Tag Archives: water

Alpenglow, Trees, and Granite

Alpenglow, Trees, and Granite
“Alpenglow, Trees, and Granite” — Alpenglow light on trees among granite boulders below glacially-carved Yosemite cliffs..

This is one of my favorite locations in the Yosemite back-country and, in fact, in the entire Sierra Nevada range. This beautiful sub-alpine basis contains three lovely lakes and is surrounded by varied terrain that includes distant views, peaks and ridges towering above, lodgepole pine forests, meadows small and large, and an open view to the west that often provides stunning light late in the day.

As is usually the case, I was camped at the of the three lakes – this time for several days of photography – and I had headed to the upper lake late in the day to do some evening photography. I have photographed there quite a few times, but I still haven’t come close to exhausting the photographic potential of the place. On this evening I knew that I wanted to be ready to photograph the golden hour light, but I was also interested in the smaller groups of trees that grow among the granite boulders and I wanted to see what might develop as alpenglow struck the glacial slopes above the lake.

There is a small, fun twist to the story of this visit. I took a semi-cross-country route to the upper lake from my camp at the lower lake, and because I knew that I’d be returning alone in deep twilight or after dark, on the hike up I was concentrating intensely on fixing a series of landmarks in my mind for the return hike. I was so single-minded about this that I made it all the way to the lake and my first intended subject (a small shoreline tree) without looking around much. It was only a moment after arriving that I got out of focus-on-the-route mode and looked around. I had walked right past the campsite of a couple of photographers without even seeing them, much less saying “hi.” Turns out that the photographers were John Sexton and Anne Larsen. After exchanging greetings and conversation, I went about my business of shooting along the edge of the lake. (If I recall correctly, John was shooting nearby as I made this exposure.)


COMMENT OR QUESTION? Scroll down to the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Blue and Green Receptacles, Yerba Buena Gardens

Blue and Green Receptacles, Yerba Buena Gardens
Blue and Green Receptacles, Yerba Buena Gardens

Blue and Green Receptacles, Yerba Buena Gardens. San Francisco, California. July 15, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Blue and green waste receptacles next to a glass wall at Yerba Buena Gardens, San Francisco.

I’m tempted to not say much about this photograph, beyond the basics of where and when and what. The “where” is along the wall of the performing arts center at San Francisco’s Yerba Buena Center. The when is on a morning with high fog that produced some nice, diffused light. The “what” is, well, a couple of trash cans in front of a large window, behind which there are a couple of other trash cans in the same color scheme, a drinking fountain, and some yellow walls. Profound, no? :-)

G Dan Mitchell Photography
About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

(Basic EXIF data may be available by “mousing over” large images in posts. Leave a comment if you want to know more.)

Pier, San Francisco Waterfront, Morning

Pier, San Francisco Waterfront, Morning
Pier, San Francisco Waterfront, Morning

Pier, San Francisco Waterfront, Morning. San Francisco, California. July 8, 2011. © Copyright G Dan Mitchell – all rights reserved.

An old pier along the San Francisco Bay waterfront, morning light.

When I take the train to San Francisco early on summer mornings, it is frequently the case that the sun is out as I walk along the Embarcadero waterfront, and the light greats a bright glowing atmosphere as the haze and light fog above the bay are backlit. It can be almost too bright to look at. Often the buildings of the east bay and the cranes of the Port of Oakland are faintly visible on the horizon, as they are in this photograph. There is actually a range of east bay mountains above these structures, but they are not quite visible through the glowing atmosphere in this photograph.

The Embarcadero, the road that runs along the waterfront of the bay on the east side of The City, is lined with many old piers. They range from those that have been restored and turned into tourist areas (think of Pier 39 with its souvenir shops), others that house businesses and even a museum or two, some that are primarily parking areas, and a few others that have been left to rot in the sun. In some ways, those in the latter group are the most interesting to photograph, though there are fewer of them now that the value of this waterfront real estate has once again been recognized. Originally, this was a working port with passenger and freight ships. Now most of that business has gone across the bay to Oakland. However, today the bay front properties are probably more valuable for other purposes anyway.

I have photographed this particular pier before, but this time I liked the very bright sky, barely visible structures across the bay, and the morning light that is just hitting the left side of the buildings on the pier.

G Dan Mitchell Photography
Flickr | Twitter (follow me) | Facebook (“Like” my page) | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rocky Shoreline, Lower Young Lake

Rocky Shoreline, Lower Young Lake
Rocky Shoreline, Lower Young Lake

Rocky Shoreline, Lower Young Lake. Yosemite National Park, California. September 14, 2010. © Copyright 2011 G Dan Mitchell – all rights reserved.

Morning light shines through the forest on the rocky shoreline of Lower Young Lake, Yosemite National Park.

The three Young Lakes are among my favorite places in the Yosemite back-country, and I visit them pretty much every summer. As I did when I made this photograph, I most often to in the last season – I like to visit after Labor Day weekend, when the crowds begin to diminish, the weather is a bit cooler, fall colors begin, and everything in the Sierra seems to slow down in anticipation of the coming winter.

On this visit I camped for something like three nights at the lower lake, and thus had time to photograph throughout the basin at different times of day. On this morning I got up early as I usually do, and spent a good part of the morning photographing along the shoreline of this lake, starting in the area near where most people camp and where the trail passes along the shoreline. A bit later I crossed the outlet stream and followed the rocky shoreline around to the far shore where the forest opens into rocky meadows near the main inlet stream.

In the photograph, the early light is coming from behind the trees in the shoreline forest and glancing off the tops of the boulders on the shore and in the shallow water. There were two photographic challenges in making this photograph. First, the dynamic range between the brightest sunlit spots on the rocks and the darker areas in the forest is extreme. In some cases I might resort to blending multiple exposures as a way to deal with this issue, but here I was able to recover enough detail from a single frame. The second issue relates to the color of the light. Specifically, while the sunlit areas have a fairly warm quality, the light in the shadows on the rocks and in the shaded areas of the forest turns out to be distinctly blue in a photograph. In fact, these areas end up looking much more blue than you would think if you were there – this has to do with the way our minds process what we see to make it more like what we think it should be… if that makes any sense. In any case, the decisions here ended up being about how much blue would be the right amount.

G Dan Mitchell Photography
About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

(Basic EXIF data is available by “mousing over” large images in blog posts. Leave a comment if you want to know more.)