Tag Archives: scenic

Aspen Groves, Afternoon Light

Aspen Groves, Afternoon Light
Aspen Groves, Afternoon Light

Aspen Groves, Afternoon Light. Conway Summit, California. October 16, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Late afternoon sun backlights the brilliant fall colors of aspen groves along the eastern slope of the Sierra Nevada near Conway Summit.

This is one of what is likely to be a series of very gaudy and colorful photographs of autumn aspen color, much of it photographed at Conway Summit along highway 395 just north of Lee Vining and Mono Lake. Keep your sunglasses handy!

If you happen to arrive at the Conway Summit area at the right point in the fall color season, you can be treated to an astonishingly large and brilliant show of aspen color. (It isn’t a sure bet though. Some years it is not nearly as spectacular. ) This year the trees seemed to turn quite suddenly. A week earlier there had been a lot of very green trees at this elevation along the east side of the Sierra, and many of us expected that the most striking colors would not come until as much as a week later. But nature wasn’t listening, and one week after I had seen so much green, the aspens all along the eastern escarpment of the range were turning golden and many other shade, frequently all the way down to the level of Owens Valley.

After shooting in the early morning out in Owens Vally and then hiking up to Parsons Lake in the middle of the day, I finally made my way up north to Conway Summit just before what I regard as the ideal time to photograph aspen color here, namely during the last hour or so before the sun drops below the peaks of the Sierra to the west. During this period the trees are back- and side-lit in very dramatic ways. While shooting almost directly into the sun can be tricky, the backlit trees really light up. At first I was a bit concerned when I arrived since clouds over the crest threatened to end the light show early, and they actually did interfere at times. But they also broke up the light a bit and provided a combination of ever-changing light and shadow patterns. One moment the light would strike one area and I would shoot in that direction. A moment later that light was gone, but shortly it would appear in another spot – and I’d swivel the camera around and work that subject for a moment.

This little pair of groves is one that I’ve watched and photographed for several years. I like the way that it stands apart from the much larger main groves and has the plain grass and sagebrush covered hills as background. I made a series of exposures of this subject, and in this one the light crossing from left to right not only struck the colorful trees but also lit up some of the gentle ridges of the slopes beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Aspen Trees, Conway Summit, Fall

Aspen Trees, Conway Summit, Fall
Aspen Trees, Conway Summit, Fall

Aspen Trees, Conway Summit, Fall. Eastern Sierra Nevada, California. October 16, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Aspen trees in peak color at Conway Summit along highway 395 in the eastern Sierra Nevada.

I isolated this small bit of near-psychedelic color from the extensive aspen groves at Conway Summit, along highway 395 just north of Lee Vining and Mono Lake along the eastern edge of the Sierra Nevada range. When I visited the grove this past weekend the colors seemed to be essentially at their peak with alternating rows of red, orange, gold, and even a few lime green trees marching up the slopes toward the Dunderberg area high above.

If you hit it at the right moment, the aspen color at this location is second to none, and a bonus for many is that it is so accessible, being right alongside the highway. Brilliant colors can occur on both sides of the summit, but those on the north side seem to me to be more varied, and it is a bit easier and safer to find a place to stop alongside the road.

The lighting during my visit was “interesting” – which often means good but with some challenges. From my point of view, the best light at Conway Summit, at least when it comes to photographing aspen color, occurs fairly late in the afternoon when the sun gets low in the sky and can backlight the groves of trees. However, because of the backdrop of Sierra Nevada peaks the interval of good light can be short – and it is distinctly before actual sunset. The “interesting” element during this visit was that clouds were building over the crest. This produces some spectacular sky conditions at times, but it also cast shadows across the trees that dulled the colors and lowered contrast. Now a bit of this can be a good thing, and too much backlight can be a bit difficult to handle. By scoping out perhaps three of four possible compositions from my position, I could wait until the “good light” hit one or another of them, swing the camera around in that direction, and work quickly while the light lasted. For this detail shot of a colorful section of the aspen groves just below my position I had what can perhaps be the very best light for such subjects – a bit of directional light from behind filtered through clouds.

G Dan Mitchell Photography
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Alcatraz and Yerba Buena Islands, San Francisco Bay, Foggy Morning Light

Alcatraz and Yerba Buena Islands, San Francisco Bay, Foggy Morning Light
Alcatraz and Yerba Buena Islands, San Francisco Bay, Foggy Morning Light

Alcatraz and Yerba Buena Islands, San Francisco Bay, Foggy Morning Light. San Francisco, California. March 21, 2009 © Copyright 2009 G Dan Mitchell – all rights reserved.

San Francisco Bay morning fog over begins to break up over Alcatraz and Yerba Buena Islands and the San Francisco Oakland Bay Bridge.

I made this photograph back around the start of spring in 2009. I recall shooting from the Marin Headlands back toward the Bay as the fog began to break up, still obscuring the view but allowing beams of light to begin to come through the gloom and light up portions of the Bay. Alcatraz Island is at upper left and beyond that is the Treasure Island and Yerba Buena Island complex.

Many things intrigued me about this scene. Although it is in shadow still, Alcatraz stands out as the clearest object in the scene. The patterns on the water were amazing, created by a combination of the normal surface waves, the wakes of ships that had passed, and the mottled and mixed lighting of areas of fog and sun. Beyond the main subjects and over the East Bay shoreline around Oakland, light beams come down from the clearing fog.

This photograph is also an example of why I save and later review all of my raw files. Either because I don’t understand the image when I first make it or perhaps I move on to the next project too quickly sometimes it is not unusual when a photograph “slips through the cracks” and I end up overlooking it. This was one of those photographs… which I now find hard to understand.

G Dan Mitchell Photography
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Trail Junction, Redwood Forest and Ferns

Trail Junction, Redwood Forest and Ferns
Trail Junction, Redwood Forest and Ferns

Trail Junction, Redwood Forest and Ferns. Muir Woods National Monument, California. March 8, 2009. © Copyright 2009 G Dan Mitchell – all rights reserved.

A bed of ferns grows at a trail junction under deep redwood forest cover at Muir Woods National Monument.

This photograph was made in the late winter of 2009, during that time of the year when the redwood forest is still very wet and cool, but when flowers are blooming and spring is clearly on the way. The location is along the very popular (and often quite busy) main trail along the creek through the central part of the park. No doubt I had to wait a bit for the combination of these beams of light and no other visitors on the trail!

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

(Basic EXIF data may be available by “mousing over” large images in posts when this page is viewed on the web. Leave a comment if you want to know more.)