Tag Archives: basin

Black Point

Black Point
Mono Lake and Black Point

Black Point. © Copyright 2019 G Dan Mitchell – all rights reserved.

Mono Lake and Black Point.

Mono Lake and the basin it occupies make up a huge and diverse area with all sorts of attractions. The lake itself is usually regarded as the most striking feature — it is a massive, landlocked body of water filled by runoff from the eastern Sierra, whose peaks form the backdrop to the west. It sits on the western edge of the basin and range country that stretches east for many hundred of miles. And there are subjects on a more intimate scale, too, ranging from tufa towers to the abundant birdlife. It is also a place of volcanism, with craters in and extending south from the lake. And for me one of the most impressive features is the expanse of the place, with views extending across vast distances.

This feature, also volcanic, sits along the northern shoreline of the lake. While is easy to view from afar, it isn’t quite so simple to get to it, and consequently it is not a crowded place at all. In the lower portion of the photograph the lake’s waters meet its gentle shoreline, where water levels have dropped, in more recent times largely due to water withdrawn from tributary streams and sent to the LA area.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Mono Lake, Wildfire Smoke

Mono Lake, Wildfire Smoke
Mono Lake and tufa towers with drifting wildfire smoke in morning light

Mono Lake, Wildfire Smoke. © Copyright 2019 G Dan Mitchell – all rights reserved.

Mono Lake and tufa towers with drifting wildfire smoke in morning light.

My foremost impressions of Mono Lake are usually formed around its vast expanse — the place is absolutely huge, and the low mountains to its east accentuate this effect. The great open space above its water usually presents an equally expansive view of sky, whether it is pure blue or broken by various clouds. (My other strong impression of the place is an audio impression — a combination of early morning silence and the sounds of thousands of birds.)

I made this photograph during very unusual conditions. On this late-summer morning a very large wildfire was erupting south of here, and its smoke was drifting northward in the early morning. The morning light was increasingly blocked by the smoke and eventually (after I made this photograph) the smoke became oppressively thick and I had to leave. When I made the photograph the smoke was drifting softly in front of those distant mountains and glowing faintly in the early morning backlight.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Rising Sun, Wildfire Smoke

Rising Sun, Wildfire Smoke
Morning sun rising through a pall of wildfire smoke, east of the Sierra Nevada

Rising Sun, Wildfire Smoke. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning sun rising through a pall of wildfire smoke, east of the Sierra Nevada,

This was one of the most eerie days I have experienced in the Sierra. While it wasn’t the first of last time I’ve encountered the effects of wildfire there, this was quite different. The previous evening I had seen a bit of smoke far to the south, but didn’t think too much of it, as this was the wildfire season and such things aren’t unusual. I was camped in a deep east side valley that did not afford a distant view, so it wasn’t until I left that valley in the early morning and headed out on the east side fo the range that I saw what was happening.

I arrived at the junction of US 395 and Tioga Pass Road before dawn and found a high spot to photograph Mono Lake. It was immediately clear that a very active wildfire was building to the south and that the smoke was drifting north. It was still mostly clear above the lake, but not for long. Soon the smoke nearly obscured the view, though I continued photographing. I thought that heading north might get me away from the smoke, but now it was spreading fast and I couldn’t escape it. I made a few photographs from a high location that featured the smoke-filled Mono Basin, and then I started toward the southern Sierra. Passing again by Mono Lake I encountered some of the thickest wildfire smoke I have seen. This photograph was made under that pall, which was so dark that it barely seemed like twilight and the light of the sun was almost blocked.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Autumn Color, Sierra Nevada Crest

Autumn Color, Sierra Nevada Crest
Mountainsides of autumn aspen color rise toward the Sierra Nevada crest

Autumn Color, Sierra Nevada Crest. © Copyright 2018 G Dan Mitchell – all rights reserved.

Mountainsides of autumn aspen color rise toward the Sierra Nevada crest

I had a whole bunch of other photographs (late-summer in the Sierra, European travel/street photography) queued up to post right about now… but fall color is currently happening, and it seems better to post the timely stuff. With that in mind, here is another Sierra Nevada fall color photograph, with others to come shortly. By the way, if you are wondering when to go to the Eastern Sierra to see (mostly) aspen fall color, the core season generally includes about the first three weeks of October, with the middle week often being the most reliable. So, as of today… there is still time!

This is probably a familiar scene to those who travel around the Sierra Nevada’s east side in October to search for aspen color. This valley and these peaks are in one of the more popular locations — though, in truth, you can find good aspen color up and down the east side of the range and in a few places west of the crest, too. I’m most often in this particular spot quite early in the day, but I made this photograph later in the afternoon, when backlight illuminated and highlighted the aspen colors, a few clouds cast moving shadows across the scene, and a gentle haze softened the details of the highest peaks.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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