Tag Archives: evening

Dusk Sandstorm, Desert Mountains

Dusk Sandstorm, Desert Mountains
Dusk Sandstorm, Desert Mountains

Dusk Sandstorm, Desert Mountains. Death Valley National Park, California. March 4, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Strong desert winds whip up a dusk sandstorm below the Grapevine Mountains, Death Valley National Park

To look at many photographs – including my own – of places like Death Valley, a viewer unfamiliar with the desert might begin to imagine a place of clear skies (with appropriate beautiful clouds), brilliant sun, intense colors, flowers, plants, and much more. While all of those things can be found in the desert, the fact that they are often more the exception than the rule may at least partially account for their popularity as photographic subjects. Yes, I have seen stunningly beautiful and colorful sunrises and sunsets, while standing in quiet and still air and in comfortable temperatures. However, I have also experienced rain, snow, very powerful winds, sand and dust storms, intense cold, nearly debilitating heat, and more.

This photograph was made during some of the less-than-lovely conditions that are quite common at this time of year, namely very strong winds and the resulting sand storm. Near the middle of the day I had caught my first glimpses of sand/dust rising up into the sky from some nearby dunes. Having been through this before, I was not fooled by the fact that the air remained almost completely still at my location at that time – and it wasn’t long at all until the winds become more general and began to lift sand and dust into the air across the entire end of the valley and then carry clouds of this material northward. I cannot say that I enjoy being in such conditions at all. Sand gets into everything, stuff that isn’t tied down blows away, breathing and opening your eyes can be a challenge. (Later, when I returned to camp in the darkness, I couldn’t face the idea of breaking out the camp stove and trying to cook and eat in the strong winds… so I wimped out and went to the restaurant at Stove Pipe Wells!) But as uncomfortable as these conditions can be, they are also visually special and impressive, so I headed out to the far side of the Valley, figuring that I might be able to shoot back into and across the sand storm while remaining on its edge. I shot through the late afternoon and continued as the sun set, leaving behind the murky, dust-filled atmosphere that shrouded everything. As twilight came on, the winds shifted, and dust clouds that had been blowing away from me began to move south down the valley towards me, obscuring the base of the Grapevine Mountains along the edge of Death Valley.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Evening Shadows, Pebbles, and Tracks

Evening Shadows, Pebbles, and Tracks
Evening Shadows, Pebbles, and Tracks

Evening Shadows, Pebbles, and Tracks. Death Valley National Park, California. April 5, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The tracks of a passing animal among small pebbles in evening shadows on the dunes, Death Valley National Park

The day before I made this photograph a huge wind/dust storm had swept across Death Valley, raising tall clouds of dust high into the air, blowing away tents and anything else not firmly tied down, and spreading a thin film of dust into cars, tents, sleeping bags, and just about everything else. The idea of a desert dust/sand storm is interesting and exciting, and there are certainly some elements in this weather that are photographically compelling – but the reality is that they can make like quite difficult for a while.

On the other hand, after the dust storm passes, many of the usual traces of human presence are temporarily erased from sand dune areas. So on this evening after the dust storm I wandered out into low dunes away from the more popular areas and saw virtually no human tracks where I ended up. However, I did non-human tracks, perhaps more clearly given that there were fewer of them and they were isolated against the newly clean and smooth wind-blown sand. I just happened to spot these small tracks (a lizard?) as I entered a small “dune” valley. I first noticed the uppermost shape, which reminded me of a small branch or twig or possibly a bit of coral. I soon noticed the more linear track up the middle of the branch-like tracks – a tail? – and thought I might be able to make a photographic composition out of these tracks, a few small rocks embedded in the sand, and some of the early afternoon shadows across the sand.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

An Explosion of Geese

An Explosion of Geese
An Explosion of Geese

An Explosion of Geese. San Joaquin Valley, California. December 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

An explosion of sudden motion as a flock of Ross’s geese takes to the evening sky over the Central Valley of California.

Watching the Ross’s geese from close by (in this case, using my car as a “blind”), we watch and wait for the inevitably sudden lift-off. I’ve watched and tried to figure out what advance warning there might be that this will happen, and I think I detect something in the sound of the flock or perhaps the way they behave, but I have yet to put my finger on it precisely. Sometimes there can be an obvious cause – as when a young calf romped straight through the flock during this visit – but more often there doesn’t seem to be any obvious thing that triggers it.

When it does happen, it is often an astonishingly sudden event, with thousands of the birds lifting off virtually simultaneously in a maelstrom of flapping wings and squawking cries and then circling the area a few times before (in most cases) settling back down in the same spot or one not far away. Sometime when shooting in low light, such as during the early morning or late evening or when it is foggy, I like to drop the shutter speed and “go with the blur” as I did in this photograph. A close look reveals distinctly goose-like shapes and parts – feet, beaks, wings, and occasional complete body forms – but the overall effect might evoke the fluttering wildness of their lift-off.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Juniper Tree, Towers at Base of Sandstone Cliff, Evening

Juniper Tree, Towers at Base of Sandstone Cliff, Evening
“Juniper Tree, Towers at Base of Sandstone Cliff, Evening” —A lone juniper tree grows among boulders at below sandstone towers at the base of cliffs, Capitol Reef National Park

I made this photograph midway through a trip of about 11 days that took us to a number of locations in Utah. Every such trip seems to have a sort of arc that includes the initial excitement and expectation of heading out into the world to photograph, a settling in period, perhaps a lull in the middle followed by a reconnection to the work, a sense that the trip is ending and there is too much left to do, and the final trip back to the “real world.” This photograph was made near the end of the “lull,” and might have marked the transition back to rededication to the work. On this mid-trip day, we had found ourselves perhaps a bit without direction and one of the members of the group had not been feeling well. At a low point in our energy but perhaps feeling that we should at least carry on and act like we were working, we went to a nearby area of the park in the evening.

At first we had no clear goal in mind, though we sort of stopped and looked around at a few spots, but without really making any serious photographs. Eventually we headed up into a large canyon, first photographing the walls near the start of the canyon and then photographing the canyon itself a bit as the light began to fade. This work went OK, but it didn’t seem to be quite “clicking.” But eventually, in my experience, you get to the point where you sometimes simply accept this as part of the work, trusting that if you keep looking and keep seeing you will eventually find what you are looking for – and that this is far more productive and useful than packing it up when it isn’t working. (Though, to be fair, there are a few times when packing it up and going and having a nice dinner can be a reasonable option!) In any case, we loaded up the vehicle and began to drive back out of the canyon. Looking up at the surrounding canyon walls, we were surprised to find some very unusual post-sunset light. During normal light these canyon walls look very dark and have the intensely “red” quality of the iconic Utah sandstone. But somehow this light seemed to have drained the color from the rocks, creating a de-saturated and almost slightly metallic effect. We quickly stopped an piled out with cameras and tripods and began shooting, and it seemed to me that the connection had been made once again.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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