Tag Archives: outcropping

Wildflowers, Rocks, and Grass

Wildflowers, Rocks, and Grass
Flowers and new grass at the beginning of the “green season” in the Sierra Nevada foothills

Wildflowers, Rocks, and Grass. Sierra Nevada Foothills, California. February 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Flowers and new grass at the beginning of the “green season” in the Sierra Nevada foothills

Today I went for a hike — not in the Sierra Nevada foothills but in a place where some of the same seasonal cycles are found. The hike took me up to a ridge, where I followed a trail along its crest. It was hot and dry, and the hills were covered by brittle, brown grasses. That’s how summer works in much of California. People who come here from the east or the north are often taken aback by what looks like a dead and dry landscape, and they may not be able to see the beauty in it.

But it isn’t that way all year. In fact, during winter, when many of those green-in-summer places are freezing or buried under snow, much of California erupts into what I call the “impossibly green season.” Believe it or not, this photograph was made in February in the Sierra Nevada foothills. Snow was still falling in the higher mountains, and it would continue to do so for several more months. But here in the low hills along the western edge of the range, winter rains had resurrected the grasslands and caused the wildflowers to bloom


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Granite Shoreline, Sunset Peak

Granite Shoreline, Sunset Peak
Granite Shoreline, Sunset Peak

Granite Shoreline, Sunset Peak. Yosemite National Park, California. September 3, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

The last sunset light shines on a granite peak above granite outcroppings along a forest-lined subalpine lake, Yosemite National Park

On the day after a long hike to our destination at a high subalpine lake, where we set up camp and settled in for a longish stay, we had gotten up on this morning and started the work of photographing here. The day began early, before sunrise, as we made our first get-acquainted photographs along the shoreline of the lake and then continued to photograph in to the morning hours. As is typical, we returned to camp once the beautiful morning light was replaced by the less compelling light of midday, where we enjoyed the camp rituals of sitting around and talking, sharing meals, taking care of camp chores, and formulating plans for evening photography. After (a very early) dinner, the late afternoon light was about to become interesting, and it was time to head out once again.

As is usually the case (and almost the necessity) among landscape photographers, we each mostly worked alone — though we also encountered one another at times as we wandered the area. We continued shooting as late afternoon turned toward early evening, with shadows lengthening and the color of the light warming. A few benign clouds appeared above nearby ridges as I photographed in quiet forested areas along the lake. The sun dropped toward the horizon, deepening the shadows where I was working, so I moved to a more open area where I could see a small granite peninsula, lakeside trees, and unnamed peaks on the ridge to the east as the last sun touched their summits and the light reflected on the lake’s surface. I made a few final photographs, the light faded, and I walked back towards camp in the evening quiet as darkness arrived.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Snag and Talus Field

Snag and Talus Field
Snag and Talus Field

Snag and Talus Field. Kings Canyon National Park, California. September 16, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

An old snag stands atop a rocky outcropping and in front of a huge talus field, Kings Canyon National Park

During our mid-September 9-day expedition into the Sierra Nevada high country of Kings Canyon National Park we spent the better part of a week camped in this 11,000′ basin full of lakes and trees and rocks. We camped near the outlet stream of a lake located in a narrow section of the valley, with many more lakes beyond our location and a string of them ascending the valley to our south. Each day, from early morning until after dark, was largely spent exploring this landscape and making photographs.

The valley of lakes to our south, of which our lake was the lowest, was plainly visible to us from our camp site, which was situated on a rise above this lowest lake. From here we could look up the canyon across “our lake” and see a string of several other lakes along this creek. A few were easy to see while others further up the valley revealed themselves primarily by surrounding rock and by breaks in the vegetation. Every day, no matter what else we were doing and where else we photographed, we did at least some work around these closest lakes, and I developed a sort of “daily rounds” taking me up one side of the valley to the upper lake and then back down the other, with occasional detours across the middle of the valley. Is I recall, I was making one of those detours when I photographed this tree, located on top of a small rocky knoll in the middle of the upper valley and backed by the tremendous talus field descending from the surrounding ridges high above.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Forest And Meadow, Evening Haze

Forest And Meadow, Evening Haze
Forest And Meadow, Evening Haze

Forest And Meadow, Evening Haze. Eastern Sierra Nevada, California. August 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Evening haze settles on the Sierra Nevada above forest and meadow near Lee Vining Creek.

Atmospheric haze and I have a special relationship. ;-) While I love crystal clear alpine air, I’m far more fond of “interesting” atmospheric conditions that involve haze that may partially obscure certain details, accentuate distance contrasts between close and far objects, take on interesting colorations, and even glow when lit from behind. During this early August visit to the Sierra on both sides of Tioga Pass, I encountered some significant haze from a serious wildfire in the Mammoth Lakes area. One one hand, this complicated (or rendered nearly impossible!) certain types of “grand landscape” photographs since the constant brown, smoggy haze isn’t quite what we typically are looking for. However, to me this most certainly does not mean that photography and even landscape photography cannot be done. Not only can it be done, but these conditions can create possibilities that are difficult or impossible to find in more typical conditions. (However, in reality, wildfire smoke is “typical” in the Sierra and many other places during certain times of the year.)

There are a number of ways to use smoke and haze in photographs. In this case I found primary foreground subjects that were close enough that they were not obscured. The haze, however, quickly muted the contrast and color of parts of the scene that were even a short distance away on the other side of the valley. The dark, backlit forms of the near trees stand out against this muted background rather than disappearing into the complex patterns and textures of the more distant forest. The backlight had a few other beneficial effects. It intensifies the colors of the low plants growing beneath and between the trees. It creates a sort of highlighting effect on near and far trees, giving a bit more relief to their textures. And it adds a bit of a glow to that smoke and haze, to the point the further alpine slopes in the upper left show only the barest details.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.