Tag Archives: bridge

Golden Gate and Bay Bridges, Morning Haze

Golden Gate and Bay Bridges, Morning Haze
Golden Gate and Bay Bridges, Morning Haze

Golden Gate and Bay Bridges, Morning Haze. San Francisco Bay, California. February 5, 2011. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of Golden Gate Bridge north tower, the San Francisco-Oakland Bay Bridge, and the East Bay Hills in morning haze.

I sometimes enjoy playing the juxtaposition game, going up into the Marin Headlands and using a long lens to juxtapose elements of the Golden Gate Bridge with other elements of the landscape, human and natural, of San Francisco Bay. One of the most iconic examples of such photographs is the one that many have shot (including me!) that centers the tip of the Transamerica building within a frame formed by the north tower of the bridge. But there are many other possibilities that might be at least as interesting, and which may depend more on the changing and often very interesting conditions of atmosphere and light over the bay.

This photograph was made from a point very close to that from which the Transamerica building photograph can be made, but a bit higher on the road up into the headlands. When I arrived just before dawn in the general area there were quite a few other photographers who I presume were there to photograph the dawn scene. (This is a difficult task, as it requires you to shoot essentially directly into the sun if you want San Francisco in your shot.) I was surprised when essentially all of the other photographers packed up and left a few minutes after the sun came up! (In their defense, it was windy up there – so windy that it made shooting with a long lens quite a challenge!) The sunrise wasn’t all that amazing, at least not if you know this area pretty well. But the low haze/fog over the east bay hills and some overhead clouds filtering the light a bit created the potential for some interesting and moody light – at least if I used a long lens to isolate small sections of the scene.

I’m almost a bit embarrassed to admit that I picked my first shooting location not based on the scene but rather on trying to avoid the wind! I went up the road to a spot where I could shoot in the lee of a hill side. After getting that out of my system, I went the other way and entered a very windy area along the road below the parking lot. I eventually found a spot that lined up the two great bridges of San Francisco Bay – the north tower of the Golden Gate Bridge in the foreground and two towers and a central span of the San Francisco-Oakland Bay Bridge in the distance, both backed by that low fog and haze and beyond the East Bay Hills.

G Dan Mitchell Photography | Flickr | Twitter | Facebook | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Confluence of Cascade and Tamarack Creeks

Confluence of Cascade and Tamarack Creeks
Confluence of Cascade and Tamarack Creeks

Confluence of Cascade and Tamarack Creeks. Yosemite National Park, California. January 16, 2011. © Copyright G Dan Mitchell – all rights reserved.

Long exposure in evening light of the boulder-strewn confluence of Cascade and Tamarack Creeks, Yosemite National Park.

Right below the bridge along the Crane Flat Road (often described as highway 120) route into Yosemite Valley, two wildly cascading creeks join together before their final descent to the bottom of the canyon where they join with the Merced River. Cascade Creek is probably the better known of the two since some spectacular sections of its descent are clearly visible right above the roadway. Tamarack Creek is easier to miss since you have to look carefully into the trees if you try to spot it from your car, or else get out of the car and look more closely. In the photograph, Cascade Creek flows away from the bottom of the frame, and Tamarack joins from the right in the upper portion of the frame.

I’ve always paid more attention to the section of Cascade Creek that is above the bridge. However, after recently having several opportunities to carefully (and admiringly) view Charlie Cramer’s stunning print of his “Cascade Creek, Spring, Yosemite”, I decided that I really needed to look off the other side of this bridge! (Charlie, I found your rocks. First, I’m even more impressed now that I realize how obscure and out of the way the subject of your photograph is. Second, how the heck did you position the camera over the side of the bridge to make that photograph!?) With that in mind, I visited this spot several times on this weekend trip to Yosemite and tried photographing it in different types of light.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
FlickrTwitter (follow me) | Facebook (“Like” my page) | LinkedInEmail

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.


Natural Bridge Canyon

Natural Bridge Canyon
Natural Bridge Canyon

Natural Bridge Canyon. Death Valley National Park, California. March 27, 2010. © Copyright G Dan Mitchell – all rights reserved.

A gravel wash in the bottom of the narrow confines of Natural Bridge Canyon, Death Valley National Park.

These narrow canyons, of which there are a number of great examples in Death Valley, can provide some interesting photographic opportunities, but they also can pose some real challenges. Much of the rock in these places is, frankly, rather drab and of low contrast. However, at the right time of day and on a day with the right light and in the right parts of these canyons, the glowing light reflected down into the canyons from overhead rock walls can produce warm and diffused light and bring interesting colors to the place.

I made an unusual decision to use a very long focal length for this photograph – it was shot with a 100-400mm zoom at 330 mm. More typically I would probably tend to use wide angle focal lengths in the confines of such a canyon. However, because I wanted to juxtapose the different colors and shapes of the sections of canyon wall along the narrow and twisting wash, I chose the long lens to compress the distance. Although I think the photograph creates a feeling that I’m positioned very close to the foreground rocks and the darker bit of canyon wall on the left, I was actually quite a distance back from this spot.

G Dan Mitchell Photography
About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

(Basic EXIF data may be available by “mousing over” large images in posts. Leave a comment if you want to know more.)


Coit Tower, Fog


“Coit Tower, Fog” — Swirling fog and mist engulf San Francisco’s Coit Tower and Telegraph Hill,.

Here is one more in this series of photographs of the San Francisco waterfront and downtown areas in brightly back-lit, early morning conditions with the City nearly obscured by drifting fog. All of the photographs in the series were made from a location near the north end of the Golden Gate Bridge, just a bit up the road into the Marin Headlands. Like several of the others, this one was shot with a 400mm focal length lens, pointing almost directly toward the rising sun. For some of the exposures I had to stand a couple feet in front of the camera, at the maximum extension of my remote release cable, and carefully position my hand to shade the front element of the lens.

Here the fog has almost completely obscured Coit Tower at the top of Telegraph Hill. If you look very carefully to the left of Coit Tower you can barely make out the ghostly image of the top of one of the towers of the San Francisco Oakland Bay Bridge. It was my good fortune that a slightly less opaque section of the drifting fog momentarily framed the summit of Telegraph Hill.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.