It looks like I’m finally coming to the end of this season’s Death Valley Photographs. But there were quite a few, many featuring Lake Manly, the temporary lake flooding Badwater Basin. When the lake appears after a wet year it gives us an unusual opportunity in this desert landscape — to photograph reflected sky and mountains where we would usually see a salt flat.
Continue reading Morning Sky, Edge of Lake Manly
We re-visited this location in Death Valley at the recommendation of a friend. I have photographed here before but was never particularly inspired by the subject. We arrived late in the day, and almost didn’t get there in time for decent light… because we stopped before we got there when I was distracted by another subject.
We showed up just as the sun was dropping behind high ridges to the west, and clouds were further softening the light. That soft light is often good for a subject like this. For one thing it makes the subject less harsh. For another it reduces the contrast between highlights and shadows and opens up those shadows a bit.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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Our late-February visit to Death Valley mostly focused on two subjects — Lake Manly and the wildflower bloom. At first I thought we might forego visiting the dunes at all on this trip, but on our last morning we decided to make an early-morning stop before we headed out of the park.
We arrived quite early — too early, actually. It was still dark when we got there, so we took our time getting our gear together before walking out into a quiet section of the dunes. The ight conditions were not promising, as the sky was rather overcast. While that wasn’t great for photographing the dunes themselves, the soft light was good for photographing small plants and other intimate subjects, like this brown-eyed evening primrose plant.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
This is a place I visit frequently, to the point that some individual trees start to feel like old friends. Among these trees there is a small observation platform, placed there for people who wish to view birds in the nearby ponds. I have stood on the platform many times!
I would not usually photograph this scene — though I have done so in thick fog on a few occasions. But on this evening the scene was a bit special. The warm late-day light was part of it, and the reflection was clear in the unusually still water.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.