crack – I think it is called “the Great White Fang.”
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Brilliant gold and red fall aspens ring the upper shore of North Lake as the Sierra Crest towers above.
Somewhat past the “golden hours” of first light I investigated a hill above this lake as a possible shooting location. Because this was a morning of mixed clouds and sun, the time for good light was more extended than it might otherwise have been. The clouds began thicker and gradually began to thin, and as they did so the mixed sun and cloud shadows moved continually across the landscape, spotlighting different parts of the scene. This was one of those situations that puts the lie to the notion that the landscape is a fixed and static thing – from my perspective the entire scene was in a constant state of flux and photographing it required full attention. Here most of the shadows had cleared from the scene, with the exception of some over the foreground lake and a few scattered among the peaks, and beams of light slanted into the scene to light up the grove of brilliantly colorful fall aspens.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Clouds from an autumn storm drift among trees and spires along the rim of Yosemite Valley.
This is another in the series of photographs of mist and clouds and trees and cliffs during an autumn storm in Yosemite Valley. Here the clouds float among trees and spires along the rim of the Valley. I was looking for something very much like this as shot in the Valley, and here I spotted an interesting angle in the valley rim and then waited as the clouds floated in and out of the scene for a moment during which just enough of the detail of rocks and trees would be revealed for a moment.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Brief sunrise light produces a rainbow and virga over the Buttermilks in the eastern Sierra Nevada above Bishop, California.
I have a story to tell about this photograph and how it came about. I’ve been in the Buttermilks — the rounded hills between Bishop, California and the actual Sierra Nevada — on a number of previous occasions. I’ve photographed there in the early morning when the first light hits these hills and the peaks of the Sierra, and I have some potential images filed away in my mind, waiting for a time when the light is right. I also know the Sierra well enough – though certainly not completely nor perfectly! – that I can pick up on developing conditions that might not apparent to someone less familiar with the range.
On this early October morning I was camped up in the Bishop Creek drainage. The forecast was for rain and wind and, sure enough, during the night the wind picked up and it began to rain. I woke before dawn and at the first light it was apparent that it would be overcast. This is not necessarily a bad thing for photographing fall color, but it can mean that subjects that would otherwise work at dawn might need to wait. I was thinking about how to modify my aspen photography plans when I noticed a bit of incipient color in the still-dim clouds, and it occurred to me that a special set of conditions might occur. Although I couldn’t see to the east from this campground, I know that sometimes clouds above the Sierra end a ways to the east over or beyond the White Mountains, and when this happens there is a narrow band of clear sky right above the horizon — and if everything works out just right a strip of dawn light shines through this gap, first hitting the clouds and then working its way down from the peaks to the lower foothills before quickly disappearing and leaving very bland light.
No sure thing at all, but I decided to dash down the road (past the steady stream of aspen photographers streaming up the road!) and see if I could get to the Buttermilks in time. I left the main road and headed up a side road that I know, somewhat resenting a (very reasonable!) 25mph speed limit near some roadside residences as I began to see the clouds above the crest starting to light up. As I hit the last section of gravel road the sky began to glow and I sped up, heading for a specific spot where I had photographed this scene before. With seconds I saw the light pick out a band of virga (rain that does not reach the ground) and a rainbow began to form in front of the eastern escarpment as I arrived at the hilltop where I planned to shoot. I quickly set up my tripod and mounted the 70-200mm lens (which I already knew would be the right one for this shot) and literally ran up a nearby knoll which I knew would put the foreground hill in a decent place in the composition. I was ready just as the soft light hit the foreground and I made this photograph. Within a minute the rainbow as gone!
Sometimes you just get lucky…
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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