Tag Archives: trail

Rhyolite Bank Ruins, Full Moon Light

Rhyolite Bank Ruins, Full Moon Light
Rhyolite Bank Ruins, Full Moon Light

Rhyolite Bank Ruins, Full Moon Light. Rhyolite, Nevada. March 27, 2010.© Copyright G Dan Mitchell – all rights reserved.

The light of the rising full moon illuminates the ruins of the old bank building against a star-filled sky in the ghost town of Rhyolite, Nevada.

I have photographed the ghost town of Rhyolite, Nevada on several occasions in the past, but always in the very early morning. (I have a habit of hitting Rhyolite before dawn, shooting as long as the light allows, visiting Beatty for cheap gas and breakfast, then heading back to Death Valley via Titus Canyon.) I have wanted to try photographing the location both at sunset and under a full moon, and the timing for both worked out on my late March visit to Death Valley National Park. Late on my second afternoon I headed east out of the Valley and over the pass and arrived at Rhyolite before sunset.

I spent some time wandering around the familiar locations in the unfamiliar late-day light. In the end, my suspicion that Rhyolite is more of an early morning location than an evening location seemed to be confirmed. At this time of year the sun sets a bit too far to the “right” as you look west, and the the light is blocked by a low hill at just the time it would otherwise become interesting. I did make some photographs of the ruins of the ghost town in the fading light… then I settled in to make a few night photographs of the tall bank building ruins.

I’m thinking of this as sort of a practice run for a return visit for more Rhyolite night photography. I think that the full moon timing has potential, but I want to try again and think more about the placement of the structures relative to the North Star. One more thing… when I arrived there was essentially no one else there. Soon a couple other photographers showed up, but the place was still relatively deserted. Then, after dark, I was surprised when a number of cars showed up. There was apparently some sort of night photography workshop visiting the place – perhaps I shouldn’t be surprised that they acted like they owned the place and that the rest of us didn’t matter. Most night photographers would know better than to drive into a shooting location with headlights blazing, and they might ask photographers who were already there if their light painting would interfere with shots underway. Just sayin’…

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 17-40mm f/4 L USM at 22mm
ISO 200, f/11, 432 seconds

keywords: death valley, national, park, nevada usa, north america, scenic, travel, nature, desert, full, moon, light, rising, rhyolite, ghost, town, ruins, abandoned, weathered, column, bank, building, wall, window, sky, star, trail, night, nocturnal, photography, shadow, historic, mining, stock

Redwood Grove, Morning Light – Muir Woods

Redwood Grove, Morning Light - Muir Woods
Redwood Grove, Morning Light - Muir Woods

Redwood Grove, Morning Light – Muir Woods. Muir Woods National Monument, Golden Gate National Recreation Area, California. April 17, 2010. © Copyright G Dan Mitchell – all rights reserved.

Morning light slants though the trunks of tall redwood trees near Bohemian Grove, Muir Woods National Monument, California.

I was surprised by somewhat sunny conditions on this mid-April visit to Muir Woods National Monument north of San Francisco, California. When I left my home in the South Bay very early in the morning it was quite cloudy, and the forecast was for even cloudier (and more persistently cloudy) conditions north of the Golden Gate Bridge. But as I drove through the City the clouds cleared to the north and by the time I was across the Golden Gate it was almost clear, with just a bit of nice high cloudiness to diffuse the light a bit.

I arrived at Muir Woods early enough that I got a parking spot in the closest lot. (Those who visit the place often and who are familiar with the crush of tourists later in the day understand what this means… ;-) As I usually do, I wanders slowly up the trail alongside Redwood Creek, taking in as much of the scene (visual, auditory, olfactory, etc.) as I looked for photographs. Eventually I made it to the bridge (Bridge #2) that crosses the creek just above the old Bohemian Grove. This is a spot where I often photograph if the crowds aren’t too bad – there is a lot to see right here! There are some deciduous trees whose leaves can catch the filtered light in interesting ways; the creek flows through, in places with ferns right down to the waterline; and there are lots of very tall redwood trees. I’ve been working on some photographs in landscape orientation that show groups for the trees, focusing primarily on their massive and parallel trunks – in fact, one from the series on this visit consists of a stitch of something like five horizontal frames. This one is more conventional and is a single exposure.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 70-200mm f/4 L USM at 200mm
ISO 200, f/16, .6 second

keywords: redwood, tree, grove, trunk, foreset, bohemian, muir, woods, national, monument, golden gate, recreation, area, trail, sequoia, sempervirens, tall, big, flora, foliage, nature, scenic, travel, san francisco, marin, county, california, usa, north america, morning, light, slant, stock

Sliding Rock, Cloudy Morning – Racetrack Playa

Sliding Rock, Cloudy Morning - Racetrack Playa
Sliding Rock, Cloudy Morning - Racetrack Playa

Sliding Rock, Cloudy Morning – Racetrack Playa. Death Valley National Park, California. March 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of a “sliding rock” on a cloudy morning at the Racetrack Playa, Death Valley National Park, California.

The weather gods were not on my side during my visit to the Racetrack Playa in Death Valley near the end of March. My plan was to shoot sunset and sunrise, and in between to do night photography. As I drove out there on the terrible washboard gravel road my hopes were high – I saw some interesting looking clouds that looked like they might even form into lenticular clouds. When I arrived I shot a bit in decent light at the “Grandstand” feature near the north end of the playa.

Unfortunately, the good light was short-lived. Before I left the Grandstand a high, thin back of clouds spread across the sky. It stayed in the evening (tantalizing me with some bits of clear sky far to the west), blocked the full moon all night, and was still there when I wandered out onto the playa in the morning to do some early shots. It never did really clear, and I came back from the playa with far fewer good images than I expected. (I shouldn’t have been surprised. I’ve had uniform great luck with lighting on every previous visit, so I was probably due for less than great light.)

In order to make this photograph work I did quite a bit of post-processing, some of which I anticipated when I made the exposure. First of all, I realized that getting everything from the very close rock to the distant ridge in focus would be a problem. So I made three exposures, “focus bracketing” them with one focus on the far ridge, one focused on the rock, and one focused in between. I made a blend of the three exposures in post, keeping the most focused portions of each.

Because the light and colors were fairly flat I decided to go with a black and white interpretation. The conversion was fairly straightforward, but here I also decided to indulge in a bit of post-processing. I duplicated the background layer, turned it into and “overlay,” and added some Gaussian blur. With a bit of dodging, burning, and work with curves, the image ended up where I imagined it would.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography | Twitter | Friendfeed | Facebook | Facebook Fan Page | Email

Technical Data:
Canon EOS 5D Mark II
Canon EF 24-105mm f/4 L IS USM at 80mm
ISO 200, f/16, 1/10 second

keywords: sliding, moving, gliding, rock, stone, racetrack, race, track, playa, cracked, mud, earth, ground, cloudy, mountain, hill, barren, desert, rugged, track, trail, black and white, monochrome, death valley, national, park, california, usa, north america, landscape, nature, travel, scenic, stock

Hiker, Natural Bridge Canyon

Hiker, Natural Bridge Canyon
Hiker, Natural Bridge Canyon

Hiker, Natural Bridge Canyon. Death Valley National Park, California. March 27, 2010. © Copyright G Dan Mitchell – all rights reserved.

A hiker pauses below the bridge in Natural Bridge Canyon, Death Valley National Park, California.

I visited this canyon and its natural bridge on my late-March visit to Death Valley. The Nature Bridge canyon is located just a bit north of Badwater, and after a short drive up the alluvial fan to the trailhead it is an easy hike up an impressively narrow and deep canyon to the large, blocky bridge. I like to save the canyons for mid-morning or late-afternoon shooting, since the light here can actually improve a bit further away from the sunrise/sunset edges of the day – the direct light is block by the tall canyon walls.

This canyon is narrow, but not as narrow as some of the other popular canyons with trails such as Mosaic Canyon, in which there a spots where two people cannot pass. Compared to that this canyon is much wider in most spots, perhaps 20 feet or more in places. Nonetheless the vertical and tall walls of the lower section of the canyon block out most of the sky and give a feeling of being somewhat closed in.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.