A loading dock door (#3) and a dilapidated and worn side door in a concrete wall, San Francisco.
There is not a whole lot to write about this photograph, except that it is another in a sequence of photographs that I made in a small alley off of the Embarcadero in San Francisco, an alley that extends between buildings toward the waterfront and which has often been locked up when I have walked by there previously. Since it and several similar alley ways were open on this morning, I took the opportunity to wander into them and photograph some of the old buildings that sit on these waterfront piers, focusing mostly on small details.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The full moon rises through thin clouds above sandstone towers, Arches National Park.
This was a very challenging evening for photography, but I’m happy with some of the results nonetheless. We had gone into Arches National Park and made it to the first big group of arches and other formations not far from what I recall was identified as Balancing Rock. Not far from here there is an impressive amphitheater of red rock sandstone, and all through this area a truly astonishing number of arches of various forms and sizes may be found. Since it was late in the day, we figured we would stake out our ground for golden hour and dusk shots right around here.
However, there were a few challenges. First, we were arriving at this spot for the very first time, with no previous research, and it was basically time to start shooting right about now! There was little to no time for scouting, so I headed up a trail towards a likely looking area of sandstone to see what I could find as the sunset approached. I soon discovered a second issue, or perhaps realized that an issue I had known about was going to be more challenging than I had hoped – it was very windy! As the light dims this becomes more of a problem as exposures necessarily lengthen. At some point, there is virtually no tripod that is steady enough, even when weighted, to hold a camera and lens rock steady in a near gale. I have some tricks up my sleeve though, and eventually I searched out some camera positions that were sheltered by rock towers and walls. By this time, the sun had dropped below the horizon and I was now shooting it twilight, which can provide some of the most beautiful light of the day when the right sort of “glow” occurs. It turned out that the full moon was just rising, though not over the main, iconic formations. There is usually a narrow window of exposure opportunity for photographing the moon. The moon is hard to shoot effectively in full daylight, but after dark it is far too bright for the ambient light – so one ideal is to shoot it in this time right around dusk when there is just the right balance of moon light and ambient light. Lucky for me, high thin clouds moved across the sky to the east and moderated the brightness of the full moon, allowing me to continue shooting in darker conditions so that I could make this exposure of the moon rising above nearby sandstone formations.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A dead tree stands in front of a sandstone cliff, Zion National Park.
Along the Mt. Carmel Road through Zion National Park, the higher elevation areas tend to feature a lot of lighter color sandstone, which I understand may be the remnants of ancient sand dunes. For the most part, these formations tend to be lighter in color than the strikingly red tones of the sandstone cliffs found lower in the park, in the Zion Canyon of the Virgin River for example. These “highland” rock formations have their own appeal, including a wide variety of patterns including beautiful curving shapes.
But that isn’t what you see in this photograph, even though I made it in the highland area. As we rounded a turn at one point, ahead of us and then to the right was a very large and close cliff of red sandstone, and it was still in the afternoon shade. I like shade! Not only that, but in front of this cliff were several large trees that were not only out of the shade but which were also backlit. I like back-light! So we stopped and I photographed those trees. But as I worked on them I also noticed this skeletal and very deal old snag of to one side. I like old snags! Because the rock was in the shade yet lit by reflections from across the canyon, the red tones of the sandstone were intensified. There were a couple of challenges with this scene. The overall luminosity range is not great, the colors are all affected by the reddish glow from the cliff and the light from across the small canyon, and the tonal level of the tree is not that different from that of the rocks. In order to get the tree to stand out at least a bit against the rocks (something that was more obvious on the scene and looking at it in 3D) some work was necessary in post, especially some fine work on the tree itself.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
“Tree and Sandstone Cliff” — A tree grows from a crack in the face of a redrock sandstone cliff, Zion National Park.
After a bit of a break, I’m back with a few more photographs from my early April shoot in various parts of Utah. To recap, this was – believe it or not – the first time I had photographed in that state. It was tremendous to experience what was to me a brand new landscape, especially since I far more often continue to work the wonderful but familiar subjects of California. We began our visit at Zion National Park, spending several days mostly in Zion Canyon along the Virgin River but also getting up to the high country to the east.
I made this photograph on a morning when we visited Weeping Rock, one of the well-known features of Zion Canyon. We may well have been a bit too early in the season, but I ended up more or less stumped by trying to find a way to photograph that feature that pleased me. However, on the walk to and from Weeping Rock I made several photographs of other features in the area that I like a lot. (One was a photo I shared earlier that included a close-up of a branch with new spring leaves.) If I recall correctly, I may have seen this tree growing out of cracks in the massive sandstone walls while at or just below Weeping Rock.
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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