Tag Archives: america

Warehouse Wall

Warehouse Wall
Warehouse Wall

Warehouse Wall. San Francisco, California. June 13, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Warehouse wall, door, and window on a San Francisco pier

Photographed on one of my morning walks around portions of downtown San Francisco, this is a scene from one of the piers along the San Francisco Bay waterfront. I had made a looping walk from the Caltrain station over around portions of China Basin, eventually making my way to the old waterfront area where I photograph dilapidated piers that are decaying and falling into the Bay. Finishing with that subject, I started back along the waterfront and soon came to the entrance to this very large and active pier, and I decided to wander out onto it since there was a marked pedestrian walkway.

The first section of the pier has a roadway up the center, and it is lined with warehouse structures with loading docks and garage doors. The scene is spare and industrial, and the light was coming across the structures from the side and highlighting details and textures. Here I like the disembodied shapes of the window and roll-up door.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Big Sur Coast, Winter Light

Big Sur Coast, Winter Light
Big Sur Coast, Winter Light

Big Sur Coast, Winter Light. Pacific Coast Highway, California. January 31, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Rugged Big Sur coastal mountains in winter light recede into the distance

The entire Big Sur coast below Monterey, California is full of spectacular land- and seascapes, as the western edge of the continent meets the Pacific Ocean. Often as I drive the Pacific Coast Highway though this region I wonder at the improbability of the existence of the road along its length. (In fact, it is a challenge to keep it open, as there are frequent slides during winter months.)

While the region is almost entirely spectacular, things seem to become a degree wilder and bigger once I pass the inland town of Big Sur and head back out to the coast on the southward drive. Here in many places the road alternates between the edges of high ridges that drop precipitously into the sea and sections that follow along the very edge of the water. (I tend to prefer traveling south along this road, as the light is more likely to be the sort that I look for.) At this particular location, the nearby cliffs plunge into the ocean at an especially steep angle and the curve of the coastline provides extremely long views.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Point Sur, Winter

Point Sur, Winter
“Point ur, Winter” — Winter surf along the Pacific Ocean coastline at Point Sur

This is a companion to a photograph of this scene that I posted earlier. The primary difference here is the vertical composition. I’m still thinking about which I prefer. Each has its attractions. The horizontal (or “landscape”) orientation shows more of the “point” itself where the lighthouse is located and more of the ocean off the beach. On the other hand, this version seems to me to bring more attention to the water and the curve of the waves leading toward the point and the horizon.

Point Sur is a wild place, often with strong winds and big surf coming straight on towards the beach, which faces north or northwest. The point is connected to the main land by a low, sandy peninsula, and it is easy to imagine it being overwhelmed by the sea, perhaps during a tsunami. I have read that the lighthouse was originally a very isolated place when it was first constructed in the late 1800s, with the lighthouse keepers and their families largely cut off for months at a time, to the point that they grew their own crops. Of course, today it is easy to forget that relatively recent history, since thousands of visitors now pass by daily along the Pacific Coast Highway.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Wetlands Fog, Dawn

Wetlands Fog, Dawn
Wetlands Fog, Dawn

Wetlands Fog, Dawn. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Reflected in a shallow pond, the winter sun rises through morning fog over San Joaquin Valley wetlands

I’m going to take a break from the series of black and white seascapes that I have posted recently and which will soon continue, and today I’m posting a more colorful photograph from this past winter. The scene is at sunrise in the San Joaquin Valley of California back on a mid-February day when we had traveled there to photograph migratory birds. At least that was my excuse. The truth is more complex — I do love photographing the geese, cranes, herons, egrets, pelicans and more, but I also love photographing the flat landscape of this valley, especially in the beautiful, misty atmosphere of winter.

We had arrived here before dawn in near darkness, and a thick ground fog was blocking the view. As the dawn came and lightened the sky above, as is often the case in the San Joaquin, we could see the high clouds through the fog, and the fog soon began to thin and reveal the sun rising through higher clouds to the east above the Sierra Nevada. I found a spot along the west edge of this marsh where I could photograph back across its reflecting surface and straight into the morning’s first light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.