Tag Archives: red

Aspens and Sage

Aspens and Sage - Aspens grow against sage covered hills near Conway Summit in the eastern Sierra Nevada, California
Aspens grow against sage covered hills near Conway Summit in the eastern Sierra Nevada, California

Aspens and Sage. Eastern Sierra Nevada, California. October 16, 2011. © Copyright 2012 G Dan Mitchell – all rights reserved.

Aspens grow against sage covered hills near Conway Summit in the eastern Sierra Nevada, California.

If you want colorful aspen photographs, there are several things that may help. First, you need to be where the aspens are when they turn colors! (Obvious, huh?) In the eastern Sierra Nevada, this means roughly the first two weeks of October in a typical year, though you can often find some color a week or so either side of that period – but be aware that every aspen season is different, so there are no guarantees. And where are they? They can be found all up and down the east side of the Sierra. At their peak, you can find them by simply driving along highway 395 along the eastern slope of the range and looking west. For somewhat more specific information, take a look at this post of mine. Second, you’ll need to look around a bit for great trees. Photographs of aspen color can often make it seem like there is astonishing color everywhere – but the reality is often a bit more complicated. Trees will often be in various stages of transition, and the timing varies according to such things as elevation and local soil moisture. On top of that, not just any aspen trees will do – so you can count on doing a bit of searching to find that perfect tree or grove or colorful slope. Third, it helps a lot to consider the light. Often grove of trees that may look fairly drab when front lit can turn into an amazingly colorful wonder when the light comes toward you from behind the trees.

That is precisely what is happening in this photograph, taken at one of the well-known aspen color spots near Conway Summit just north of Lee Vining. On the right few days each fall, there are huge swaths of wonderful aspen color on the eastern slopes of the Sierra here. I often shoot here in the late afternoon, just before the sun drops behind the crest. This may mean that I’m shooting almost directly into the sun, but it also means that the leaves are brilliantly lit by light that comes from behind and passes through the leaves. This photograph captures a type of grove that always intrigues me, namely one that sits apart from the iconic alpine scenery and instead is in rangeland and sage brush country.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cloud Forms #3 – September 16, 2012

Cloud Forms #3 - September 16, 2012 - Evening sky above Olmsted Point in the Yosemite Sierra.
Evening sky above Olmsted Point in the Yosemite Sierra.

Cloud Forms #3 – September 16, 2012. Yosemite National Park, California. © Copyright 2012 G Dan Mitchell – all rights reserved.

Evening sky above Olmsted Point in the Yosemite Sierra.

On my return from a mid-September eastern Sierra backpack trip, I again passed through Yosemite National Park on the Tioga Pass Road. By a bit of luck combined with some planning, I managed to time of my passage so that I could be there during the last hour or so of the day, figuring I might try to grab a few last opportunistic photographs before driving back to the Bay Area after dark. With that long, dark drive ahead of me, I decided to aim for a stopping point a bit further west along the route, and I stopped about a half hour before sunset at Olmsted Point.

Although I have a number of photographs of the iconic image of the “backside” of Half Dome from this location, the lighting here can be interesting enough that I’ll stop and try “one more time” if I happen to be there. As is often the case, the lighting did not initially appear too promising. The typical autumn wildfire haze was in the air, lending a bit of a yellow/brown color to the hazy lower atmosphere, and the higher clouds seems thin. But if there is one thing that I (and just about any other landscape photographer!) have learned by now, it is that the last minutes of daylight {and the first moments after the sun sets} can be full of surprises. I began with the practical step of scoping out a composition of the iconic dome, but then I turned my attention to lots of other subjects that surround Olmsted Point: the sparse trees ascending the granite slabs across the roadway, higher ridges across Tenaya Canyon and in the opposite direction, the Sierra crest around Mount Conness, and the sky. For a brief moment after the sunlight had left Olmsted Point, the final rays passed through atmosphere near the western horizon and lit up the patterned layers of clouds and drifting wildfire smoke.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dock Structures, Red Crane

Dock Structures, Red Crane - A red crane among extensive dock structures at the Staten Island Ferry Terminal.
A red crane among extensive dock structures at the Staten Island Ferry Terminal.

Dock Structures, Red Crane. New York, New York. August 19, 2011. © Copyright 2012 G Dan Mitchell – all rights reserved.

A red crane among extensive dock structures at the Staten Island Ferry Terminal.

I recently posted a photograph of a slightly different view of this subject in black and white, but I couldn’t give up the color of the red construction crane peeking over the wooden structure in the upper section of the scene. This is the extensive wooden construction around the Staten Island Ferry Terminal, photographed from one of the boats as it left on its run back to Manhattan. The photograph prompts me to wonder about at least one thing: Does someone actually walk that precarious plank extending over the water in the lower part of the frame!?

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ledge With Fallen Rocks

Ledge With Fallen Rocks - Red cliffs and rocks on a ledge at Park Avenue, Arches National Park
Red cliffs and rocks on a ledge at Park Avenue, Arches National Park

Ledge With Fallen Rocks. Arches National Monument, Utah. April 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Red cliffs and rocks on a ledge at Park Avenue, Arches National Park.

I made this photograph fairly early in the morning at the Park Avenue area of Arches National Park. While morning might was hitting the walls behind my camera position, the walls in front of me were still in fairly deep shade. However, as the sun rose, its light began to come over the tops of these tall sandstone walls and spill down into the canyon. As the morning wore on, the light/shadow line began to move back closer to this wall, first illuminating the ledge and the fallen rocks in holds and then beginning to highlight edges of some of the cracks in the wall itself.

The Park Avenue area seems like one of the most accessible areas of this park being only a short distance inside the park boundaries and being very close to the roadway. The area is essentially a canyon between two nearly parallel walls of sandstone, often topped with remarkable towers and other features as the canyon descends toward where it opens up into sage brush country below. At this particular hour of this particular morning, as wonderful as that scene was, the light shooting down the canyon was only so-so, so I looked around, put on a long lens, and photographed smaller vignettes of the landscape such as this one.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.