Tag Archives: water

Coastal Bluffs in Sunset Light

Coastal Bluffs in Sunset Light - Sunset light momentarily illuminates coastal bluffs near Davenport, California
Sunset light momentarily illuminates coastal bluffs near Davenport, California

Coastal Bluffs in Sunset Light. Near Davenport, California. December 8, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sunset light momentarily illuminates coastal bluffs near Davenport, California

This photograph or one very much equivalent to it might have been made in any of perhaps thousands of locations along the California coastline, given the right time of year, the right atmospheric conditions, and the right light. With just a bit of looking around, these views from promontory bluffs, looking down the coastline past a series of other rugged bluffs are characteristic of the area. This spot happens to be near the small coastal town of Davenport, California just north of Santa Cruz.

The photograph illustrates one thing about my orientation to photographing the coast line and also illustrates something about light. About the coastline… my favorite times of the year on the coast are not the typical peak tourist season times, but instead are during the late fall through early spring period. Not only is coastal fog much less likely – though still possible! – but the ocean is more interesting and variable under the influence of winter weather, the potential for interesting skies is greater, and the generally lower-angle light creates all sorts of interesting possibilities. The clouds in this photograph, which glow just a bit in the momentary sunset light, are from a weak weather front that passed over during this afternoon along the coast. That weather front leads to my second point about light, which I’ll get to by way of telling part of the story of this afternoon’s photography. When I arrived at this location near the middle of the day, the light seemed very, very unpromising. It wasn’t just the usual nature of midday light, but there was a sort of bland haze in the air, and a shield of approaching clouds was coming down from the north – and as the afternoon wore on it became clear that those thick clouds were going to end up in front of the sun in the late afternoon.

However, sometimes the easiest and most predictable light is the least interesting to shoot in, and the least predictable and sometimes least-promising light can occasionally produce momentary wonders if you watch and are ready for them – or just have enough dumb luck to arrive at the right instant! (On the other hand, you can also watch and wait and, in the end, get… nothing. It goes with the territory!) In this case, I thought about two things. First, I thought about how I could photograph this “boring” light. The way I look at it, I’m there because the place, the circumstances, and the time are interesting – in which case there must be some way to produce a photograph in those conditions that reflect that. But that’s not my point with this particular photograph. The point that this one so nicely illustrates has to do with that possibility of momentary light on a day that seems unpromising. I ran into a couple of other photographers on the bluff during the “blah light” period. I wasn’t making photographs at that point, instead mostly just looking around. We talked briefly about the currently uninspiring light, but I pointed out that I thought I could see an edge to the cloud shield far off-shore, and if I was right there just might be a brief moment of special light as the sun passed below that edge and before it reached the horizon. Sure enough, with just a few minutes left before sunset, the sun dropped below the clouds and an intense band of extremely warm light began to suffuse the coastline against the backdrop of gray higher clouds. It lasted for only a minute or two, but that light was worth the wait.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Two Islands, Fog

"Two Islands, Fog" — Two grass covered islands in thick fog
“Two Islands, Fog” — Two grass covered islands in thick fog

I made my first trip of the season to California’s Central Valley in late November, in search of migratory birds – geese, herons, egrets, and so forth. I look forward to this every fall, for the experience of seeing (and hearing!) the birds but also as an excuse to explore the landscape of this part of California and, especially, to do so in interesting and evocative weather conditions. And, yes, fog is among those conditions.

The tule fog is a frequent feature during the winter months in the Central Valley, sometimes sticking around for days on end. One can drive over the hills into the Valley in sunlight, only to see the blanket of fog on the Valley floor ahead, and once inside the fog there is little trace of that brilliant winter sunshine. (Except that this fog, being shallow, sometimes creates the very odd juxtaposition of very impaired visibility and diffused light so bright you can barely look into it. Sometimes you can look up through this fog and see the sky or the moon above.) On this trip, when I arrived at my destination the fog was so thick that bird photography was, to put it mildly, challenging. On my first loop around the dirt road I did go slowly and find a few birds that were close enough to the road to make photographs, but on my second pass I instead thought to focus on the fog-blanketed landscape itself.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Canyon Reflections, Utah

Canyon Reflections, Utah - Reflections in the surface of a slot canyon stream, Utah
Reflections in the surface of a slot canyon stream, Utah

Canyon Reflections, Utah. Grand Staircase-Escalante National Monument, Utah. October 23, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Reflections in the surface of a slot canyon stream, Utah

Among photographers that I know, finding ways to photograph the surface of flowing river and creek water is almost a bit of a game or even an obsession. There is something very appealing about either stopping the motion of the water, or about using longer shutter speeds to let the water blur, revealing the smooth patterns of flowing water and the interesting colorations that we can otherwise easily overlook. People I know seem to have developed their own little idiosyncratic tricks for working with this subject – special shutter speeds, an eye for particular types of reflections, and so forth.

The Utah canyons are a prime place to look for interesting reflection patterns, at least in those canyons in which the water is flowing. This narrow desert canyon contained a small, burbling steam – just enough water to be interesting and dampen boots and pants legs, but not so much as to impede progress up the canyon or make shooting difficult. The trick is to look beyond the apparent surface of the water and instead learn to look for and see the reflections instead. Part of this is looking for interesting flow and ripple patterns, such as the bit of faster moving water moving diagonally across the frame in this image. Another part is to anticipate and then find sources of reflected colored light. This photograph includes several: blue from overhead sky visible above the center of the canyon, purple and burgundy from shaded cliff faces, intense orange reflected from sunlit sandstone, and bright yellow-green from cottonwood and box elder trees.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Stairway, Rain

Stairway, Rain - Black and white photograph of a stairway and a portion of a front wall of a building on a rainy evening at the historic Mare Island Naval Ship Yard, Vallejo, California
Black and white photograph of a stairway and a portion of a front wall of a building on a rainy evening at the historic Mare Island Naval Ship Yard, Vallejo, California

Stairway, Rain. Mare Island Naval Ship Yard, Vallejo, California. November 17, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Black and white photograph of a stairway and a portion of a front wall of Building 45 on a rainy evening at the historic Mare Island Naval Ship Yard, Vallejo, California

I interrupt the almost-steady stream of landscape photographs from the American Southwest (of which there are many more to come) to share a photograph of night photography at the historic Mare Island Naval Ship Yard near Vallejo, California. Depending upon where you see/read this, you may not know that I have been photographing this place at night for a half-dozen years or more, joining a large number of other night photographers who continue to be fascinated by the place. The San Francisco Bay Area group known as The Nocturnes has been instrumental in uncovering the photographic potential of this wonderful location and in ensuring its respectful treatment by photographers, and I was there with them again this week. I’m certain that many people who drive past and see “Mare Island” signs have no idea of how long this place has existed (well back into the 1800s) nor of its historic importance (the first US west coast major ship yard) or some of its “issues,” including the transition from the military to civilian uses and all of the things that this entails.

The whole area, but especially that around the “historic core,” is quite an amazing photographic resource, especially for those who have worked to “see” it at night. There are a number of obvious, impressive, and iconic features – the gantry structures, the power plant, many old buildings, dry docks, and more – yet return visits begin to reveal smaller and subtler features that you could miss on a single visit. There was one wrinkle in this week’s shoot – RAIN! When we assembled there before sunset – for photograph sharing and talk – we knew that a weather front was headed our way, but we hoped that it might hold off long enough to let us complete some shooting first. I wasn’t so sure. (The weather radar app showed a front very close to us!) As soon as it was dark enough, I quickly went to work at this building that I had seen earlier in the day when I arrived. It was already beginning to sprinkle when I got there, and soon the rain increased to the point where I had to work under an umbrella as I completed some relatively long exposures. (For real fun, try juggling camera, lenses, bags, tripod, and an umbrella… in increasing wind… and rain… while trying to attach camera to said tripod and compose and focus!) I had time to make five or six photographs at this location before I had to seek shelter along with my Nocturnes colleagues on the front porch of one of the old officers’ mansions.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.