Young lodgpole pines grow in front of a Dana Meadows pond as Mammoth Peak looms in the distance.
Late in July of this somewhat wet year, the portion of Dana Meadows that extends almost up to the top of Tioga Pass was still very green and a bit wet, with small streams flowing through it and seasonal tarns still full. Being careful to avoid the boggy spots, I wandered down in to this section of the meadow near where the old roadbed is still visible and found small ponds and young trees trying to infiltrate the meadow. Here the pond reflects clouds floating towards Mammoth Peak, the high point at the end of Kuna Crest, on the other side of which is found the Lyell fork of the Tuolumne River.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
“Morning Virga, Mono Lake” —Isolated Mono Lake tufa towers stand in the morning light below clouds dropping morning virga.
Early in the morning, Mono Lake is often a very still and quiet place and the sense of empty space and the scale of the landscape are palpable. Down close to the water the only sound comes from the gulls and the water is often nearly glass-smooth. (For a while – later in the day the wind often rises and the things become more agitated.)
I had spent an hour or more photographing at the shoreline in and around tufa towers and had finished for the morning. I had packed everything up and loaded the car and was actually starting to drive away when I saw this scene composed almost entirely of blue tones, with the clouds dropping virga (rain that doesn’t reach the ground) above the distant mountains, and a few isolated tufas offshore.
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“Morning Squall, South Tufa” — The shoreline of Mono Lake as a morning squall drops rain over the Sierra Crest near Lee Vining, California.
This photograph is, in a number of ways, a sort of happy accident. I had been camped in the Tuolumne Meadows area for several days, photographing in that part of the Yosemite National Park Sierra Nevada high country. On the previous day I had been caught out on a hike in a surprise thunderstorm without rain gear, so I was very conscious of the weather. That evening it occurred to me that, given the approach of some monsoonal moisture and the already wet weather, it was possible that interesting clouds might form in the Mono Lake area the next morning.
That night I peered out of my tent from time to time to see if any clouds were interrupting the light of the full moon, thinking that this might be enough to get me to change my plans for morning photography and make the drive to Mono Lake. At one point a few clouds did dim the moon light, and a bit later a few showers came through. At this point I decided to get up earlier and drive to the lake.
I thought I got up early enough. However, as I drove down highway 395 south of Lee Vining I realized that I had miscalculated and that the sun was already hitting the clouds! I experienced a classic photographer’s dilemma – shoot what I see here now, or race on hoping to shoot the planned thing. I decided to stop and photograph the first light on the Sierra crest from 395 before heading on — but now my original plan for a pre-dawn visit to Mono was out the window. After finishing here I made my way to Mono just as the first sun was striking the lake. I quickly made it out to the shoreline and saw (how could anyone miss it!?) this giant cloud cell blowing up over the Sierra crest just north of Lee Vining.
This post was revised in April, 2025.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
A building beneath the west end of the San Francisco Oakland Bay Bridge, in foggy morning light.
If a troll lived beneath the west end of the Bay Bridge, this would be the building. ;-)
This block-shaped building with windows reflecting the light from thinning fog over the San Francisco Bay – across the Embarcadero – sits almost directly below the west anchorage of the San Francisco Oakland Bay Bridge, which you can see just a bit of near the very top of the frame. For me there is something appealing about the angular simplicity of this building with its rectangular windows divided into rectangular panes, and with almost no decorative touches at all.
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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