Tag Archives: stock

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Shoreline Grasses and Subalpine Pond

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Shoreline Grasses and Subalpine Pond
Shoreline Grasses and Subalpine Pond

Shoreline Grasses and Subalpine Pond. Yosemite National Park, California. July 22, 2010. © Copyright G Dan Mitchell – all rights reserved.

Passing clouds reflected in the surface of a subalpine pond with summer meadow grass, Tioga Pass, Yosemite National Park.

I made this photograph on a special afternoon late last July. Although I had been across Tioga Pass earlier in the season when it was still very snowy, this was my first real visit to the summer high country of the season. It was a beautiful, sunny afternoon with just a few fluffy clouds floating about when I came to the meadows near Tioga Pass. The color of the meadow grasses was at just that perfect point that we think of when we imagine summer subalpine meadows – the intense green just before the wildflowers bloom and the inevitable change toward fall begins. (Yes, after some summers in the high country this cycle becomes clearer and clearer.)

I left my car, loaded up a pack of camera equipment, and just wandered the meadow for a good portion of the late afternoon, photographing the grass, the small trees, brooks and snow-melt ponds, and more. By sauntering about with no particular destination in mind I was able to “follow my nose” and find things that I had not seen in this meadow before, including more ponds than I had been aware of. These grasses were growing along the edge of an obscure pond with a complex and curving shoreline, and I photographed them as a few of those small clouds floated by.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Ferry Building and Embarcadero Center Building

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Ferry Building and Embarcadero Center Building
Ferry Building and Embarcadero Center Building

Ferry Building and Embarcadero Center Building. San Francisco, California. July 12, 2010. © Copyright G Dan Mitchell – all rights reserved.

Embarcadero Center and Ferry Building near the San Francisco waterfront on a foggy morning.

This is another photograph that I’ve been sitting on for a while – first while it languished as a raw file between last July and early this year when I did my annual review of the previous year’s images, and then after post-processing as I posted photographs from Death Valley, the Sierra, and the coast. It has been sitting on my desktop long enough.

The photograph was made from the dock side of the San Francisco Ferry Building, looking back over the building past its iconic tower towards some of the modern buildings in the Financial District. The light was very interesting – there was still, obviously, the usual summer morning overcast where I was. However, behind me and out over the Bay the clouds were breaking up and the light was starting to come in at a low angle from off the bay, providing a glow to features like the windows of the tall background building.

This photo was made while walking streets in San Francisco and shooting mostly “old school” with just a 50mm prime.

G Dan Mitchell Photography | Flickr | Twitter (follow me) | Facebook (“Like” my page) | LinkedIn | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

‘Rim of the World’ Overlook, Morning

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'Rim of the World' Overlook, Morning
'Rim of the World' Overlook, Morning

‘Rim of the World’ Overlook, Morning. Sierra Nevada, California. May 7, 2011. © Copyright G Dan Mitchell – all rights reserved.

The view toward Yosemite and the High Sierra from the ‘Rim of the World’ overlook above the Tuolumne River canyon along highway 120.

‘Rim of the World’ is the name given to a scenic overlook above the deep valley of the Tuolumne River along route 120, the northern route into Yosemite National Park. It is something of an odd place. It is a fairly pedestrian traffic pullout, though it overlooks the immense and impressively deep canyon of the Tuolumne. But the view is at least partially obstructed by things like power lines. However, it is a view that on clear days can extend great distances to very high Sierra peaks.

I most often simply blow past the spot on my way to or from the park. However, on this morning as I passed I thought the low morning light looked interesting so I found a spot to turn around and drove back. There was a bit of high cloudiness, and the light was coming across the folds of these foreground hills from the right, lighting up various bits of ridge and trees and illuminating the morning haze enough to amplify the effect of distance. If I’m not mistaken, the further ridge with its faintly seen snow fields is in the area of Mount Hoffman.

G Dan Mitchell Photography | Flickr | Twitter (follow me) | Facebook (“Like” my page) | LinkedIn | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Boulders and Spring Torrent, Cascade Creek

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Boulders and Spring Torrent, Cascade Creek
Boulders and Spring Torrent, Cascade Creek

Boulders and Spring Torrent, Cascade Creek. Yosemite National Park, California. May 7, 2011. © Copyright G Dan Mitchell – all rights reserved.

Runoff from spring snow melt rushes over boulders of Cascade Creek, Yosemite National Park.

I recently posted the black and white version of this photograph of Cascade Creek in full spring flow. I am still undecided about which I prefer. I haven’t printed either as of the date of this posting, and the results of that further work may help me decide.

The color version of this photograph posed a series of post-processing questions and problems that others who have worked with a scene like this one can probably imagine. The creek descends through a narrow, rocky gorge at this point and I photographed it early in the morning before any direct sunlight was able to reach the water. Benefits of shooting at this time included the softer light, which tends to both throw some light into the shadows and to soften the brightest highlights. This also permits a longer exposure which allows the water to blur a bit and express the wild motion of the creek. However, since the primary source of light was the open sky, the camera “sees” a very blue scene. (Our visual system compensates for this, so it doesn’t look as blue as it really is when you are on the scene.)

There are several ways to deal with the color balance issues that this situation creates. You could just “go with the blue,” and I’ve seen photographs done that way. I’ve even seen some in which the photograph amped up the saturation and ended up with something very blue. In general, that’s not my thing! I’m most often looking for something that seems “believable” – it may not be objectively accurate, but I intend it to be “subjectively accurate.” With this in mind, my first instinct was simply to warm the color balance in order to move away from the blue cast and toward a warmer one.

My immediate impression was that this was an improvement, and I worked with this interpretation for several days – but something about it didn’t sit quite right with me. (This is perhaps one reason that I also worked with the black and white rendition in the meantime.) Eventually I did some comparisons between the “warmed up” version and the original… and neither seemed like what I was after. The overly blue original looked garish but the overly warm version seemed artificial. I tried some other approaches and finally discovered that because the blue was so intense that I could simply desaturate it – more than you might think – and keep the “colder” coloration without letting it overwhelm the image.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Canon EOS 5D Mark II (at B&H)
Canon EF 70-200mm f/4 L USM at 126mm (at B&H)
ISO 100, f/16, 1/8 second