Tag Archives: california

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Wooden Door, Concrete Wall

June 24, 2012 G Dan Mitchell 2 Comments

A wooden door in a concrete wall in an alley along The Embarcadero, San Francisco.

I’ll keep this description short since the photograph was taken in a location and circumstances that I have already described more fully. While walking along the Embarcadero on the waterfront of San Francisco I came across some alleys that had been locked up in the past and this time found them open. So I wandered down the alleys toward the water and discovered some old industrial buildings with worn doorways and walls and decided to make some photographs.

Much of this area is undergoing renovation or else being reclaimed by firms that find the slightly old-fashioned and dilapidated buildings to be picturesque and perhaps a bit trendy. Side by side with modern companies and offices there are remnants of a much different and rougher past.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

Moonlit Stairs and Windows

June 22, 2012 G Dan Mitchell Leave a comment

Metal staircase and wood framed windows on an old building at the Mare Island Naval Ship Yard, photographed under the light of the full moon.

This month I have had the opportunity to return to the ongoing task for filing through older raw files to see what I missed the first time around. (The task also leads to deleting some files that I originally held on to.) For me this is an important ritual, as I often accidentally “leave behind” some photographs when I first review them – either I get to busy and move on before I fully explore them, or in some cases I simply don’t yet “see” the photograph when I look at it too soon after making it. I have a theory about the latter issue. Sometimes I think I’m so invested in what I hoped or thought the photograph would be that I fail to see what it really is, at least until I’ve waited a while.

The subject of this photograph is the exterior of a building at the historic Mare Island Naval Ship Yard in Vallejo, a place that I have photographed only in the dark! I have worked with this building before. It is superficially a pretty uninteresting structure, but some of the unusual exterior stairways become interesting compositionally when illuminated by moonlight as in this photograph. I’ll share a few odd technical details about this one, too. The exposure time was nearly 8 minutes! And the capture was still underexposed. Since I cannot meter a scene like this, I often make my first exposure based on some sort of educated hunch – and I guess I just couldn’t imagine that I’d have to stand there any longer than this! Of course, because of the distance between the close-in railing and the far portions of the upper story, I had to use a small aperture of f/16. And being concerned about noise I shot at ISO 200. In the dark. Right. So one reason that I think I neglected to work with this file was that it seemed underexposed – OK, it was underexposed, even given the very dark subject of the scene. However, when I began to work with the raw file I discovered that I could push it the equivalent of several stops and the image would still hold good quality without obtrusive noise. I like the odd combination of shapes and angles, and in the end I think the very dark interpretation is actually the right one for this subject.

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Door Number Fifty-Five

June 17, 2012 G Dan Mitchell Leave a comment

Door #55, rusted frame, and weathered concrete wall, San Francisco.

This will be the first in a series of three “door photographs” I made in one small waterfront alley along San Francisco’s Embarcadero one morning in April. This alley lies behind a steel gate that has often been closed when I have passed by before. I’ve been intrigued by the spot, but unable to do more than try to look through the closely spaced mesh of the gate, but on this morning the gate was wide open and people seemed to be coming from and going to some businesses or offices beyond, so I just walked in and made some photographs of the appealingly decayed parts of the old buildings on this pier.

Several of the doorways, featuring large roll-up doors, were marked by numbers simply stenciled directly on the rough concrete walls. All of the exterior surfaces showed signs of neglect and the whole scene had a utilitarian quality about it – not a thing appeared to have been done to intentionally improve the look of the place. The concrete was marked with seemingly-random splotches of paint, the large check mark you see here and more. The rusted frame of the doorway looked someone might have run into it with a truck or some other large thing at some point, leaving it bent awkwardly inward.

Photographs: Abstract, Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Visual Puzzle with Tree

June 15, 2012 G Dan Mitchell Leave a comment

A tree with early spring greenery against a backdrop of the reflecting windows of downtown San Francisco buildings.

On a mid-April walk though portions of downtown San Francisco to make photographs, while passing through the financial district I was these branches with new spring leaves juxtaposed with a conjunction of building angles, reflected and distorted light, and colors that created a wild abstraction.

The urban environment often holds visual attractions that are not always immediately scene and which sometimes require one to look past the more obvious grit and turmoil. (Those, too, can be a photographic subject… but not this time.) In downtown concrete canyons with glass covered buildings, there is a constantly varying world of wild distortions and conjunctions and perspectives. If you think about it, very little of what you think you see in this photograph is really “there.” The thing the fills the largest portion of the frame is a crazily distorted reflection of other building and sky, fractured and bent by the distortions from the glass – in essence you don’t really see this building at all!

G Dan Mitchell Photography

Tag Archives: california

Wooden Door, Concrete Wall

Moonlit Stairs and Windows

Door Number Fifty-Five

Visual Puzzle with Tree

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.