Tag Archives: pink

Dawn Light, Base of the Cottonwood Mountains

Dawn Light, Base of the Cottonwood Mountains
Dawn Light, Base of the Cottonwood Mountains

Dawn Light, Base of the Cottonwood Mountains. Death Valley National Park, California. March 29, 2011. © Copyright G Dan Mitchell – all rights reserved.

Dawn light on the based of the Cottonwood Mountains at the edge of Death Valley.

This is (yet another) one of those photographs that is the result of some odd combination of “planning” and serendipity. When I travel somewhere to do photography I often, though not always, have some ideas about certain types of subjects I would like to photograph or about ways I’d like to photograph them. On this visit to Death Valley I had a few such ideas in mind – one of them had to do with scenes that filled the frame with the rugged and forbidding and seemingly lifeless mountains and valleys and ridges of the place. Another had to do with photographing in the early light along the west side of the Valley, something I thought about but didn’t really try on my previous visit. This photograph and a few others like grew out of those ideas.

On the other hand, I wouldn’t have been in this spot at this moment if I had not had an electrical problem with my car! The night before I had returned to the campground from a bit of late shooting, parked the car, and went about my “camp business” before crawling into the tent and setting my alarm for an appropriate pre-dawn hour so that I could arrive at a particular location before the sun came up. The alarm went off at the appointed time, and a few minutes later I emerged from my tent and got into my car. It wouldn’t start. I soon realized that the car was electrically “dead” – no interior lights, etc. Since it was still completely dark, the idea of doing auto repair outside the tents and RVs of lots of other sleeping campers was out of the question, so I went back into my tent and speculated uncomfortably about the potential costs of towing and automobile repair in Death Valley.

Later, as the sky began to lighten, I heard other campers stirring. I got up – again – and opened the engine compartment to find that one of the battery cables had come off, perhaps as I drove a rather rough road the previous day! Relieved to find that this was something that I could fix, I reattached the cable, quickly got in the car, and figured I would see what I could salvage of the morning shoot. I headed west across the Valley toward Towne Pass, thinking about photographing some snow that was high on the ridge. As I drove I saw that the first light had still not quite reached the Valley floor along the base of the Cottonwood Range. I quickly found a slight rise along the road where the view wasn’t obstructed by desert plants, pulled over, put on the long lens, and made a few photographs as this beautiful light worked its way down the face of the range and began to work its way out across the giant wash along the edge of the Valley.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Purple Dawn, Mono Lake

Purple Dawn, Mono Lake
Purple Dawn, Mono Lake

Purple Dawn, Mono Lake. Eastern Sierra Nevada, California. June 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

Pastel shades of purple and blue just before dawn at Mono Lake.

Back at the end of 2010 I wrote that I was going through all of my 2010 raw files to look for images that I had passed over, as I do near the end of every year. Things got busy, I got distracted, and I only got about half way through the year’s files. Recently I have returned to the 2010 photographs to try to complete the task, and this is one of the photographs that I rediscovered as I resumed the search with images taken near the end of June.

This was my first real photographic trip to the Sierra during the summer season of 2010. I had made a brief trip up there, visiting Yosemite Valley and then crossing Tioga Pass, back in early June right about the time that the pass opened. However, on this trip I was able to spend several days in the high country and kicking around near Mono Lake. This can be a great time of the year up there since conditions range from what seems like late winter in the high country to real summer in places like Owens Valley and around Mono Lake.

On this morning I decided that I’d head down to Mono Lake well before dawn and see what I could turn up. I did not go to the iconic South Tufa area on this morning, thinking instead that I’d try for some different and longer views of the lake. (Later in the morning I traveled a good distance south of the lake on the less-used section of highway 120.) There were, obviously, clouds in the morning and they blocked the sunrise. However, the light glowed through and over and under and around them, and even though there was not direct light in very early morning image, the colors were quite something. The group of tufa towers at the lower left are offshore not far from the South Tufa area.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Desert Pool, Panamint Range, Morning

Desert Pool, Panamint Range, Morning
Desert Pool, Panamint Range, Morning

Desert Pool, Panamint Range, Morning. Death Valley National Park, California. February 21, 2011. © Copyright G Dan Mitchell – all rights reserved.

A salt spring pool on the salt flats in Death Valley reflects winter dawn light on the east face of the Panamint Range.

Sometimes I hear people describe how they think or imagine that landscape photography is done, and I wonder where they get their ideas. I will acknowledge that there are many ways to shoot landscape, ranging from working very slowly and carefully to produce a single image, to shooting like crazy and seeing what you end up with. But often people dismiss approaches closer to the latter and assume that the former is the “right way” to shoot landscape.

In my experience it isn’t quite that simple. Sometimes the experience is like certain others in which long stretches of time during which one seemingly accomplishes nothing or perhaps just looks and thinks are suddenly followed by quick and intense spurts of work that come almost as a surprise and may be over as quickly as they begin. This little morning shoot in Death Valley along the edge of a the salt/mud flats where the water from a small salt spring spreads across the flats and forms shallow pools was one of these. Very early in the morning, well before dawn, it was difficult to know what the best shooting option might be. There were clouds in the sky that promised to block the dawn light and everything seemed gray and flat. I wandered a bit, not sure where or what to shoot, and finally, more or less by chance, ended up at this spot that I had visited earlier on this trip. It occurred to me that even if the light wasn’t great I could possibly find a photograph that included this water. So I stopped and began to unpack in no particular hurry.

As I walked across the wash toward the area of the spring, much to my surprise it began to appear that there might be some interesting dawn light after all. I quickened my pace and headed toward the area of the shallow pools, and when I arrived there a moment later I could see some color on the top of the Panamint range. I quickly found a decent foreground pool and as the surprising light worked its way down the front of the range I began photographing. I first made several exposures at much shorter focal lengths, including a larger portion of the sky and the foreground. Then I quickly moved the tripod to place this pool in the center of the frame and hold the reflection of the range. I had little time to contemplate as the light was changing very quickly. I had just enough time to find my composition and make a few exposures, and within moments the light was gone.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Remains of a Desert Plant, Pebbles

Remains of a Desert Plant, Pebbles
Remains of a Desert Plant, Pebbles

Remains of a Desert Plant, Pebbles. Death Valley National Park, California. February 20, 2011. © Copyright G Dan Mitchell – all rights reserved.

The skeletal branches of a dead plant against the pebbles of a desert wash, Death Valley National Park, California.

I came across the skeletal remains of this desert plant while photographing along the east side of Death Valley near the area identified on some maps as the Kit Fox Hills. I had just finished photographing across the floor of the Valley, capturing an area full of sparse desert plants backlit by the very last rays of sun, and the light had diminished after the sun dropped below the tops of the ridges on the west side of the Valley.

I saw this bit of dead plant near the edge of a wash among the rubble of many-colored rocks and pebbles that had, I presume, been washed down from the canyons in the mountains to the east. For a place that seems so colorless from a distance, there is an astonishing variety of color in these rocks. I can see greens, blues, various shades of pink and purple, and some that almost are orange. The branches are just as I found them, and the soft light with just a bit of directionality from the right fills the shadows that would otherwise be very dark.

G Dan Mitchell Photography | Flickr | Twitter | Facebook | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.