Tag Archives: meadow

The Impossible Trip: Yosemite in Seven Hours?

August 15, 2011 G Dan Mitchell 2 Comments

That was the question that someone posed today in a photography forum I read:

We will be visiting Yosemite for approximately 7-8 hours one day the 2nd week of October as part of a weeklong trip to Tahoe (we live on the East Coast). I have been to Yosemite before (many years ago), she has not. Although we know it would take much more time to truly experience Yosemite this is the maximum time we can spend so we are looking for the top spots so we can make the most of the short time we have there.

(There was a bit more that I haven’t included here – the poster also would be staying in Mariposa the night before, and needed to drive across Tioga Pass and be in Tahoe that evening… and wanted to do photography along the way!)

Having visited the park for decades, and for an amount of time perhaps totaling well over a year altogether, and still getting to know the place, my first reaction was to ignore the question or respond with a wise-crack one-liner. Frankly, I don’t think it is really possible to do real photography of “the park” during a seven-hour visit. (With careful planning it would be possible to photograph a subject or two perhaps, but that is a different issue.) In any case, I suppressed my instinct to respond along the lines of “are you kidding!?” and instead tried to provide a realistic outline of what this experience might entail. While I’m spoiled, living only hours from the park, I do understand that others may find themselves in the area and not want to miss at least having a brief experience with such a place. And perhaps the way-too-brief visit might be enough to encourage such visitors to find a way to return for a longer visit.

So, with all of that in mind, here is what I wrote, slightly modified for this post:

You are asking quite a lot here… for a seven hour visit that will include at least 3-4 hours of driving… from Mariposa, into and around the Valley, and then up and over Tioga Pass… plus leaving enough time for the remaining hours-long drive to Tahoe.

Too bad, I’m afraid.

To be honest, the odds that you’ll be able to do much beyond “record-my-quick-visit” photography in the park are slender given the amount of time you’ll be there, your tight schedule, and the fact that you’ll be there mostly during the “blah light” time of day. To some extent, I’m inclined to recommend that you not make photography your primary goal – one reason being that trying to “get those photographs” will distract you even more from you brief opportunity to actually see and experience the place a bit. I photograph in the park frequently, so I know where and how to shoot, and I would not try to do real photography under the conditions you describe.

Having said all of that, the broad outlines of your visit must be: Continue reading The Impossible Trip: Yosemite in Seven Hours? →

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Sunset and Moonrise, Kuna Crest

August 15, 2011 G Dan Mitchell Leave a comment

The nearly- full moon rises above the sunset light on Kuna Crest, Yosemite National Park.

Kuna Crest runs up Lyell Canyon between the Lyell and Dana forks of the Tuolumne River with the Sierra crest at one end and Mammoth Peak at the other. (Mammoth Peak is the large peak straight in front of you as you top Tioga Pass entering Yosemite National Park.) This ridge can catch great sunset light during the summer, and as I came down from the pass, heading back toward my camp at Porcupine Flat, and saw the almost full moon appearing over the shoulder of the ridge I decided to quickly stop and make a few exposures as the last light was about to leave the forest and soon after the peaks.

If you have tried photographing a scene that includes the moon in the early evening you know that the exposure is a tricky thing. The moon is lit by daylight, so it isn’t too surprising that the “correct” exposure for the moon is close to a normal daytime exposure. But that is not the right exposure for the rest of the scene, which turns out to be quite a bit darker than daylight at this time of day. In this scene things were even more complicates as the very saturated red colors on the ridge were quite “hot,” while the foreground meadow and forest was in shade and both darker and cooler in color. Basically, the dynamic range between the moon and the foreground was too large for a single exposure… so I made several.

At the time of exposure I thought that I might need as many as three component images in the final photograph – they would be one exposed for the bright ridge and sky, one exposed for the rather dark and shadowed foreground, and possibly a third that correctly exposed the moon. To be on the safe side I bracketed four exposures. When I began to work on the image I figured out that in this case I could construct a final “believable” image from two exposures if I was careful and could make some additional adjustments during post.

This is an example of a shot in which the use of a graduated neutral density filter could have been problematic, but where exposure blending could work very well. (“Exposure blending” is one term for the process of manually combining two component exposures using masked layers in Photoshop. No, it is not the same thing as HDR photography.) One of the things that would have been quite tricking using graduated neutral density filters is that the division between the brighter upper half and the darker lower half is not linear. Instead, the roughly follows the curved boundary between the lower meadow and dark trees and the still sunlit trees and the peak and sky.

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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Morning Reflections, Unnamed Lake

August 2, 2011 G Dan Mitchell 2 Comments

The still early morning surface of an unnamed subalpine lake reflects the boulders and trees along its rocky shoreline, Yosemite National Park.

This is yet another of those little places in Yosemite that is both surprisingly accessible and surprisingly neglected. Since keeping it that way may be a good thing, I’ll refrain from locating it more specifically than to say that it is along the Tioga Pass Road through the park.

I have photographed here before, and I am intrigued by the good-sized granite boulders along the shoreline and out into the water of this shallow lake surrounded by forest. Because of the surrounding terrain, morning light does not reach down to th lake right away, so I was able to shoot in this soft and indirect light and include both some details in the shadows of the forest and their beautifully blurred reflections in the still surface of the water.

The photograph includes one indication of what an unusual year this has been in the high country. The horizontal white area beyond the shoreline trees at the left side of the frame is a melting snow bank. Normally that might not be a big deal, but this photograph was made near the very end of July. It is a very unusual year when we can still find snow at this elevation near the beginning of August!

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Alpenglow, Trees, and Granite

July 22, 2011 G Dan Mitchell 9 Comments

This is one of my favorite locations in the Yosemite back-country and, in fact, in the entire Sierra Nevada range. This beautiful sub-alpine basis contains three lovely lakes and is surrounded by varied terrain that includes distant views, peaks and ridges towering above, lodgepole pine forests, meadows small and large, and an open view to the west that often provides stunning light late in the day.

As is usually the case, I was camped at the of the three lakes – this time for several days of photography – and I had headed to the upper lake late in the day to do some evening photography. I have photographed there quite a few times, but I still haven’t come close to exhausting the photographic potential of the place. On this evening I knew that I wanted to be ready to photograph the golden hour light, but I was also interested in the smaller groups of trees that grow among the granite boulders and I wanted to see what might develop as alpenglow struck the glacial slopes above the lake.

There is a small, fun twist to the story of this visit. I took a semi-cross-country route to the upper lake from my camp at the lower lake, and because I knew that I’d be returning alone in deep twilight or after dark, on the hike up I was concentrating intensely on fixing a series of landmarks in my mind for the return hike. I was so single-minded about this that I made it all the way to the lake and my first intended subject (a small shoreline tree) without looking around much. It was only a moment after arriving that I got out of focus-on-the-route mode and looked around. I had walked right past the campsite of a couple of photographers without even seeing them, much less saying “hi.” Turns out that the photographers were John Sexton and Anne Larsen. After exchanging greetings and conversation, I went about my business of shooting along the edge of the lake. (If I recall correctly, John was shooting nearby as I made this exposure.)

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.