Tag Archives: america

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Siesta Lake, Summer

September 4, 2011 G Dan Mitchell Leave a comment

The middle of a summer day at Siesta Lake, Yosemite National Park.

And, surprise!, yet another photograph dredged up from the archives during my summer crawl through the past eight years of raw files.

Siesta Lake is probably well-known to almost anyone who has driven across Tioga Pass Road (highway 120) from west to east through Yosemite National Park. As the road ascends from into the higher elevations, at one point it rounds a turn and there on the right is this pretty and peaceful little lake, right next to the road, surrounded by trees and boulders, and often with water lilies floating on its surface. Few can resist a quick stop, unless they are in a real hurry or have stopped there many times before. I’ve stopped there lots of times, but I still do pull over for at least a quick look.

This photograph of the lake is a bit unusual for me in a couple of ways. For one thing, it was made during the middle of the day, during those hours that are not supposed to be conducive to photography – and, in fact, which can be very challenging. But on this day there was a thin layer of overcast broken by thicker clouds, and this somewhat muted the midday intensity of the light. In addition, I think that I most often work close views of the grasses and, especially, the flowers growing in the lake – but here I stood back a bit and took in everything from the foreground to the trees on the opposite shore. Finally, the vast majority of photographs I’ve made here are in landscape (wide) orientation, with some even going all the way to 2:1 panoramic formats and beyond.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Eroded Gullies at Zabriskie Point, Morning

September 1, 2011 G Dan Mitchell 3 Comments

Low angle morning light illuminates a tortured landscape of eroded gullies at Zabriskie Point, Death Valley National Park.

I recently “rediscovered” this photograph while undertaking a major review of the past eight years of my raw files. (And, yes, that task is just about as much fun as you might imagine. It would actually be pretty unbearable except that every so often I find some photographs that I had perhaps forgotten or overlooked, and I also come across images that remind me of experiences that took place some time ago.)

This photograph was made, as virtually anyone who has visited the spot recognizes, by pointing my camera about 90 degrees to the left of the classic Zabriskie Point views. Timing was important, as the early light is just skimming across the tops of these tortuously eroded gullies, picking out the ridges between them but leaving the lower sections in shadow. But good fortune also played a role here. Death Valley is usually a clear blue sky kind of place, but on this morning I had clouds! At dawn, if I recall correctly, the clouds actually interfered with the light a bit. But as the sun rose the clouds provided a more dramatic background than plain blue sky and created some softer and diffused light that gave just the right sort of dynamic range for photographs.

On a technical note, if you are viewing this in the right web browser you can mouse over the image and see a summary of basic EXIF data. (Sorry, but this feature only works in web browsers – if you are viewing email, etc. you’ll need to visit the version at my blog to see the EXIF.) If you do check the EXIF you might notice that this photograph was made with a very humble example of photographic technology, the Canon Digital Rebel XT. This camera is a 8MP cropped sensor “consumer” camera that I acquired when I first tested the waters of DSLR photography. (I had actually used digital cameras back in the 1990s, but not for serious photographic work.) Those who wonder which of today’s current DSLRs might enable them to produce interesting and effective images might consider what could be done with such a humble camera. ;-)

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Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Chinatown Alley

July 23, 2011 G Dan Mitchell 2 Comments

A nearly deserted Chinatown alley lined with trash cans, San Francisco.

On this mid-July morning as I walked from the Caltrain station to the Bay near North Beach, I passed through parts of San Francisco’s Chinatown district. I was there early enough that many of the shops on the short section of Grant Street that I visited were not open, and after making a few photographs there I headed west to Stockton Street where the real action is happening in the early morning. While I’m definitely the outsider here (most people seem to ignore me, though a few seem a bit amused by this guy with the camera), I enjoy visiting and photographing this area far more than the tourist zone down on Grant.

In the morning the place is intensely busy. Trucks line the street and disgorge boxes and boxes of produce and many people seem to be doing their shopping. Crowds line up at the bus stops, and every grocery store and market seems very busy. I don’t take too many photographs, most often focusing on architecture and colors. As I walked along the busy sidewalk and passed this side alley, several things caught my attention. First, unlike Stockton Street, it was almost deserted – a couple of people were walking down the alley and by the time I framed my photograph only one remained. (You’ll have to look closely.) While my first impression was that this was a dilapidated and messy place, upon further thought and observation it is actually very ordered. Considering the number of people in the area and that the alley is used at least partially for loading in and out of shops, there is actually very little litter. Small ramps have been set up in the gutter in a few places and the receptacles are lined up along the sidewalk. I wonder what the meaning is of the two pieces of cardboard stuck behind the pipes on the red wall at the right?

The light was also conducive to shooting here. On this typical San Francisco summer day – e.g. cold and windy and foggy! – the overcast softened the light and allowed it to fill the shadows and intensify some of the colors.

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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Rocky Shoreline, Lower Young Lake

July 12, 2011 G Dan Mitchell 5 Comments

Morning light shines through the forest on the rocky shoreline of Lower Young Lake, Yosemite National Park.

The three Young Lakes are among my favorite places in the Yosemite back-country, and I visit them pretty much every summer. As I did when I made this photograph, I most often to in the last season – I like to visit after Labor Day weekend, when the crowds begin to diminish, the weather is a bit cooler, fall colors begin, and everything in the Sierra seems to slow down in anticipation of the coming winter.

On this visit I camped for something like three nights at the lower lake, and thus had time to photograph throughout the basin at different times of day. On this morning I got up early as I usually do, and spent a good part of the morning photographing along the shoreline of this lake, starting in the area near where most people camp and where the trail passes along the shoreline. A bit later I crossed the outlet stream and followed the rocky shoreline around to the far shore where the forest opens into rocky meadows near the main inlet stream.

In the photograph, the early light is coming from behind the trees in the shoreline forest and glancing off the tops of the boulders on the shore and in the shallow water. There were two photographic challenges in making this photograph. First, the dynamic range between the brightest sunlit spots on the rocks and the darker areas in the forest is extreme. In some cases I might resort to blending multiple exposures as a way to deal with this issue, but here I was able to recover enough detail from a single frame. The second issue relates to the color of the light. Specifically, while the sunlit areas have a fairly warm quality, the light in the shadows on the rocks and in the shaded areas of the forest turns out to be distinctly blue in a photograph. In fact, these areas end up looking much more blue than you would think if you were there – this has to do with the way our minds process what we see to make it more like what we think it should be… if that makes any sense. In any case, the decisions here ended up being about how much blue would be the right amount.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.