Category Archives: Photographs: Nature

Yankee Point and Cypress, Carmel Highlands, Dusk

Yankee Point and Cypress, Carmel Highlands, Dusk
Yankee Point and Cypress, Carmel Highlands, Dusk

Yankee Point and Cypress, Carmel Highlands, Dusk. Big Sur, California. January 2, 2010. © Copyright G Dan Mitchell – all rights reserved.

A Carmel Highlands cypress trees stands at the edge of a cliff above the Pacific Ocean and Yankee Point at dusk.

Oddly, this is a photograph that sort of “didn’t make the cut” the first time I went through the batch shortly after making the photographs in early 2010. I had spent the afternoon photographing further south in the Big Sur area and several other photographs from the set turned out more as I expected – and this one seemed like a sort of problem child photograph, so I didn’t take the time needed to work with it. Eventually I forgot about it as I went on to other projects.

The photo had been almost a bit of a grab shot. As I was heading north back up the coast, thinking I had finished my shooting and was now on the way home, I was stunned to catch a glimpse of some intense post-sunset light as I rounded the bend at the head of this cove in Carmel Highlands. I wasn’t certain that I could find a composition and work out a photograph in the brief interval the probably remained before the light faded, but I quickly put on the wide angle zoom, attached the camera to the tripod, and headed over to the edge of the bluff. Exposure was a terrible problem because the brilliant and very colorful sky was quite bright, while the close side of the foreground tree was nearly black. I made managed to shoot the scene a few times, shifting from landscape to portrait mode and making three bracketed exposures of each composition.

When I got home and looked at the raw files I think I decided that it was just going to be too much work for too little reward, and I instead went to work on more promising shots from earlier in the afternoon. This week I came upon the series of shots again and wondered what I could do with them. My first inclination was to go with the color, and I did come up with a portrait orientation image in color that I will probably post before long. Then, as I began to work on the landscape mode image, I started to see it as having potential as a monochrome image. I tried it. I liked it. And here it is!

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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Aspen Grove, Dunderberg Road

Aspen Grove, Dunderberg Road
Aspen Grove, Dunderberg Road

Aspen Grove, Dunderberg Road. Eastern Sierra Nevada, California. October 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

A dense grove of thick and twisy aspens growing along Dunderberg Road in the eastern Sierra Nevada.

This just may be my final new aspen photograph from the 2010 season in the eastern Sierra. (Then again, I do go through all of my raw files during the final couple of weeks of the year, and who knows what might turn up!)

The photograph was made late in the day along the dirt track of Dunderberg Road in a grove of trees that I have visited in the past. Aspen trees can assume a seemingly infinite variety of forms, ranging from the groves of tall and slender trees growing in near perfect symmetry to stunted and twisted specimens that seem more like shrubs than trees. In this grove the trees seem to have endured some real stress – they have thick and strong trunks, but the trees are not tall and the trunks are gnarled and twisted in all sorts of crazy directions. Often when you see a trunk as thick as this one you would expect the tree to be quite tall… but not here.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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Fog-Shrouded Curving Ridges, Yosemite Valley

Fog-Shrouded Curving Ridges, Yosemite Valley
Fog-Shrouded Curving Ridges, Yosemite Valley

Fog-Shrouded Curving Ridges, Yosemite Valley. Yosemite National Park, California. October 30, 2010. © Copyright G Dan Mitchell – all rights reserved.

Trees and rocks emerge from fog flowing over curving ridges on the rim of Yosemite Valley during an autumn storm.

This may be the final photograph from the “fog shrouded cliffs” series that came from my late October visit to Yosemite Valley during a fall storm. Since I’ve described this series in some detail previously, I’ll try to keep this comment short. I initially had my eye on the pinnacle at the lower left, and it became a more prominent subject in other photographs in this series. But as I photographed it I was attracted to the angles formed by the foreground ridge rising from left to right and the upper ridge beyond rising the opposite direction. (I think it is the same ridge, with the two sections joined directly above the pinnacle.) The fog/clouds were in constant motion, at one moment almost completely obscuring the scene and a moment later revealing portions of the landscape. For a brief instant the pinnacle stood clear of the clouds and bot sections of the upper ridge were visible.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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Morning Clouds Above the Manifold, Zabriskie Point

Morning Clouds Above the Manifold, Zabriskie Point
Morning Clouds Above the Manifold, Zabriskie Point

Morning Clouds Above the Manifold, Zabriskie Point. Death Valley National Park, California. April 2, 2007. © Copyright G Dan Mitchell – all rights reserved.

Morning clouds fill the sky above the Manifold at Zabriskie Point, Death Valley National Park.

I posted a monochrome version of this photograph yesterday, so there is perhaps a bit less to say about it in this post. To recap briefly, this is a photograph I made over three years ago during a spring visit to Death Valley NPS. This was a bit of a different morning for photographing at Zabriskie Point, if I recall correctly. Usually, photographing here is pretty straightforward – and once you’ve shot it a couple times in “normal” conditions, there is a basic pattern to the progression of light that becomes fairly (though perhaps not totally) clear. Normal conditions here basically mean perfectly clear skies with the sun coming up to the left from the perspective of this photograph or behind in some of the other familiar shots that include Manley Beacon – and light that sequentially illuminates subjects beginning with the highest peaks of the Panamint Range across the Valley and gradually working down into the Valley and finally to the rugged shapes at Zabriskie Point itself.

But clouds can change everything. If I am going to shoot at Zabriskie, I watch for conditions that will bring them. I will generally not stop there if it is “another beautiful clear sunrise” at Zabriskie. (If you haven’t been there before, you should stop and take in this stunning scene, but I’m often looking for something a bit different.) While the results in clear conditions are relatively predictable, they are not at all as predictable when there are clouds. You can end up with something very special… or with a drab, flat, and gray scene. But that’s the thing about special conditions – they wouldn’t be special if they were predictable and frequent!

Thinking back to this morning, my recollection is that it may have been one of those when I arrived to think, “Oh, boy, clouds!” – only to think a bit later, “I wish those clouds would move and give me some light!” I recall some bits of dawn light that were mostly blocked by the clouds. But the very clouds that blocked the hoped-for first dawn light thoughtfully assembled themselves into these impressive forms just a bit later, at right about the time that the warm side-light was getting down into the rugged folds of the Manifold and Gower Wash.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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