Winter dusk light and clouds over the Pacific Ocean at Carmel Highlands near Yankee Point, Pacific Coast Highway, California.
This is the companion image to the black and white photograph I posted yesterday, Before I made the exposures that I used to create that black and white landscape-orientation image, I first made a quick series of bracketed exposures in portrait mode. As I photographed, I knew that the dynamic range was going to be too large for a singe exposure so I quickly made a series of four exposures, from which I selected two that have blended to produce this image.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
A Carmel Highlands cypress trees stands at the edge of a cliff above the Pacific Ocean and Yankee Point at dusk.
Oddly, this is a photograph that sort of “didn’t make the cut” the first time I went through the batch shortly after making the photographs in early 2010. I had spent the afternoon photographing further south in the Big Sur area and several other photographs from the set turned out more as I expected – and this one seemed like a sort of problem child photograph, so I didn’t take the time needed to work with it. Eventually I forgot about it as I went on to other projects.
The photo had been almost a bit of a grab shot. As I was heading north back up the coast, thinking I had finished my shooting and was now on the way home, I was stunned to catch a glimpse of some intense post-sunset light as I rounded the bend at the head of this cove in Carmel Highlands. I wasn’t certain that I could find a composition and work out a photograph in the brief interval the probably remained before the light faded, but I quickly put on the wide angle zoom, attached the camera to the tripod, and headed over to the edge of the bluff. Exposure was a terrible problem because the brilliant and very colorful sky was quite bright, while the close side of the foreground tree was nearly black. I made managed to shoot the scene a few times, shifting from landscape to portrait mode and making three bracketed exposures of each composition.
When I got home and looked at the raw files I think I decided that it was just going to be too much work for too little reward, and I instead went to work on more promising shots from earlier in the afternoon. This week I came upon the series of shots again and wondered what I could do with them. My first inclination was to go with the color, and I did come up with a portrait orientation image in color that I will probably post before long. Then, as I began to work on the landscape mode image, I started to see it as having potential as a monochrome image. I tried it. I liked it. And here it is!
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Black and white photograph of two people standing on a bluff above the Pacific Ocean and overlooking a cove and beach near Davenport California.
Although I have continued posting photographs at a rate of one per day, I have only managed to get into the field to shoot a few times since early November. Yesterday I found time to make it over to the Pacific coast late in the day. I was looking for the foggy, misty, and somewhat gray conditions that are common this time of year, at least when the air has not been cleared by a passing storm. I wasn’t disappointed. While the sky was clear overhead, the air was very moist – my equipment became damp from condensation as I worked.
Since my time was a bit limited – the sun was going down! – I went more or less straight to this spot where I have photographed in the past. (At first I considered going a bit further north to shoot from high bluffs, but I realized that the shot I had in mind from that location would be better earlier in the day.) When I arrived the sun was just dropping below the horizon, but that is what I wanted – I wasn’t looking for one of those brilliant “sun dead ahead” shots. I wanted the post-sunset soft light and enough darkness that I could work with longer exposures.
I parked and walked the short distance to this spot at the head of this cove. The composition is sort of tricky. The “right” (in my view) arrangement of the offshore rock and the surrounding bluffs can only be seen from a very small area – too far right or left and elements start to collide. In addition I wanted that little bit of more distant shoal along the right side of the frame to suggest that the coast continues, and I wanted that flat bit of bluff with a bit of post sunset light at the left. It was a bonus when the two people – probably photographers! – showed up on the top of the left bluff and thoughtfully posed for me as I made long exposures!
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Dawn light on Alkali Lake and the peaks of the eastern Sierra Nevada near Convict Lake.
I posted a photograph very much like this one a month or so ago, but I like this place and the morning light so much that I’m posting this similar photograph. The location is on the shore of a small alkali lake out in Owens Valley/Long Valley, in an area that is full of hot springs. On this very cold early October morning, steam was rising from the many hot springs in the area as the sun rose, lighting the eastern face of the Sierra Nevada near Convict Lake, the sagebrush-covered hills below the Sierra, and finally the surface of the small lake.
For many years after I started visiting the east side of the Sierra Nevada I mostly ignored the high desert terrain such as the area around this lake. As time went on and I looked further east I began to venture out here, and I discovered a beautiful landscape that is affected by proximity to the Sierra but which is not really “Sierra Nevada” itself. The bulk of the eastern escarpment is a constant presence here, but the character of this place is more that of the basin and range country — dry, full of sagebrush, with playas and rocky outcroppings.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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