Tag Archives: silhouette

Artist Point Meadow, Mount Shuksan

Artist Point and Mt. Shuksan
“Artist Point Meadow, Mount Shuksan” — The view of cloud-shrouded Mount Shuksan from a heather-filled sub-alpine meadow at Artist Point, Mt. Baker-Snoqualmie National Forest, Washington.

As my brother and I came around the corner of this trail along the side of the Artist Point ridge, it took our breath away. I arrived a moment after he did, and found him already down among the heather flowers near the small run-off creek setting up his tilt-shift lens to make a close-up photograph of the flowers with the mountains in the distance. Once he finished, I went to work on this wider view of the scene, including the nearby foreground meadow and flowers, the trees along the edge of the drop-off, the pool of light in the valley beyond, and the shoulder of cloud-rimmed Mt. Shuksan with a dramatic sky beyond.

On a technical note, this was a very difficult exposure. When I looked down at the flowers and plants I saw what you see here, and when I looked up I saw the cloud-filled sky roughly as it appears in this photograph – but the dynamic range was so wide (ranging from parts of the foreground trees in deep shadow to distant snow fields in direct sun) that one exposure could not capture all of the scene data… so I used three which were then combined in post using masked layers and blended manually.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sunset on Building With Columns, High Line Park

Sunset on Building With Columns, High Line Park
Sunset on Building With Columns, High Line Park

Sunset on Building With Columns, High Line Park. New York, New York. August 14, 2010. © Copyright 2010 G Dan Mitchell – all rights reserved.

Sunset light illuminates tall columns of the Standard Hotel along the High Line Elevated Park in Chelsea, New York City.

This is another photograph from our Friday evening walk along the High Line Elevated Park in Chelsea. We walked under the Standard Hotel, which straddles the park at this point, just as the warm and saturated pre-sunset light was peaking. Given the quality of the light and the beautiful evening, I was surprised that there were no people on the other side of the plexiglas wall – there were certainly plenty of us enjoying the evening along the walkway of the park.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Morning Virga, Mono Lake

Morning Virga, Mono Lake
“Morning Virga, Mono Lake” —Isolated Mono Lake tufa towers stand in the morning light below clouds dropping morning virga.

Early in the morning, Mono Lake is often a very still and quiet place and the sense of empty space and the scale of the landscape are palpable. Down close to the water the only sound comes from the gulls and the water is often nearly glass-smooth. (For a while – later in the day the wind often rises and the things become more agitated.)

I had spent an hour or more photographing at the shoreline in and around tufa towers and had finished for the morning. I had packed everything up and loaded the car and was actually starting to drive away when I saw this scene composed almost entirely of blue tones, with the clouds dropping virga (rain that doesn’t reach the ground) above the distant mountains, and a few isolated tufas offshore.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Shoreline Reflections, Trees and Rocks

“Shoreline Reflections, Trees and Rocks” — Silhouetted trees and boulders and their reflections lining a flooded section of the shoreline of Tenaya Lake.

During peak snow melt many Sierra Nevada lakes overflow and flood surrounding meadows and forest. Although the water level was lower at the end of June when I made this photograph than it had been three weeks earlier during my first visit of the year, many areas in the margins of the lake were flooded. (This, of course, makes the mosquito population very happy – and human visitors less so!) The early morning sun back-lit these closely spaced trees and the rocks ringing this quiet flooded area along the shoreline.

I have visited this lake for many years. I’ve long been intrigued by this particular spot, where flat granite slabs line the shoreline, allowing the lake to expand and contract across shallows as the season progresses. Later in the season this spot can be dry, but early season in this wetter-than-usual year the water flooded this small pool and what might otherwise be shoreline trees were on a rocky peninsula. Those trees have been a subject for other photographers— being aware of this I wanted to avoid a photograph that imitated their beautiful work. I arrived in the early morning, when the air was still and cool and the water smooth. I walked about a bit and just looked, then came to this spot, where the complex patterns of the trees and their reflections in the water fill the frame, creating for me a sense of stillness and calm and quiet.

This photograph was a prize winner in the Yosemite Renaissance 2013 show in Yosemite Valley. Prints are available. Email me and/or see the Sales link at the top of this page.

This photograph is the subject of one of my “Photograph Exposed” posts, in which I share more of the story behind the image.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.