Tag Archives: bank

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Drakes Bay, Fog

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Drakes Bay, Fog - Fog bank suspended above the surface of Drakes Bay, Point Reyes National Seashore
Fog bank suspended above the surface of Drakes Bay, Point Reyes National Seashore

Drakes Bay, Fog. Point Reyes National Seashore, California. August 18, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Fog bank suspended above the surface of Drakes Bay, Point Reyes National Seashore.

What could possibly go together more naturally than fog and Point Reyes? Living in the San Francisco Bay Area, Point Reyes National Seashore is one of those treasures that is close enough that I can manage to visit frequently and throughout the year. However, I’m still trying to “get my mind around” the place as a photographic subject. Some aspects of it are relatively easy to see in photographic terms – these include some of the wildlife (such as elephant seals and tule elk), the tall and rocky coastal bluffs and the beaches often found below them, and certain beaches. Others are not, at least for me, so obvious. I find that some very beautiful things, such as the dense forests of short trees, hills covered with dry grasses and scattered bushes, and fog shrouded valleys, are not always easy subjects from which to make effective photographs.

This scene (if “scene” is the word for it) could be almost anywhere in along the hundreds of miles of the California Pacific coast, and it belongs to my “minimalist seascape” thread, something I’ve been attracted to for a while now. On this afternoon I had decided to go to Limantour Beach, hoping for sun and enough clarity in the air that I could make some photographs across Drakes Bay that I’ve been thinking about. Earlier in the day, things looked promising for that, but when I arrived the fog bank was hovering just along the shoreline and making its way inland nearby. Looking a bit more to the south, the sky was clear – and in between these areas there was a wonderful play of light between the areas covered by fog and the occasional gaps where more light still shone through.

I have been there a couple of times this month and on both occasions I had… fog!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Tuolumne River, Alpenglow

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Tuolumne River, Alpenglow - The Tuolumne River curves through Tuolumne Meadows as alpenglow colors that landscape, Yosemite National Park.
The Tuolumne River curves through Tuolumne Meadows as alpenglow colors that landscape, Yosemite National Park.

Tuolumne River, Alpenglow. Yosemite National Park, California. July 7, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The Tuolumne River curves through Tuolumne Meadows as alpenglow colors the landscape, Yosemite National Park.

I have written previously about several topics that connect to this photograph. For one, I have described a certain type of atmospheric condition in the Sierra that may bring astonishingly intense evening colors when clouds above the mountains end to the west of the range, allowing the final sunset light to illuminate the clouds from beneath. On this evening it looked like all the pieces were in place for such a show, but I know that while these conditions make the light possible, they do not guarantee it – and on this evening there was a wonderful, subtle glow just after sunset… but not the imagined overwhelmingly brilliant light.

For another, I have written about scoping out a shot ahead of time, sometimes earlier the same day and sometimes weeks, months, or even years earlier. Earlier on this day I decided to take a walk in the meadow without my camera gear, with precisely the task of “scoping out” in mind. I wandered around somewhat aimlessly, following my nose this way and that to investigate lots of interesting things and places that I might have passed by on a more purposeful hike. Before heading back to camp for an early dinner I had selected three possible subjects that I thought might work well.

I have also written about how little control we have over our subjects when shooting landscape. We can anticipate and guess and be fortunate enough to be in the right place at the right time with the right gear and the skill to know how to use it, along with the ability to see what is happening – but in the end, in many ways, we take what we can find and work with it. When I arrived back in the evening an hour or so before the time of interesting light, I had a feeling that the first subject I had seen earlier might be the most promising. This was a scene that placed Lembert Dome between a couple of groups of trees and a bit of the river when viewed from the middle of a footbridge crossing the Tuolumne. I arrived and set up and began the planned wait for what I hoped would be very interesting light. However, as sunset approached, I could see that the shot I had planned was not going to work in the light that I found myself working with. So, on the spur of the moment and acting essentially intuitively, I picked up the tripod and camera and moved to a nearby spot and rather than making a tightly focused shot of the dome, I zoomed way out to include a gentle curve in the Tuolumne, a sandbar, and a line of foreground trees, and I made this photograph of the much subtler-than-expected post sunset light.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: San Francisco, Photographs: Urban/Street, Tongue in Cheek

Now Open

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San Francisco Photograph - An abandoned toilet stands next to a Chase Bank "Now Open" sign in the Chinatown district of San Francisco.
An abandoned toilet stands next to a Chase Bank “Now Open” sign in the Chinatown district of San Francisco.

Now Open. San Francisco, California. July 15 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

An abandoned toilet stands next to a Chase Bank “Now Open” sign in the Chinatown district of San Francisco.

Sometimes the world just hands you things that you couldn’t come up with on your own if you tried.

The opportunities for bad puns are so tempting here, but I’ll struggle to resist, and instead simply offer a few words about the location and the, uh, scene. On this summer day I was wandering around San Francisco to do street photography, and walked up Grant Street. Grant is such a tourist place that I often instead head off to some nearby streets that are a bit less geared to the tourist trade, so I picked up a cross street and wandered up toward Stockton Street. At one point as I walked past a busy area of markets and other small businesses I happened to notice this odd (and perhaps unfortunate, if you are the bank) juxtaposition of sidewalk “decorations.”

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Fog, Surf, and Rocks

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Fog, Surf, and Rocks - Midday sun glows through coastal fog bank above offshore rocks and surf, Point Lobos State Reserve.
Midday sun glows through coastal fog bank above offshore rocks and surf, Point Lobos State Reserve.

Fog, Surf, and Rocks. Point Lobos State Reserve, California. March 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Midday sun glows through coastal fog bank above offshore rocks and surf, Point Lobos State Reserve.

I made a new photograph in the “barely there” series today at Point Lobos. It was a surprisingly good photography day at Point Lobos. I say this because when I started out this morning things did not look very promising at all. At my home, it was cloudy and gray – but since at least one weather forecast mentioned sun down in the Monterey Peninsula area, I decided to give it a try. As I drove south it got worse – I ended up in very thick fog during the first 30 minutes or so of my drive. However, recalling that when there is inland fog this time of year there is often clearing at the coast, I decided to keep going. A few miles from Monterey the skies began to clear, leaving some pockets of fog here and there with high thin clouds above. Now things were looking up! High, thin clouds can provide excellent conditions for many kinds of landscape shooting, since these conditions soften that shadows and take the harsh edge off of the light.

Arriving at Point Lobos I could see there was fog a good distance off shore, but beautiful light was shining through the forest along the entrance road. I headed down to Whalers Cove and went for a hike around the far side of the cove, and ended up spending the better part of three hours poking around in this area. By the time I got back to my car it was lunch time, and I decided to at least head out to the west-facing shoreline to look around before leaving. When I got there, the offshore fog bank had moved in and was starting to flow across the shoreline. A bit further south I could see the backlit fog lit brilliantly by the sun and almost obscuring the rocks and islands in the Bird Island area. In fact, by the time I got my camera on the tripod, these islands had completely disappeared. I waited a bit, and their shapes began to again barely emerge from the fog.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.