Tag Archives: hills

Coastal Forest and Clouds

Coastal Forest and Clouds
Rain clouds begin toi build above coastal forest hills near Ferndale, California.

Coastal Forest and Clouds. © Copyright 2021 G Dan Mitchell – all rights reserved.

Rain clouds begin toi build above coastal forest hills near Ferndale, California.

On the last full day of our early-June foray into redwood country in far Northern California, we did a longish loop drive out to the Lost Coast via an uncrowded route on narrow and winding roads. It took us from a small town in farm country over forested ridges, eventually dropping to the coast, where if following the coastline south for some miles before turning inland, passing through rural country (and the location of California’s, uh, “newest agricultural area) and emerging through redwood groves near US 101.

This was our first time traversing this route, so there were new things to discover all day and at almost every turn. The beginning of the route leaves typical flat farmland and rises into high coastal hills, where it alternately twists through forest, follows high ridges, and drops into deep valleys. We stopped along one of those ridges in a place where meadows opened the view. The photograph looks to the northwest and the barely visible Pacific Ocean, as clouds began to build toward a few light afternoon showers.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sea Stacks, Cliff, and Beach

Sea Stacks, Cliff, and Beach
Morning fog above a beach, cliffs, and sea stacks, and coastal hills, Mendocino, California.

Sea Stacks, Cliff, and Beach. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning fog above a beach, cliffs, and sea stacks, and coastal hills, Mendocino, California.

This photograph is not from this season’s California North Coast adventure — instead it comes from the visit before that during the last June of the pre-pandemic era. Our goal was the farther northern redwood parks, where we hoped to photograph the trees and rhododendrons, but first we stopped further south at Mendocino for a couple of nights.

There are worthy photographic subjects all up and down this remarkable coast, but it isn’t often that I’m so close to them that I can get up in the morning, walk out the door, and five minutes later be standing at the edge of a coastal bluff setting up my tripod. I was out early — of course! — and the area was fairly empty as I framed up this composition that looks toward the river that empties into Mendocino Bay. Morning fog obscured distant features, and the foreground landscape is formed by cliffs, bluffs, and the interaction of shadows, direct light, and the patterns of waves.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Coastal Farm, Burned Ridge

Coastal Farm, Burned Ridge
Foggy morning at a coastal far at the base of hill burned by recent wildfires.

Coastal Farm, Burned Ridge. © Copyright 2021 G Dan Mitchell – all rights reserved.

Foggy morning at a coastal far at the base of hill burned by recent wildfires.

On one hand, this is a pleasant enough scene. I had headed to the California coast just north of Santa Cruz for the morning. This is one of the closest coastal locations to me, and I can be in sight o the ocean in a bit over a half hour or so. It was a typical late-spring coastal morning, with thick fog around the peaks as I drove over, and “high fog” (aka “low clouds”) all along the coast. The fog breaks up first over land, and along the this edge of the fog there is often lovely light — mixed sun and shadow, misty atmosphere, and a general soft glow. The bucolic little farm sits against the base of coastal hills, on a flat area near small lagoons.

But there’s something else in this photograph that you may have noticed if you looked closely. That far, upper ridge should be shrouded in forest trees… not the bare, skeletal remains of trees destroyed by last year’s wildfires in the Big Basin region. As a Californian, I’m used to the late-summer and early-autumn wildfire season. In the past decade or so, however, it has become worse and more widespread as the combination of unusual heat and drought have stressed the landscape. This past fire season all kinds of places burned where don’t usually expect to see such huge fires, including locations like this one where the charred forests extend to within sight of the ocean, and in a few cases all the way to it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Lower Panamint Mountains

Lower Panamint Mountains
The lower reaches of the Panamint Mountain Range at the edge of Death Valley.

Lower Panamint Mountains. © Copyright 2021 G Dan Mitchell – all rights reserved.

The lower reaches of the Panamint Mountain Range at the edge of Death Valley.

This photograph is my excuse to return to an old theme of my posts about Death Valley National Park. For a place with a reputation so connected to aridity and heat, the clear evidence of the role of water in the formation of this landscape is abundant. In fact, it is hard to locate any place in the park where water had not played an important role. (The repetitive pattern of dips and rises on any drive across “level” roads here is a fine reminder of the importance of flowing water.)

I made this photograph from a vantage point high in the Panamint Mountain Range, from which I could look down at the vast alluvial fans formed by material that was once above the present-day upper reaches of the range. These fans go on for miles, and the amount of material they contain is nearly incomprehensible. More durable material still sticks up above the surface of the material, and washes and gully cut across their surface nearly everywhere.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.