Tag Archives: high

Pelican Flock

Pelican Flock - A high key rendering of a photograph of a flock of pelicans above the Point Lobos State Reserve
A high key rendering of a photograph of a flock of pelicans above the Point Lobos State Reserve

Pelican Flock. Point Lobos State Reserve, California. July 16, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A high key rendering of a photograph of a flock of pelicans above the Point Lobos State Reserve.

I photograph birds sometimes – more these days than at some times in the past – but they are generally not my main passion in photography, with a few exceptions. The first of those, however, is photographing pelicans along the Pacific Ocean coast of California where these big, magnificent birds seem to stand apart from the other birds of the area. They are bigger, they often coast rather than flapping wings quickly, when seen they are most often simply passing by on their way to and from some unknown other place, and they overall seem to me to have an almost prehistoric aspect.

Most often when I photograph them I go to some place where I think they will pass and I wait. Places where a rocky peninsula extends a bit into the ocean can be likely spots, as are the top edges of certain bluffs above cliffs, where they seem to float past on updrafts from onshore winds. Often as I wait and watch for them I see other birds and I may photograph them, but I’m always watching in the further distance for the groups of pelicans, usually strung out in lines of a few birds to, sometimes, many – and as soon as I spot them the other birds are forgotten as I watch the pelicans approach. I understand that this year the California pelicans are stressed by some sort of environmental change and many have died and others seem undernourished. This may partly explain why I saw so few on this July visit to Point Lobos, mostly only stray groups of two or three that were separated widely from one another. But late in the day a huge flock came from the south and, surprisingly, rather than floating past quickly they moved slightly inland, where I think they found a thermal, and spent several minutes coasting in circles as they rose higher.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Home Bay, Drakes Estero

Home Bay, Drakes Estero
“Home Bay, Drakes Estero” — Fog rolls in over Drakes Estero beyond Home Bay, Point Reyes National Seashore

This quick late-July visit to Point Reyes was an opportunity to re-learn a few lessons about going out to make photographs. I drove up to San Francisco, where my wife was to be involved in a music performance — the plan being to drop her off and then drive on over the Golden Gate Bridge to Point Reyes. It is often cold and windy there, even in the summer, but this was a very warm period and it looked like the coast might be clear of fog. With this in mind, I planned to either visit the Limantour Beach or else hike out towards Drakes Bay.

I should have sensed that things were about to evolve in ways that I had not planned for when, during a brief stop at the Point Reyes visitor center, the rangers announced that the road to Limantour was closed since a fire had just started in the area! With that option gone, I figured that Drakes Bay would be my objective, and I had images of afternoon and evening light on this day of little or no fog. I drove on out to the Estero trailhead where it was, in fact, quite sunny, though a bit windy. I loaded up my camera pack with a few lenses and a tripod, and set out towards Drakes Head, thinking I might make it there for late afternoon light. Soon I saw the telltale puffs of incoming fog overhead, and I came around a bend in the trail to see that the fog had already moved in to the west and over Drakes Bay. Fortunately, iin most cases I would rather photograph in “interesting” weather than in supposed perfect blue sky weather.

At a point where the trail descended to cross a dike at the head of Home Bay, I saw this conjunction of near and far forms, with the distant bluffs under the incoming fog, so I stopped to make a few photographs before moving on. To make a potentially long story a bit shorter, the temperature quickly dropped and the wind picked up to levels that made photography increasingly difficult. I managed to work with one other scene that included a curving snag in front of the bay, but it was already becoming difficult to find a calm moment in the wind to click the shutter. I kept going, finally reaching the trail junction that heads off towards Drakes Head, only to realize that I would never get all the way out there in time to return before dark. Cutting the hike short after a bit more than an hour and a half of hiking, I began to retrace my steps back to the trailhead.

In the end, this is really the only photograph that I came away with – despite carrying that fully loaded camera pack out and back! But this reminded me of a first lesson, namely that it is worth the effort even if I only come back with a single shot that I like. This one, to me, evokes the relative isolation and quiet of this spot in the upper reaches of the calm waters of Drakes Bay, with the fog bank beginning to assemble across the distant bluffs. A second lesson is that sometimes on a photographic quest, it is OK to simply enjoy the surroundings. A practical photographer can remind himself or herself that scouting is a good thing, and that things not photographed this time may well be on a future visit. And a long-time hiker can – and did – remind himself that sometimes it is just fine to leave the camera in the pack and just enjoy the wind and the space.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Bus Stop, San Francisco

San Francisco Photograph - A person sits at a bus stop in downtown San Francisco, California.
A person sits at a bus stop in downtown San Francisco, California.

Bus Stop, San Francisco. July 15, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A person sits at a bus stop in downtown San Francisco, California.

I made this photograph a year ago during one of my summer walks through downtown San Francisco. These walks have become a sort of tradition for me during this time of the year – I take the train into The City, arriving very early, and then head out on foot to photograph various areas, most of which I’ve visited a number of times. I prowl for several different sorts of subjects – the early morning light above the waterfront, people, bits of color and shape, and “architectural landscapes.”

Things can evolve very quickly in this urban environment. As I recall, the first thing that caught my attention here was the solitary figure on the bench, obscured by the semi-transparent material around the bus stop shelter, followed by the juxtapositions of yellow colors on its room and the sign across the street. The scene was incredibly busy, with people walking between me that the shelter, cars and buses passing by on the street, and people moving in and out of the frame on the other side of the street. So here, as I often do in such situations, I used what I might call the “compose and wait” approach – I found a composition around the shelter that centered the far widow and red sign in the opening… and then I waited for something interesting to appear in the right parts of the frame and for the distracting elements to disappear. I made perhaps a half-dozen or more exposures. In one, a bus passes through the frame. In another, blurred people appear in the foreground. But in this one, the person in dark clothes walked right in front of the red sign as another person emerged across the street to the left of the shelter, and no other people or vehicles interfered.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Spring Torrent, Impossible Tree Fall

Spring Torrent, Impossible Tree Fall - An early spring snow-melt torrent flows over Impossible Tree Fall, Yosemite National Park, California
An early spring snow-melt torrent flows over Impossible Tree Fall, Yosemite National Park, California

Spring Torrent, Impossible Tree Fall. Yosemite National Park, California. June 18, 2012. © Copyright 2011 G Dan Mitchell – all rights reserved.

An early spring snow-melt torrent flows over Impossible Tree Fall, Yosemite National Park, California.

This photograph takes me back to last year in mid-June, on the day that the Tioga Pass Road opened for the season. That was a very different year than this drought year! Back then the pass opened very late – though not the latest ever – and in mid-June there was still water, snow, and ice everywhere! One of the special treats of crossing the pass on the first day of the summer after a very wet winter is that the landscape comes alive with flowing water. Water is on the move almost everywhere. Rivers are full to their banks and beyond, waterfalls flow across almost every cliff, and there are creeks everywhere, including places that you might never have imagined they would flow when you visited later in the season.

This small cascade flows very close to Tioga Pass Road, tumbling down over boulders and a series of small benches and ledges. One of the most notable features is the single tree growing right in its path, seemingly “impossible” not only because its roots seem attached only to bare granite but also because it grows in the middle of a seasonal waterfall! I came upon the fall a bit later in the morning, when the rising sun was just barely topping the ridge above the waterfall, sending light down across the slopes and backlighting the tumbling fall.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.