Tag Archives: sky

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Sandhill Cranes in Flight, Evening

March 8, 2011 G Dan Mitchell 13 Comments

Five sandhill cranes take flight above the Merced National Wildlife Area in evening light.

Migratory birds have always been a subject that I’ve been aware of, but that I haven’t really paid enough attention to. Intellectually I know of their amazing travels between arctic and more temperate regions and I had heard about their appearance in California each winter season. I recall one magical evening a few years back when I began a long drive from the San Francisco Bay Area to Seattle late on a winter day, and as I travelled up the Sacramento Valley at twilight I saw huge flocks of birds and thought that I’d like to try to photograph this scene. I’ve seen and photographed a few interesting birds such as egrets and pelicans. But I somehow managed to mostly remain uninformed about their presence not far from where I live.

This season several things came together, seemingly by chance, to encourage me to actually make the effort to get out into California’s Great Central Valley to see (and hear!) the birds. The first was a chance meeting with one of my colleagues in front of the college espresso stand one morning. We were having a casual conversation and she mentioned that she had been out in the Cosumnes River area looking for birds recently. We talked a bit more and I asked her for more information. Being a librarian, she provided me with lots of information, including details of how to find some interesting places out there. A day or two later I found my way out to that part of the Valley and saw, for the first time close-up, the flocks of winter birds… and I was hooked. Within a few weeks I saw posts on the Chuq 3.0 blog where Chuq wrote about his photography of these birds. Then I saw a couple videos at Michael Frye’s blog that captured the “fly in” and “fly out” phases at the Merced National Wildlife Area. (This place is located out on a road that has to have my all-time favorite Central Valley road name: Sandy Mush Road ;-)

Fast forward a week or two and I was returning from shooting for four days in Death Valley, and driving into the Central Valley near Bakersfield. I looked at my watch and realized that I could probably make a small detour and be at the Merced National Wildlife Area before sunset. So I headed up highway 99 (rather than the more usual route up highway 5), found the turn off to Sandy Mush Road, and arrived at the area an hour or so before sunset on an evening when the clouds from a departing cold front lingered. I basically had no idea where I was going, since I had done literally no prior research other than finding the location via my iPhone. As I arrived in the general area I found a large field filled with what seemed like several hundred sandhill cranes. Slowly and quietly I stopped my car and got out on the side away from the birds and began to watch. I never did get to see the fly-in up close (though I could see a huge cloud of birds landing at a pond north of my position) but some of these cranes did depart from time to time, and I was able to photograph this group of the magnificent birds against the clouds in the western sky.

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Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

Yellow Building With Dark Windows, Star Trails

March 4, 2011 G Dan Mitchell 2 Comments

Night photography of an old yellow building with dark windows against a backdrop of dark sky with star trails, Mare Island Naval Ship Yard, California.

This is probably a fairly conventional image of Mare Island buildings in some ways and it includes the ever popular star trails! One aspect of doing night photography – especially when exposures are measured in minutes rather than seconds, much less fractions of seconds, and double-especially when you must wait for a second dark-frame exposure to complete – is that you have a lot of time to stand around and observe and think about what you see. A whole lot of time. Before I made this photograph, I had made one of a nearby wall with some interesting windows and a door and illuminated by some light that passed through some intervening stuff, producing interesting shadows. The alley where I was shooting was quite dark, necessitating fairly long exposures, so as I made that previous photograph I had perhaps 10-15 minutes of “standing around time,” during which I was able to observe my surroundings pretty closely.

Lately one subject that I’ve been experimenting with is the upper stories of buildings, shot from below and with sky beyond. Near where I was shooting and next to a nearby alley was this large (apparently) concrete building with dark windows, and its pointed prow against a backdrop of relatively dark sky. I noticed that this section of sky held more bright stars that some other areas and that if I lined things up just right I could position some to either side of the point at the corner of the building.

More Night Photography

Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Shack with Red and Green Interior Lights

March 2, 2011 G Dan Mitchell 2 Comments

A small shack with interior lit by red and green lights at the Mare Island Naval Ship Yard, California.

At last weekend’s night photography shoot with The Nocturnes at Mare Island Naval Ship Yard I wandered a bit further afield than I have on some previous visits, eventually ending up in an area where I have only photographed once before when I unsuccessfully shot a couple of large barn-like buildings. (I think I have a shot of these buildings from this trip that I like, and I’ll post it later on.)

While spending nearly a half hour photographing a light post against the backdrop of a very dark brick building (which amounted to two photographs, given the long exposure times and the follow-up “dark frame exposures) I kept thinking I saw a faint red glow inside a small nearby building. At first I thought that one of my fellow night photographers might be doing some light painting, but the light seemed awfully dim. Eventually I noticed that it was also quite constant – and light painting virtually always involves moving the hand held light source around in order to get a smooth lighting effect. Once I finished shooting the light pole (unsuccessfully, it turns out) I decided I would go over and see what was creating this light.

The buildings appears to be a small “guard shack” or similar, a very old and very dilapidated one room structure. Inside, as best as I could tell, there is a small table, a few chairs, a digital clock of some sort with green letters, and some kind of very dim red light. Intrigued, I decided to see if I could photograph it. One technical problem was going to be the very large difference in lighting between the bright light on the clock and the extremely dim exterior, made worse by the dark color of the building. I figured that I could probably put enough extra light onto the building’s exterior using a very small key chain LED light than I happened to have with me, and that is the major source of light on the front of the building and on the yellow foreground curve – I simply walked around on both sides of the building and moved the small light over its surface.

In the end, I think this is another example of night photography as a source of a certain kind of “fantastic” lighting. The actual scene was very, very dim, and the the intensity of the colors here is almost entirely the result of the very long exposure and a bit of improvised lighting on the yellow curb behind the fence – a photograph of something that cannot be seen with our own eyes.

More Night Photography

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Branch, Water on Salt Flats

February 28, 2011 G Dan Mitchell 10 Comments

A forelorn branch sits near pools of reflecting water on salt flats of Death Valley National Park.

After the brief dawn light on the Panamints ended (see the photograph I posted yesterday) and the world went gray over in that direction, I noticed this odd log or branch sitting out on the mud in the salt flats between some of the ponds that streak this section of the flats. While the two minutes of beautiful color on the Panamints had ended, the increasing light was transforming what had been a fairly solid covering of gray into a transparency that revealed interesting layers and patterns of clouds in the morning sky.

I moved a bit closer and made one final sequence of Death Valley photographs before heading back to Stovepipe Wells to take down my camp and start the long drive home. I tried a couple different compositions, including some in which I was closer to the log, but in the end I prefer this one that put some distance between it and me and, I think, suggests the huge spaces that are among of the most compelling characteristics of this landscape.

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