Tag Archives: print

Davenport Bluffs, Dusk

Davenport Bluffs, Dusk - Dusk light on a series of bluffs marching south from Davenport, California
Dusk light on a series of bluffs marching south from Davenport, California

Davenport Bluffs, Dusk. Near Davenport, California. December 8, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Dusk light on a series of bluffs marching south from Davenport, California

This photograph comes from early December, 2012, when I attempted to join a group of folks on a “photowalk” in the Santa Cruz, California area. I was originally supposed to meet up with them at Henry Cowell park (for photography of redwoods), but missed that mid-morning rendezvous due to my own scheduling issues. I knew they would be heading over to the area near Davenport, just up the coast from Santa Cruz, a bit later in the morning. So I headed over there… and ended up eating my lunch along in a restaurant about 100 yards north of the restaurant where they were all meeting! Then I somehow missed the next rendezvous almost directly across the street, and instead ended up on nearby coastal bluffs to do my photography.

This photograph was the last one I made that evening, well after the sun had set. It was quite dark by this point, so much so that after I finished and packed up it was becoming difficult to see the path back to my car. Exposures were getting quite long – this one was, I believe, about 30 seconds long, and I had been successively opening up my aperture in order to keep the exposure time down to a reasonable half-minute. Often some of the most interesting and evocative light can come after sunset, sometimes well after sunset. The light softens and diffuses, as it comes from large areas of the sky and not from the point source of the sun. The colors change, heading toward blue but also including other subtle tones such as the pinks seen in the clouds in this photograph. And the longer exposures allow me to create a sort of fantastical effect by letting surf and spray blur out over the long exposures. (For a night photographer like me, such images also raise interesting questions about where the boundaries between “night photography” and just plain photography lie.)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rat Rock Island, Hills

Rat Rock Island, Hills
Rat Rock Island, Hills

Rat Rock Island, Hills. China Camp, California. January 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Rat Rock Island and hills of the north San Francisco Bay

This remarkable little island sits just a short distance from the shoreline along the northern San Francisco Bay. Several things contribute to its visual appeal. It is unexpected, in that it is not exactly common to find such islands in this bay. It seems that what formed the island might have been a process similar to one found in coastal areas with much rougher seas, where rocky peninsulas are eventually cut off from the shoreline. The area is very quiet, in contrast to the busy north bay areas you typically might drive through to get here, and the main sounds are those of shore birds. The view beyond the island is expansive – the far side of the bay is distant enough that you the hills are little more than a think break along the horizon, and mostly you see sky and water. The shape of the island is almost but not quite symmetrical, and the little bonsai-like trees on the “summit” echo the curve of the island.

I used a nine-stop neutral density filter so that I could get a relatively long ten second exposure for this photograph. The idea was to let the slight motion of the water blur and create a smooth, glassy quality. (If the clouds had been moving faster, they might also have been blurred. Although it probably isn’t apparent in the photograph, this image is partially the result of quite a bit of work during the post-processing phase.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Single-Leaf Ash, Green and Yellow Leaves

Single-Leaf Ash, Green and Yellow Leaves - A single-leaf ash in a narrow sandstone-walled canyon begins its autumn transition from green to yellow, Grand Staircase-Escalante National Monument
A single-leaf ash in a narrow sandstone-walled canyon begins its autumn transition from green to yellow, Grand Staircase-Escalante National Monument

Single-Leaf Ash, Green and Yellow Leaves. Grand Staircase-Escalante National Monument, Utah. October 24, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A single-leaf ash in a narrow sandstone-walled canyon begins its autumn transition from green to yellow, Grand Staircase-Escalante National Monument

Now, coming back to this photograph quite a while after I made it, I distinctly remember that the gradient from yellow to green of these leaves caught my attention when I saw this small plant growing out of a crack in the water carved sandstone of this canyon wall. I’m often attracted by dark trunks and branches like those on this specimen, especially when they are seen against a background such as this pink sandstone with the patches of darker, lichen-covered rock.

The photograph was made in the same canyon in this national monument where I made a number of other photographs on this same very productive day – productive despite the difficult weather conditions, which were cold, windy, and a bit cloudy. Deep in the canyon and against this canyon wall, the best light is often that from completely clear daytime sky, since that sort of light reflects the best off of the canyon walls and carries with it the warm colors of the rock. Given that this was a tremendously windy day, the lack of leaf blur in this photograph indicates that it was made in a slightly sheltered area of the canyon and, no doubt, by waiting to shoot between the gusts.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sandstone Towers and Cliffs

Sandstone Towers and Cliffs - Sandstone towers and cliffs in evening light, Capitol Reef National Park
Sandstone towers and cliffs in evening light, Capitol Reef National Park

Sandstone Towers and Cliffs. Capitol Reef National Park, Utah. October 8, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sandstone towers and cliffs in evening light, Capitol Reef National Park

By comparison to some of the other well-known Utah national parks, it seems to me that Capitol Reef is perhaps a bit more difficult to get to know. Oddly, this might be partially because it is so easy to experience it very superficially. A main highway passes right though the park, and a number of the characteristic and iconic features are visible from the highway or by barely leaving it: the well-known orchards, accessible examples of rock art, large and impressive sandstone walls and towers, the Fremont River. Other features are neatly containing along an impressive “scenic drive” with some popular trails. But it seems that the steps to see additional aspects of the park are bigger than at some other parks. For example, while most Yosemite visitors think of The Valley as the park, it isn’t really all that difficult to drive paved roads to Glacier Point, redwood groves, or even the summit of the Sierra. But to go a bit further at Capitol Reef you might have to drive through a river, have four-wheel drive, ask someone about some relatively unknown canyon, drive for many miles on gravel roads.

My first visit to this park was limited to the most accessible features, as we were passing through on our way to another place. We stopped briefly to see the rock art, and I saw those iconic orchards of Fruita. On the second visit, we had more time – we were in the area of several days – and we spent time on the “scenic drive,” did a few of the hikes, and poked around the fringes of these area. We even drove the dozens of miles down that east side gravel road and took a long drive on less-used roads to return to where we started. On a subsequent trip, we asked around a bit, and ended up poking into a canyon where we were the only visitors and walking along a route high in the mountains on a sub-freezing morning. This photograph comes from the intermediate experience of that second trip. Although there was (and still is!) much that I don’t know about this huge and diverse park, by this point I was starting to get a sense of the rhythms of light and so forth, and this enable us to be at this (accessible) location at the right hour as the day came to an end.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.