Tag Archives: bright

Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Parking Lot Near Pier 48, Morning

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Parking Lot Near Pier 48, Morning
Parking Lot Near Pier 48, Morning

Parking Lot Near Pier 48, Morning. San Francisco, California. July 8, 2011. © Copyright G Dan Mitchell – all rights reserved.

Morning light on a large parking lot near Pier 48, San Francisco.

Continuing with the “urban landscape” theme, this is a photograph of a parking lot south of the bridge next to ATT Park and near the buildings of Pier 48 in San Francisco. After getting off the train that arrived in San Francisco at 7:00 a.m. and wandering over to Townsend Street, I decided to cross the what I think must be the Mission Bay inlet and take a look through this area which was rather deserted at this early hour. (Come back here before a Giants game, and the parking lot will be completely full of the cars of people who are willing to spend exorbitant amounts to park here.)

While there were cars in other portions of this parking lot that are closer to likely destinations, at this far end there was a single lonely car, and that seemed like it could be an anchor for a photograph of the lot, the tall streetlight poles, the industrial-looking buildings of Pier 48 and other assorted waterfront things. Because it was so early, the sun rising across the bay was filling the air with brilliant light that created a sky that was more white than blue.

In addition to the obvious crop, this image required other kinds of substantial work in post. The first issue was controlling the very brightest parts of the sky and a second was the follow-up need to then lighten a few other areas to get some detail back into the image. Color balance was a tricky thing – this isn’t that far from what the raw file contained, though I did warm the colors just a bit. I also did something in this image that I rarely do, namely use semi-opaque blurred and desaturated overlay layer of the original image to do, well, some stuff that is a bit hard to describe in written form. Suffice it to say that this had an effect on the parking lot and on the brightness of the sky.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Trees and Sunset Sky, Olmsted Point

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Trees and Sunset Sky, Olmsted Point
Trees and Sunset Sky, Olmsted Point

Trees and Sunset Sky, Olmsted Point. Yosemite National Park, California. June 18, 2011. © Copyright G Dan Mitchell – all rights reserved.

Trees growing on granite silhouetted against a colorful sunset sky at Olmsted Point, Yosemite National Park.

This astonishing, magical light occurred just at and right after sunset on the evening of June 18, the day that Tioga Pass finally opened for the 2011 summer season. I earlier posted a vertical format photograph of much the same scene, though with slightly different light – the other photograph was made about a minute after this one and the conditions were changing very rapidly.

The photograph was made from the popular Olmsted Point overlook along the Tioga Pass Road (highway 120), with its well-known view of subalpine Tenaya Lake. Since I have recounted the story of this light in some detail in an earlier post, I’ll keep this description somewhat short, but here is the genera outline. Earlier in the evening I had come here to try to photograph Mount Conness with a long lens. Initially the light was very unpromising, but I observed some things that suggested the possibility of sunset light so I stuck around. Just before sunset, as the sun dropped near the horizon to the west, the light came from below to illuminate the thin, high clouds and produce an amazing color show.

To make the series of photographs of these trees I simply pivoted my tripod around from the direction it had been pointing, towards Mount Conness. The trees are somewhat sparse here since the granite domes and slabs cannot support many of them. The speed of light and color transition was remarkable. At one or more points, as the clouds picked up the sunset glow, the brightness of the light suddenly increased noticeably. The brightest color moved across the sky from east to west, and here the color was just beginning to diminish ever so slightly overhead as it continues to intensify to the west and closer to the horizon.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Ship Yard Structures, Artificial Light and Moonlit Fog

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Ship Yard Structures, Artificial Light and Moonlit Fog
Ship Yard Structures, Artificial Light and Moonlit Fog

Ship Yard Structures, Artificial Light and Moonlit Fog. Mare Island Naval Shipyard, Vallejo, California. April 16, 2011. © Copyright G Dan Mitchell – all rights reserved.

The light of the full moon illuminates fast-moving fog clouds above Mare Island Naval Ship Yard structures lit by artificial lighting.

Since I haven’t posted photographs of these structures for a while, I’ll share a bit of explanation. The location is the Mare Island Naval Ship Yard, across the water from Vallejo, California. Mare Island is a decommissioned ship yard whose history goes way back into the 1800s, when it was the largest naval ship yard on the west coast. There is a ton of history to the place that I only know vaguely, but it was, among other place, the ship yard where a number of nuclear submarines were produced. (That and certain other dangerous residues are also part of the legacy of the place, unfortunately.) The ship yard has not been active since the 1990s, with the exception of some current work to dismantle a ship from the “ghost fleet” parked near the Carquinez Bridge.

The very old buildings and the remnants of some quite large industrial facilities draw night photographers from around the San Francisco Bay Area and beyond. (On my recent visit there were three groups photographing the place, including one from Sacramento.) There are almost endless subjects for night photography, ranging from very old to very new buildings, interesting structures like those in this photograph, old residences, and the general clutter found in any industrial area. All of it is lit by a varied array of lights including just about anything you can imagine: the full moon, light from nearby Vallejo, neon, fluorescent, tungsten, sodium vapor and probably other types of light.

In this photograph, huge overhead structures are lit by garish artificial light, while the overhead clouds are lit by the full moon. If I understand correctly, the structures supported huge cranes on tracks, and were used to move very heavy materials to the waterfront for installation in ships. They haven’t been used in a long time, and they are deteriorating in a way that is fascinating to photographers!

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Lower Slopes of Tucki Mountain, Dawn

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Lower Slopes of Tucki Mountain, Dawn
Lower Slopes of Tucki Mountain, Dawn

Lower Slopes of Tucki Mountain, Dawn. Death Valley National Park, California. March 31, 2011. © Copyright G Dan Mitchell – all rights reserved.

Dawn light on the faces and gullies of the lower slopes of Tucki Mountain, Death Valley National Park.

On the final morning of my recent (March, 2011) visit to Death Valley I decided to go to a spot not far from my campsite at Stovepipe Wells where I know of a bit of raised terrain that provides large-scale views of big chunks of this part of the Valley. I arrived before dawn and lugged my gear to the top of this rise with the primary plan of using a long lens to photograph across the Mesquite Dunes toward the Cottonwood Mountains at sunrise.

However, when standing in a spot like this one there are so many interesting effects of light all around that it is impossible, for me anyway, to just shoot that one thing. Far up the Valley to the north light starts to hit the highest peaks of several mountain ranges, to the east the light comes through and illuminates morning haze and layers of low hills, and to the southwest of my position the light began to reach the top of Tucki Mountain. So, between photographs of my intended subject to the west, I swung the camera though the entire 360 degrees to photograph many of these other subjects.

Tucki Mountain has fascinated me since I “discovered” it one morning while shooting on the “back side” of the Mesquite Dunes. At dawn I had been photographing the low dunes and other features on the side of the dunes that cannot be seen from the usual roadside viewpoints. As the light changed I worked my way up into the dunes a bit to photograph the shapes and textures of the sand, and I saw a composition that included this massive mountain to the south with it dark and jagged features. It was only later that I found out that it was Tucki Mountain. (If you have visited Stovepipe Wells, you have been right below the mountain.) It is a huge, sprawling peak – almost more of its own small range than a simple peak, or so it seems to me.

On this morning I first saw a big of the deep red first dawn light hitting the top of the peak and noticed lower ridges starting to pick up traces of this light. I swung that tripod head around to point this direction and decided to tightly frame some images of the overlapping ridges and valleys ascending toward the peak as the light worked its way down toward the Valley floor.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.