Images

Aspens and Boulders, Autumn

Aspens and Boulders, Autumn
An intimate scene of small autumn-colored aspen trees and boulders, Eastern Sierra Nevada.

Aspens and Boulders, Autumn. © Copyright 2021 G Dan Mitchell – all rights reserved.

An intimate scene of small autumn-colored aspen trees and boulders, Eastern Sierra Nevada.

When it comes to Sierra Nevada photographic subjects, I’m probably as susceptible as anyone to the lure of the big landscape — after all, the scale of these mountains is part of what we find so impressive. But I make fewer photographs of those large subjects and far more of odd little bits and pieces that suggest the feelings of the place to me. Many memorable moments in these mountains involve these anonymous places that others might not even stop to photograph. I’m always on the lookout for them, and they form the framework of my history with the range.

As we approach the Eastern Sierra fall color season, scenes from that part of the range are on my mind again. While there are aspens west of the crest, the largest and (to my mind) most impressive examples are on the east side. The color should already have begun, and by the beginning of October the transition will accelerate and spread across the range. For a few weeks the color spreads across the groves, gradually working its way south and to lower elevations before it ends late in the month, setting the stage for the arrival of winter.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Mono Lake Islands, Morning

Mono Lake Islands, Morning
Morning light and haze on Negit and Paoho Islands, Mono Lake and Mono Basin.

Mono Lake Islands, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning light and haze on Negit and Paoho Islands, Mono Lake and Mono Basin.

There are many ways to look at Mono Lake, and a seemingly infinite number of viewpoints to use to take those looks. Many of the most common spots are along the western shoreline, not far from US 395. Not far behind are some of the better known tufa formations. But this is a huge lake and its visual presence is part of the experience throughout the Mono Basin and nearby portions of the Eastern Sierra. Wander about this greater landscape a bit and you’ll inevitably find new and often surprising ways to see the lake and its two volcanic islands.

Since there are so many vista points, the specific identity of any one of them seems somewhat beside the point. In this case I was in a high, quiet, and pleasantly lonely area along the eastern front of the Sierra very early in the morning, which gave me a higher perspective and let me clearly see the major mountains beyond the lake to the east. As the photograph was made in autumn, the typical haze in the atmosphere muted the details of the distant mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

People Standing By Window

People Standing By Window
Two people stand against a dark wall next to a window, Museum of Modern Art.

People Standing By Window. © Copyright 2021 G Dan Mitchell – all rights reserved.

Two people stand against a dark wall next to a window, Museum of Modern Art.

This photograph comes from a Manhattan visit a few years back. We usually are there for at least a week each year — though we have not been back since before the start of the pandemic. We miss the place! We have some traditions when it comes to these visits. One is to indulge me in a lot of “museum time.” (The amount of time I’m willing to spend in such places occasionally makes me the butt of family jokes.) We visited the Museum of Modern Art on this visit, and the photograph comes from there.

I’m often a bit surprised — though by how you’d think I would not be — by how interesting I find museums as photographic spaces. They are full of interesting and sometimes unusual architecture, and they are often designed to incorporate a lot of investing lighting, especially natural lighting. In many cases there is some sort of central atrium or similar that creates a tall, vertical open area… and that provides some wild and off-kilter angles of subjects that would look quite different if photographed on their own level. Here a pair of people stands at the base of a stairway, positioned in the angle between a nearly-black wall and a window.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

A Seal’s Life, Part III

A Seal's Life, Part III
A solitary elephant seal nappping on a Southern California beach.

A Seal’s Life, Part III. © Copyright 2021 G Dan Mitchell – all rights reserved.

A solitary elephant seal nappping on a Southern California beach.

Here is one more — and probably the last for now — in the little “Seal’s Life” series. (I resisted the temptation to call it “lounging seals” or “lazy seals” or similar.) The photographs in the set all came from a very brief visit to an easily accessible location along the shoreline below the Big Sur coast. We took that longer route on a drive to Southern California, and we decided to stop as we passed this spot, despite having stopped there many times before and despite the somewhat uninspiring lighting conditions. It is hard to resist visiting these critters!

In the other posts I mentioned the contrast between the appearance of these creatures on land, where they are somewhere in the lazy to lumbering zone, and their purported speed and grace in the water. I’m not a diver, so I’ve never seen the latter — I just get to see (and hear and smell…) them on the beach. On the day we visited, almost all of them were engaging in pretty much the same activity as this one, namely not much activity at all. The head lifted from time to time, a flipper of sand was sent onto the back, a seal rolled over… but the whole scene was mostly one of apparent sloth.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.