G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Black and white photograph of the interior of a donut shop late in the afternoon on Christmas Eve.
As in many photographs like this, I hope that there may be more to it than meets the eye. I won’t tell the whole story, but here is a bit of background. I had been involved in an online discussion of the merits of shooting “old school” street photography using primes, and specifically limiting oneself to a 50mm prime on a 35mm film camera. Though it isn’t the point of my post here, I’ll just say that I’m skeptical about the value of that sort of limitation given a whole bunch of boring photographic philosophy. In any case, as an outgrowth of that discussion I thought it would be fun to head out on foot armed only with my full-frame camera (sorry, no film camera at all these days!) and a 50mm prime and just see what I could come up with. So, I walked out my front door and did some photography.
It was late in the afternoon on Christmas Eve, so few businesses were still open, and it was late enough in the day that the last-minute shopping traffic was diminishing and things were becoming rather quiet. Few people were even out walking. I mostly walked but I also photographed some shop windows and buildings and so forth, and when I passed this tiny donut shop I first did an exterior shot of the closed business that included a weathered wooden and brick wall and some sad-looking holiday lights. Then as I passed the front of the shop I decided to put my nose against the window and peer inside. The low light from the late-afternoon sun was directly behind me and casting some very harsh and flat light into the interior, but I was intrigued by the arrangement and shapes of the tables and chairs, the shadow cast by the Christmas ornaments hanging in the window, and by the odd juxtaposition of a poster of the work of a certain photographer that is barely visible on the wall.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
A solitary beach walker at sunset approaches a flock of gulls at Waddell Creek Beach with clouds reflected in foreground pond.
This seemed like a good “last day of the year” photograph.
Just as the sun dropped to the horizon a lone beach walker came across this strand between this reflecting pond and the surf beyond and approached a flock of sea gulls. If I look at this photograph just right I can imagine that it is wholly a photograph of sky with a narrow “beach bridge” crossing through the middle.
This is one of a short sequence of photographs I made on this evening. I had spent the entire afternoon more or less looking for the right photographic subjects and had come up with nothing. I had just made what I figured would be my last stop for the day at the “official” beachfront parking lot at Waddell Beach. I got out, looked around, enjoyed the wind and sound of surf, but didn’t see anything that quite inspired me to take out the camera. I got back in the car, turned south on Highway 1… and a few seconds later as I crossed the bridge over the creek I saw the pool reflecting the sky. I quickly turned around and parked the car and made a few exposures in the fading light.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Black and white photograph of the Point Bonita Lighthouse above the Pacific Ocean surf of the Marin Headlands with the south side of the Golden Gate beyond.
I earlier posted a photograph of the inland side of Point Bonita – this one is from the Pacific Coast side, high on bluffs just north of the Point Bonita Lighthouse and looking south back across the outer entrance to the San Francisco Bay. This is a very rugged bit of coastline here between the Bay and Rodeo Beach and Fort Cronkhite just to the north, where there is a wide beach at the end of a valley.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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