Tag Archives: bright

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Morning, Fog, Surf

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Morning, Fog, Surf
Bright morning light illuminates fog along the Big Sur coast as storm surf runs up against the cliffs

Morning, Fog, Surf. © Copyright 2018 G Dan Mitchell – all rights reserved.

Bright morning light illuminates fog along the Big Sur coast as storm surf runs up against the cliffs

The fog/mist in this photograph doesn’t come from the usual source. Typically, along this section of California’s Big Sur coastline, fog rolls in from the ocean in big, fluffy, low-level clouds. That fog is a dark, damp, gray thing, and — with the exception of the moments while it is clearing — it generally does not let in much light. The “fog” in this photograph, which might more accurately be called mist or spray, comes from gigantic waves from a winter storm breaking along the coast in windy conditions. It is the waves themselves that throw up this mist, and on this day of surf up to 40 feet high, there was plenty of it.

The photograph could also serve as an example of looking away from the most obvious thing. The location is at or just before a very popular and iconic stopping place along the Coast Highway in the Big Sur region. In fact, a good number of people making a quick trip down from the north may choose this spot as their turn-around point. I won’t mention what that iconic subject is, but I did not photograph it on this morning. Instead, I stopped a bit before the throng and pointed my lens in a different direction, down toward a familiar beach lying at the base of huge shoreline cliffs. The beach isn’t visible — the giant waves were so strong that they ran all the way up the sand to the base of the cliff. I decided on a high key interpretation of this scene in order to reveal the glowing backlight coming down across the cliff from above.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Point Sur, Sunlit Ocean

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Point Sur, Sunlit Ocean
Point Sur is sillhouetted against the brilliantly bright sunlit ocean

Point Sur, Sunlit Ocean. © Copyright 2018 G Dan Mitchell – all rights reserved.

Point Sur is sillhouetted against the brilliantly bright sunlit ocean

Point Sur is one of the most striking landmarks along the rugged Big Sur coastline south of Monterey, California. There is plenty of striking and remarkable seascape and landscape here, but this feature is pretty much unique. It consists of a rocky, rounded hill right at the edge of the ocean, and it is (barely) connected to the mainland by a narrow, sandy peninsula. (I often wonder how many times the peninsula has been overridden by tsunami waves over the millennia.)

The spot also has a long human history. Over a century ago a lighthouse was established on Point Sur, and since it was so isolated — there was no Pacific Coast Highway back then — the residents had to be essentially self-reliant. The lighthouse workers were let go decades ago when automated lights replaced the old lighthouses, but the place is still there and much of it has been restored. I am in the area often, but the view changes a lot, and this time I photographed it from hills to the north as giant waves approached the coast and the brilliant sun glinted on the surface of the Pacific Ocean

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Museum Windows, Shadows

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Museum Windows, Shadows
Silhouetted figures, windows, and beams of light, Metropolitan Museum

Museum Windows, Shadows. © Copyright 2017 G Dan Mitchell – all rights reserved.

Silhouetted figures, windows, and beams of light, Metropolitan Museum

This is a second “take” on a location I photographed between Christmas and New Year’s Day last year, when we spent a week in New York. It was an exceptionally cold week, and on a few days we decided that we really needed to find indoor activities. (On other days we defied the cold and wind and walked all over Manhattan anyway.) One of the reliable options is a visit to a museum, so we headed to the Metropolitan, where we wanted to see the David Hockney show. You can’t see it in this photograph, but the museum was packed with other visitors who were also looking for a warm, indoor option.

We passed through this room twice, on our way to and from a section of the museum with relatively modern art that we wanted to view. This space is really essentially a very wide walkway, though I suspect that it could also be used for exhibits at times. The row of tall windows along the southern wall opened to Central Park and, further away, the Manhattan skyline. Lots of people took advantage of the wide window sills as a place to sit. The resulting effects of light were intriguing — backlit people in a variety of poses, the faint image of the park and city outside, and the alternative effects of shadows and reflections from the bright light streaming through the windows.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Night, Photographs: San Francisco, Photographs: Urban/Street

Chinatown Street Scene

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Chinatown Street Scene
Tourists on the sidewalk in front of a brightly lit souvenir shop in San Francisco’s Chinatown district

Chinatown Street Scene. San Francisco, California. September 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Tourists on the sidewalk in front of a brightly lit souvenir shop in San Francisco’s Chinatown district

Another evening in San Francisco, another photograph of people walking along the sidewalk in front of a Chinatown shop. These are becoming something of a theme, or so it seems. I’m not exactly certain where I made this one, but I feel like it might not have been along the main tourist area of Grant Street — but I’m prepared to be wrong.

My approach is to look for good light first and to then find a composition and people to fill it. Some interesting elements, like the stairway at the right, are nice, too. I’m always looking for spots where light spills onto the sidewalk, offering the potential to illuminate passers-by when they enter the scene. It is even better if street lights or the lights of another shop provide just a bit of front light to fill in the shadows. Aside from the way that all of the people managed to position themselves across the frame, I think I owe the woman to choose to wear the red dress on this evening.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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