Tag Archives: grove

Cottonwood Trees Detail, Autumn

Cottonwood Trees Detail, Autumn - Close up view of golden autumn cottonwood leaves, Grand Staircase-Escalante National Monument
Close up view of golden autumn cottonwood leaves, Grand Staircase-Escalante National Monument

Cottonwood Trees Detail, Autumn. Grand Staircase-Escalante National Monument, Utah. October 24. 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Close up view of golden autumn cottonwood leaves, Grand Staircase-Escalante National Monument

One of the main reasons we visited this particular canyon at this particular time of year and on this exact day was… fall color from cottonwood trees and a few other contributors. This small group was growing almost directly against the cliff walls alongside the river, and when I was there the cliffs shaded the trees and provided softer, diffused light.

While many of my cottonwood photographs set the trees in their surroundings a bit more clearly, in this one I simply wanted to show the colors and patterns and textures of the trees themselves, so I chose to shoot in tight and exclude anything that was not “tree.” These trees really are this colorful, especially in this light. This presented me with a bit of a challenge while working on the photograph in post. When shooting in the shade, as I like to do with such subjects, the light is often quite blue, since the scene is largely lit by that giant blue light box that we often refer to as “the sky.” Most people (other than photographers) would not notice the blue-ness of the scene while standing there, but it becomes quite apparent when looking at the photograph. In order to make the color balance conform to what we think we see when on the scene, I often choose to warm up the color balance of all or part of the photograph. For example, I might move the objectively blue tones of background rocks more toward gray, if the rocks were that color. But here, if I went to the “objectively gray” point, the color of the trees shifts to be warm beyond belief, so here I left the overall balance a bit on the blue side.

(Note: This photograph was originally posted with the wrong title. The error has now been corrected.)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspens and Granite, Autumn

Aspens and Granite, Autumn - Aspen trees with golden autumn leaves grow among boulders on a rocky eastern Sierra Nevada slope
Aspen trees with golden autumn leaves grow among boulders on a rocky eastern Sierra Nevada slope

Aspens and Granite, Autumn. Eastern Sierra Nevada, California. October 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Aspen trees with golden autumn leaves grow among boulders on a rocky eastern Sierra Nevada slope

Before my single day of eastern Sierra Nevada aspen photography this season, I had been concerned about the quality and timing of the color – and reports by some other photographers who visited just before I was there were not encouraging. Reports mentioned trees that had turned earlier than usual (true) and trees that turned without producing special color and so forth. Compounding my concerns just a bit was the fact that my schedule required me to be there a bit earlier than the time I would typically regard as being prime for aspen color. But I’d rather shoot one day of less-than-stupendous aspen color than miss the entire show, so up into the eastern Sierra above Bishop, California we drove.

I was pleased to find that there was actually a lot of great color. Some of the usual “hot spots” that people seem to flock to were perhaps not as amazing as they can be, but after photographing the aspens for some years I have found some odd little personal places where I could find good color – and in a few places color that was downright excellent. I photographed these trees rather late in the day, perhaps after many people who prefer to photograph aspens in the sun had already left. I intentionally sought out an area that I knew would be in shade since I often prefer the muted and softer light this brings. Here the trees are not quite so thick since they grow on very difficult and rocky slopes. But what they lacked in density they made up for in color!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Winter Haze and Trees, Central Valley

Hazy California Central Valley light on groves of trees as tule fog clears, Merced National Wildlife Refuge
Winter Haze and Trees, Central Valley

Winter Haze and Trees, Central Valley. Central Valley, California. December 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Hazy California Central Valley light on groves of trees as tule fog clears

In early December, 2012 I had my third opportunity of the season to photograph winter migratory birds. (The first time was last month when I made a quick foray to nearby Central Valley refuges, the second was shortly after that when I found myself with a free day in the Seattle area and drove up to Skagit Valley to photograph trumpeter swans and snow geese.) This was an especially great trip since not only were there birds about (Ross’s geese, a few odd snow geese, white-faced ibises, sandhill cranes, white pelicans, a few egrets and a single great blue heron) but the conditions turned out to be good almost all day and I was joined by a band of great folks: Michael Frye and Claudia Welsh, Dave and Charlotte Hoffman, and my wife Patty Mitchell. And what a day it turned out to be!

Things did not begin so promisingly. As Patty and I drove over from the south San Francisco Bay Area there was a lot of fog and continued to thicken until shortly after leaving Los Banos behind, where we encountered the classic pea soup Central Valley tule fog. Although it was so shallow that we could look up and see pre-dawn Venus and the new moon, ahead it was so thick that the road was barely visible in front of us. It was still thick when we reached the refuge and met the rest of the gang, and on the first part of our drive around the refuge the fog was so thick that we could barely seen any birds, although we could hear them. (One of the most mysterious experiences was hearing sandhill cranes nearby and being able to tell that they were airborne and moving but not see them at all until they would momentarily and briefly partially emerge from the murk and then just as quickly disappear.) Finally, as we came around the far side of the refuge we found a very large group of Ross’s geese close to the dirt road, and from here on things only got better. We had hours of shooting in the fog, which only slowly diminished and didn’t thin out enough to let sun through until probably noon or so. But this was actually a Good Thing, as on a perfectly clear morning the sense of mystery that fog imparts would have been missing… and the shooting probably would have been over in an hour or two. Instead, we continued until it was after 1:30, at which point we finally broke away long enough for lunch before returning for an evening shoot. Again, conditions that started out looking unpromising – the clouds of an incoming weather front were beginning to block the sky to the west – turned out to be perfect and even exceptional as the geese continued their show and the sky lit up brilliantly right at sunset.

I suppose that this photograph proves that I’m still a landscape photographer at heart. While looking around the refuge for birds, my eyes kept moving to the groves of large cottonwood trees and the smaller individual trees, many of which still held a bit of fall color. I’m also a really big fan of misty, hazy atmosphere, and we had that in spades. The fog did lift, but it left behind a beautiful luminous atmosphere and could glow in the right light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Autumn Color, Escalante River

Autumn Color, Escalante River - Cottonwood tree fall color below sandstone cliffs along the Escalante River, Utah
Cottonwood tree fall color below sandstone cliffs along the Escalante River, Utah

Autumn Color, Escalante River. Grand Staircase-Escalante National Monument, Utah. October 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Cottonwood tree fall color below sandstone cliffs along the Escalante River, Utah

This is another photograph made on our second attempt to photograph this area during the last half of October, 2012. The first time had been a day that was a beautiful one in many ways, but a photographically problematic one in others – with cold, very strong winds, clouds, and even a bit of rain. So nearly a week later we found ourselves back in the same general area and we decided to give it another try. This turned out to be a good decision, as all of those factors that had impeded photography the first time were now gone, and we had beautiful light, good fall colors, almost no wind.

There are many things that appeal to me about photographing in this kind of country. The rock itself is high on the list, for its range of intense colors along with the fact that it is the source of the many beautiful and compelling canyons that are found here. The fall foliage is another factor. After my Sierra Nevada colors have mostly gone (at least on the east side where the aspens grow) the low elevation colors of oak, maple, box elder, and cottonwood reach their peak. Other plants produce their own unique and sometimes subtle effects – such as the widely varied coloration of the tamarisk plants, which can include everything from black and gray through blue to yellow, red, and even purple. But above all is the quality of the light in these places, especially when it bounces down from high rock faces to light the depths of narrow canyons, taking on the coloration of the higher rocks, softening the lighting below, and often producing a glowing effect that must be seen to be believed. The light in this photograph is such light, reflected from a very large and sun-lit face to the left of my camera position.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.