Tag Archives: sunset

Sierra Nevada Photographers, Golden Hour Light

Sierra Nevada Photographers, Golden Hour Light
Sierra Nevada Photographers, Golden Hour Light

Sierra Nevada Photographers, Golden Hour Light. Yosemite National Park, California. September 18, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Photographers Charles Cramer and Karl Kroeber working in golden hour light along the shore of a sub-alpine lake high in the Sierra Nevada back-country of Yosemite National Park.

Look! A photograph of people! :-)

I spent a week or so on the trail in the Yosemite back-country with a group of five other photographers this past September. We spent a good stretch of time in the area of some scenic lakes in the northeastern portion of the park. I was out for a week and a day, while the rest of the group spent a few additional days on the trail. Not too long after arriving at the nearby sub-alpine lake that was to be our home for several days, various members of the group started to explore the surrounding area, and on this evening we all decided to climb up the valley from “our” lake to the next higher lake along the drainage. We travelled more or less cross-country up the shallow valley of the creek between the two lakes, passing through beautiful meadows before arriving along the shore of this lake very late in the afternoon.

Once we arrived we more or less split up and focused on different portions of the lake and its surroundings. I mostly shot in one very small area where some beautiful granite boulders were embedded in the shoreline meadow, providing an interesting foreground for photographs across the lake to a nearby peak as the golden hour light arrived. At one point I noticed that my friends Charlie Cramer and Karl Kroeber were shooting nearby, so I paused from my landscape photography to pivot my camera in their direction and make a photograph of them as they worked the golden hour light.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Glacial Erratics, Near Glen Aulin

Glacial Erratics, Near Glen Aulin
Glacial Erratics, Near Glen Aulin

Glacial Erratics, Near Glen Aulin. Yosemite National Park, California. September 16, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Three glacial erratic boulders atop a granite dome near Glen Aulin, Yosemite National Park.

Looking for something to photograph one evening during my September back-country photography trip into the Glen Aulin and McCabe Lakes area of Yosemite National Park, I climbed up from our camp site to the top of this small granite dome or “whaleback” above the valley of Glen Aulin. The dome is merely the most open and exposed portion of a ridge of more durable rock that rises a ways up the slope from near where we were camped, and from its “summit” I had a 360-degree panorama of the surrounding landscape as the day came to an end.

When I first arrived at this spot more than an hour earlier, the sky was almost completely clouded over. This was one of those situations in which the immediate photographic prospects seemed quite limited, with gray skies and murky atmosphere, but with some potential for interesting things to happen if the clouds thinned as sunset approached. So I decided to stick around in this spot rather than wandering around looking for something else, and in the end the clouds did thin. Before I made this photograph, one of the last of the evening, I had managed to find a range of subjects as the light changed: the light from breaks in the clouds began to move across a forest to my right and light a small prominence nearby; light coming over the ridge at the far right back-lit some haze behind trees on a lower ridge that was closer to me; and finally the remaining clouds took on a bit of color right as the sun dropped below the horizon.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

From the Panamints to the Sierra

From the Panamints to the Sierra
From the Panamints to the Sierra

From the Panamints to the Sierra. Death Valley National Park, California. April 1, 2009. © Copyright 2009 G Dan Mitchell – all rights reserved.

A landscape of high desert ridges and mountain ranges extends from Death Valley’s Panamint Range to the peaks of the southern Sierra Nevada in late afternoon light.

This lookout, high in the Panamint Range at the end of a gravel road, is one of my favorite places to be at the end of the day in Death Valley National Park. Perhaps because it is a bit less well-known, because it has a name that is harder to pronounce and remember than “Dantes View,” due to its location at the end of this gravel road which at one point passes along a very exposed section of the ridge, and because it is farther from some of the popular places to stay in the park the number of visitors here remains small. I frequently have the place completely to myself or perhaps share it with one or two others.

Behind the camera position is a stupendous view down into Death Valley itself, many thousands of feet below. But in the other direction, looking back towards the west, a series of rugged high desert valleys and mountain ranges extends all the way to the highest peaks of the southern Sierra Nevada range. In the morning, the front light can show the details of snow and rock on the summit of the Sierra, but in the evening the light crossing the intermediate ridges picks up late-afternoon haze and mutes the details of the scene.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Badwater Salt Flats, Evening

Badwater Salt Flats, Evening
Badwater Salt Flats, Evening

Badwater Salt Flats, Evening. Death Valley National Park, California. March 31, 2009. © Copyright 2009 G Dan Mitchell – all rights reserved.

Black and white photograph of rough patterns in the dried salt desert floor at Badwater Salt Flats, Death Valley National Park.

This is another of the “rediscovered photographs” that I uncovered while reviewing many years of raw files recently. Periodically I go through all of the old archived raw files, partly to cull out a few that I know that I’ll never use, but also because I know that whenever I revisit the old files I discover some photographs that I had forgotten or had never understood at the time I made them. Revisiting the old file archives, I’m sometimes shocked that I passed over certain images.

This one is from the salt flats at Badwater in Death Valley National Park. Technically, this was not shot at precisely “Badwater,” but it is close enough. I was out on the flats in the late afternoon, shooting as the sun dropped behind the Panamint Range. In my view, the best light – with the exception of days when clouds might tower above the Panamints – comes starting right about at the time that the sun passes the line of the ridge as it descends at the end of the day. This takes the incredibly bright and harsh sun off of the playa and provides softer light in the shadow of the range. However, this also presents a problem that almost everyone who has shot here must understand, namely that the illumination by the bright blue sky turns the “white” salt a surprisingly intense blue color. I’ve seen people handle this in a variety of ways: keep the intense, almost gaudy, blue color; do a lot of color correction to get colors that more closely correspond to what we recall seeing; mostly include the sky with its more intense colors; or let the colors go and do a black and white rendition.

Although I’ve “done” this subject in color a number of times, somehow this one seemed to call out for black and white. For one thing, it allowed me to use the interesting shapes of the evening clouds as a dramatic backdrop to the rough and broken shapes of the playa salt polygons. It also allowed me to try an interpretation that focuses on the dramatic potential of the scene.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.