Tag Archives: great

Brick Walls and Cobblestones

Brick Walls and Cobblestones
Brick Walls and Cobblestones

Brick Walls and Cobblestones. London, England. July 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

An empty cobbled London street runs beneath an underpass and next to brick buildings and walls.

Although it is the wrong city, this might be an example of me channeling my “inner Atget.” I’m not 100% positive where I made this photograph, though I could probably figure it out precisely if I thought it was important, but I think it may have been in the area near the south bank of the Thames between the Southwark and Millennium Bridges where I did a lot of wandering on a couple of occasions.

Either because I waited until they all moved out of the frame or because I somehow managed to find a deserted spot, there are obviously no people in this image, so it works as a sort of urban landscape but also street photography. As in at least one other photograph I made in this area, I’m shooting from inside a darkened tunnel or underpass and towards a sunlit area beyond, and again the reflected light shines on the smooth cobbles of the street. To my eye, the curve of the wall and sidewalk in the dark tunnel and the light coming from the right side of the frame suggest some space and structure to the right of the image that cannot be seen.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

River Thames Reflections, Night

River Thames Reflections, Night
River Thames Reflections, Night

River Thames Reflections, Night. London, England. July 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Nighttime lights from the Southwark Bridge reflect on the surface of London’s River Thames.

As we walked back across the Millennium Bridge toward the north bank of the River Thames in the evening light, I saw many colorful lights on bridges, boats, and buildings that were reflected in the surface of the river and which stood out against the somewhat hazy blue hour atmosphere. This bridge provides a great location for photographing the reflections since it is, obviously, right above the water and because it is easy to align reflections with various other elements by moving back and forth across the bridge. In this photograph most of the interesting reflections are coming from the Southwark Bridge, with the white lights on the Tower Bridge just visible further along the river.

On a technical note, I relied on a very different sort of photographic gear on this trip. Since our plan was to keep our luggage down to carry-on size – for a three-week trip to three countries – we decided to take some radical steps to downsize the amount of camera equipment we would carry. I normally shoot a full frame DSLR and typically carry a very large tripod and multiple (sometimes many!) large lenses. My normal load of camera gear alone, at least for car-based shooting, would exceed the carry-limits that we would deal with on our international flights – and would also weigh me down more than I wanted during a trip that would include a lot of walking. So for this trip I left my Big Gear at home and instead carried a Fujifilm X-E!, a small cropped sensor mirrorless camera, and only three lenses: a 14mm prime, a 35mm prime, and a 55-200mm zoom. All of this fit in a small messenger bag with room left over for my (small) laptop and lots of other necessities. I bring this up because this photograph was shot handheld with this camera, using the 35mm prime – in a situation and of a subject where I would normally assume that a tripod was necessary. (I’ll be writing more about the experience with this alternate gear soon at my blog.)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Egret Quartet

Egret Quartet
Egret Quartet

Egret Quartet. San Joaquin Valley, California. March 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A quartet of egrets on a foggy morning in a green late-winter pasture in California’s San Joaquin Valley.

This gang of egrets was politely waiting for me near the far corner of a wildlife refuge that I had visited on the last-winter morning, hoping to photograph (mostly) geese and cranes. The geese and cranes were a bit shy, and as I worked my way around the refuge’s perimeter road I wasn’t finding a lot of opportunities to photograph them. I could hear them, especially the sandhill cranes, but they seemed to be too far off, hidden by fog, or behind the tules. But I wasn’t in a hurry, so I took my time, stopping and watching and listening. By this later point in the season the initial astonishment at the huge numbers of birds had worn off a bit, and rather than jumping out of the car to photograph huge flocks of birds, as if they were the first and only flocks in the world, had given way to a bit more patience.

It had appeared that it would be a clear morning as I drove toward this location, but just moments before I arrived – a bit before dawn – the cool and damp air did begin to form some fog. This was fine with me, as I’d rather have a bit of interesting foggy atmosphere than have perfectly clear sky. But the fog was relatively short-lived – not like the midwinter fogs that can cover these places for days on end. By the time I finally worked my way over to this spot the sun was starting to break through and the fog was thinning. Because of their stark white color, lone egrets are often easy to spot from a good distance, and four of them clustered together were impossible to overlook. As I edged up closer to them, remaining in my vehicle so as not to spook them, they simply stood there, occasionally swinging their heads one way or another. Before I could make this photograph I first had to wait for an unruly band of red-winged blackbirds to depart, and then I waited for the four birds to move their heads in what seemed to me to be interesting directions.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Great Blue Heron, Foggy Pasture

Great Blue Heron, Foggy Pasture - A long great blue heron overlooks a pasture in clearing fog, Merced National Wildlife Refuge, California
A long great blue heron overlooks a pasture in clearing fog, Merced National Wildlife Refuge, California

Great Blue Heron, Foggy Pasture. San Joaquin Valley, California. November 25, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A lone great blue heron overlooks a pasture in clearing fog, San Joaquin Valley, California

I photographed this critter on my first bird photography trip of the season in the Central Valley of California, during which I visited several wildlife refuges in the Merced area. In typical Central Valley form, the day started out very foggy – tule fog hugged the valley floor and obscured the view in many places. By late morning most of the fog had dissipated, and hazy light came through the still-humid cool-season atmosphere.

When I first arrived at this refuge, the fog was so thick that it was more or less impossible to photograph the birds – though I tried! Eventually I reconsidered and did some landscape photography in the mysterious atmosphere of the thick fog. As it finally began to clear, I turned my attention back to the migratory birds. I found this solitary blue heron in a pasture at the far corner of the refuge, and I used my car as a “blind” to eventually pull almost parallel to it on the gravel access road, then stopping to make a series of telephoto shots with the foggy pasture as the backdrop.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.