Tag Archives: brush

Aspen Groves, Afternoon Light

Aspen Groves, Afternoon Light
Aspen Groves, Afternoon Light

Aspen Groves, Afternoon Light. Conway Summit, California. October 16, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Late afternoon sun backlights the brilliant fall colors of aspen groves along the eastern slope of the Sierra Nevada near Conway Summit.

This is one of what is likely to be a series of very gaudy and colorful photographs of autumn aspen color, much of it photographed at Conway Summit along highway 395 just north of Lee Vining and Mono Lake. Keep your sunglasses handy!

If you happen to arrive at the Conway Summit area at the right point in the fall color season, you can be treated to an astonishingly large and brilliant show of aspen color. (It isn’t a sure bet though. Some years it is not nearly as spectacular. ) This year the trees seemed to turn quite suddenly. A week earlier there had been a lot of very green trees at this elevation along the east side of the Sierra, and many of us expected that the most striking colors would not come until as much as a week later. But nature wasn’t listening, and one week after I had seen so much green, the aspens all along the eastern escarpment of the range were turning golden and many other shade, frequently all the way down to the level of Owens Valley.

After shooting in the early morning out in Owens Vally and then hiking up to Parsons Lake in the middle of the day, I finally made my way up north to Conway Summit just before what I regard as the ideal time to photograph aspen color here, namely during the last hour or so before the sun drops below the peaks of the Sierra to the west. During this period the trees are back- and side-lit in very dramatic ways. While shooting almost directly into the sun can be tricky, the backlit trees really light up. At first I was a bit concerned when I arrived since clouds over the crest threatened to end the light show early, and they actually did interfere at times. But they also broke up the light a bit and provided a combination of ever-changing light and shadow patterns. One moment the light would strike one area and I would shoot in that direction. A moment later that light was gone, but shortly it would appear in another spot – and I’d swivel the camera around and work that subject for a moment.

This little pair of groves is one that I’ve watched and photographed for several years. I like the way that it stands apart from the much larger main groves and has the plain grass and sagebrush covered hills as background. I made a series of exposures of this subject, and in this one the light crossing from left to right not only struck the colorful trees but also lit up some of the gentle ridges of the slopes beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Schoolhouse Ruins, Rhyolite

Schoolhouse Ruins, Rhyolite
Schoolhouse Ruins, Rhyolite

Schoolhouse Ruins, Rhyolite. Rhyolite, Nevada. April 1, 2009 © Copyright 2009 G Dan Mitchell – all rights reserved.

Morning sunlight shine through the window frames of the ruins of the abandoned schoolhouse in the ghost town of Rhyolite Nevada, near Death Valley National Park.

The ghost town of Rhyolite, Nevada is located just east of the boundary of Death Valley National Park, along the edge of the Amargosa Valley, and not far from Beatty, Nevada, which itself is close to the Nevada Test Site. Put all of that together and you have the potential for a bit of a spooky place!

Rhyolite was a short-lived mining town in the early 1900s, when it apparently was home to thousands of people who streamed to this forsaken landscape to find silver. The town was eventually abandoned – although some mining still takes place in the area – but a good number of the larger buildings are still there, in various states of decay. An old train station that looks pretty fancy is fenced off to keep us out, but you can walk (respectfully and carefully!) among many other old structures including the old school house that is the subject of this photograph.

I’ve been out here a number of times and dawn is my favorite time to photograph here. The light makes it to many of the old ruins very shortly after actual sunrise, and there is a moment of often beautiful light at this time. From Rhyolite the hills inside Death Valley National Park are visible to the west and above the nearer hills you can see Telescope Peak, the highest point in the park at over 11,000′ elevation.

The school (like a few of the other ruins) looks like it must have been a very large and robust structure. Even though the roof and the second floor are gone, almost all of the exterior walls still stand and don’t show any immediate signs of incipient collapse. On this morning I made a series of photographs from just inside one of the “doorways” of the school with a wide-angle lens. I selected and shared a few of them back in 2009, but I recently went back to my original raw files and decided to try this one in black and white.

G Dan Mitchell Photography
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Morning Light on Shoreline Trees

Morning Light on Shoreline Trees
Morning Light on Shoreline Trees

Morning Light on Shoreline Trees. Yosemite National Park, California. September 19, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Early morning light illuminates shoreline trees, meadows and rocks at McCabe lake, with talus and forest-covered slopes beyond, Yosemite National Park.

We were camped at this lake for several days, and by this morning I had developed a pretty clear idea of what I wanted to photograph at different times of the day. My main interest in the early morning was in shooting almost straight back into the sun as it rose above the ridges to the east and began to backlight the lodgepole pines around the lake, especially those along the rocky and meadowy shoreline on the west and south sides. So on this morning, my second-to-last at this lake, I was up reasonably early and off to the other side of the lake before sunrise.

Once I reached the other side of the lake I had two tasks in mind. One was to make a few photographs in the very soft light before the sun reached this area. The other was to find and remember several compositions that might well work when the sun actually arrived. Around the west end of the lake I found several that lined up some of the small shoreline peninsulas and the rocks along the shoreline. After photographing those low light subjects for a while, I noticed that the light was beginning to strike a few trees along the west end of the lake, so I quickly got back in position to start doing the photographs as the sun began to arrive.

This morning presented one slightly unusual shooting challenge. For so late in the season there were a lot of bugs flying around the edges of the lake, including a surprising number of mosquitos. Unfortunately, the same light that so nicely picks up the edges of the backlit trees… also nicely highlighted all of the flying insects along the shoreline! These insects can show up in photographs as hundreds of small to larger blurring streaks – which must be laboriously and individually cloned out in post. Fortunately, I have a way to deal with this and make the process a little easier. I made two exposures of each composition, separated by a second or two. Since it was windless, the trees barely moved at all – but the bugs did move. Since their traces appear at different places in the two images, I can superimpose them in Photoshop and then mask out each bug in the upper image, substituting the corresponding bug free portion of the image from the layer below. It is still a bit of work, but not nearly as bad as trying to clone all of these problems out.

G Dan Mitchell Photography
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Thunderstorm Over Barney Lake

Thunderstorm Over Barney Lake
Thunderstorm Over Barney Lake

Thunderstorm Over Barney Lake. Near Mammoth Lakes, California. August 5, 2005. © Copyright 2005 G Dan Mitchell – all rights reserved.

Rain from an afternoon thunderstorm begins to fall above Barney Lake, in the eastern Sierra Nevada near Mammoth Lakes, California.

This is yet another older photograph that I found again while reviewing nearly a decade of raw files recently. I actually have previously posted another similar photograph of this scene in the past, but I think this one is also effective and is somewhat different.

I came to this lake when I had to leave a group of friends with whom I was about four days into a 14-day backpacking trip in the central Sierra back in 2005. On day four I woke up feeling less that great and thought I might be coming down with some sort of “bug” that I didn’t want to deal with in the back-country, partly because we were about to enter a section of trail with no quick and easy way out, and also because I didn’t want to take a chance on slowing down or halting the rest of my party. So I bailed out on the morning of day five. The rest of the gang went south on the John Muir Trail while I backtracked to the north and exited over Duck Pass.

I recall the day fairly well – perhaps because I travelled the trail twice in two days! It was easy hiking back along the JMT to the turnoff to the pass, where I paused to enjoy the view of Duck Lake. As I began the ascent to the pass above the lake, thunderstorms quickly developed, and I recall being surprised when the rain started much more quickly and much sooner than I had predicted. I believe I had to duck (no pun intended) beneath a nearby tree and quickly take out rain gear and pack cover before moving on in the rain. After I crossed the pass and started the descent towards Mammoth Lakes, the storm moved elsewhere and rays of light broke over Barney Lake below the pass where I paused to make a few photographs of this light against the backdrop of more distant peaks and falling rain.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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